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Artist name
Roles
Recordings
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos
vocal
Alleluia, beatus vir qui suffert (Modo I), Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer Natus Est Nobis, Puer natus est nobis, Puer natus est nobis: Introito (Modo VII), Puer natus in Bethlehem: Ritmo (Modo I), Spiritus domini: Introit (Modo VIII), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Francisco Lara Lara (expert in gregorian chant)
chorus master
A Solis Ortus Cardine, Christus Factus Est, De Profundis, Dominus Lesus, Gloria Xv, Hoc Corpus, Ingrediente, Ludas Mercator, Nos Auten, Pange Lingua Gloriosi, Peter, Postquam Surrexit, Pueri Hebraeorum Portantes, Salve Regina (Solemne), Salve, Festa Dies, Traditor Autem - Benedictus, Tristis Est, Una Hora, Vani Creator Spiritus
Maria Francisca Bonmati
producer
Alleluia, beatus vir qui suffert (Modo I), Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer natus est nobis: Introito (Modo VII), Puer natus in Bethlehem: Ritmo (Modo I), Spiritus domini: Introit (Modo VIII), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Ismael Fernández de la Cuesta
chorus master, conductor
Alleluia, beatus vir qui suffert (Modo I), Antifonario mozárabe de León (s. VII): Gloria, Antifonario mozárabe de Silos (S. IX): Oración de Jeremías, Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Códice calixtino (s. XII-XIII): Congaudeant catholici (a 3 voces), Códice calixtino (s. XII-XIII): O audiutur omnium (responsorio), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer Natus Est Nobis, Puer natus est nobis: Introito (Modo VII), Spiritus domini: Introit (Modo VIII)
Francisco Javier Lara (Gregorian chant specialist, musicologist, professor of history and music sciences)
chorus master
Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Puer natus in Bethlehem: Ritmo (Modo I), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Collaborators on this artist's recordings
Artist name
Roles
Recordings
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos
vocal
Alleluia, beatus vir qui suffert (Modo I), Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer Natus Est Nobis, Puer natus est nobis, Puer natus est nobis: Introito (Modo VII), Puer natus in Bethlehem: Ritmo (Modo I), Spiritus domini: Introit (Modo VIII), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Francisco Lara Lara (expert in gregorian chant)
chorus master
A Solis Ortus Cardine, Christus Factus Est, De Profundis, Dominus Lesus, Gloria Xv, Hoc Corpus, Ingrediente, Ludas Mercator, Nos Auten, Pange Lingua Gloriosi, Peter, Postquam Surrexit, Pueri Hebraeorum Portantes, Salve Regina (Solemne), Salve, Festa Dies, Traditor Autem - Benedictus, Tristis Est, Una Hora, Vani Creator Spiritus
Maria Francisca Bonmati
producer
Alleluia, beatus vir qui suffert (Modo I), Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer natus est nobis: Introito (Modo VII), Puer natus in Bethlehem: Ritmo (Modo I), Spiritus domini: Introit (Modo VIII), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Ismael Fernández de la Cuesta
chorus master, conductor
Alleluia, beatus vir qui suffert (Modo I), Antifonario mozárabe de León (s. VII): Gloria, Antifonario mozárabe de Silos (S. IX): Oración de Jeremías, Ave mundi spes Maria: Sequenza (Modos VII y VIII), Christus factus est pro nobis: Gradual (Modo V), Códice calixtino (s. XII-XIII): Congaudeant catholici (a 3 voces), Códice calixtino (s. XII-XIII): O audiutur omnium (responsorio), Genuit puerpera regem: Antiphonal and Psalm 99 (Modo II), Kyrie fons bonitatis: Trope (Modo III), Laetatus sum: Gradual (Modo VII), Mandatum novum do vobis: Antiphonal and Psalm 132 (Modo III), Media vita in morte sumus: Responsorio (Modo IV), Occuli omnium: Gradual (Modo VII), Os iusti: Gradual (Modo I), Puer Natus Est Nobis, Puer natus est nobis: Introito (Modo VII), Spiritus domini: Introit (Modo VIII)
Francisco Javier Lara (Gregorian chant specialist, musicologist, professor of history and music sciences)
chorus master
Hosanna filio David: Antiphonal (Modo VII), Improperium: Offertorio (Modo VIII), Jacta cogitatum tuum: Gradual (Modo VII), Kyrie XI, A (Modo I), Puer natus in Bethlehem: Ritmo (Modo I), Veni sancte spiritus: Sequenza (Modo I), Verbum caro factum est: Responsorio (Modo VIII)
Angel Barco
balance
Puer natus est nobis: Introito (Modo VII)
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