Robert Levin

piano, harpsichord, fortepiano, viola, instrument arranger, organ, clavichord

Sample recordings

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Top collaborators

Artist name Roles Recordings
Schooled in the Classics
Helito George
Rap Bear (Adventure Time character)
Gonzalo Cornejo
Ken Ludwig

Work on other artists' recordings

Artist name Roles Recordings
Schooled in the Classics instrument arranger, piano, viola Abismo de sed, Adagio, Adagio for Viola and Piano, Asturiana, Bonita rama de sauce, Canción, Canción de cuna para dormir un negrito, Chévere, Cuba dentro de un piano, El majo discreto, El majo olvidado, El mirar de la maja, El paño moruno, Elegie for Viola and Piano in F minor, Op. 30, Elegie op. 30, Elegie op.44, Elegy, Elegy for Cello and Piano, Elégie for Viola and Piano in G minor, Op. 44, Jota, La maja dolorosa, La rosa y el sauce, Lachrymae for Viola and Piano, Op. 48, Lachymae op. 48, Märchenbilder, op. 113: II. Lebhaft, Märchenbilder, op. 113: III. Rasch, Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck, Nana, Oye mi Ilanto, Pampamapa, Polo, Prendiditos la mano, Punto de habanera, Romance, Romance Oubliée, Romance for Viola and Piano, Romance oubliée for Viola and Piano, S. 132, Se equivocó la paloma, Seguidilla murciana, Sonate für Viola und Piano (1939): I. Breit, mit Kraft, Sonate für Viola und Piano (1939): II. Sehr lebhaft, Sonate für Viola und Piano (1939): III. Phantasie, Sonate für Viola und Piano (1939): IV. Finale, Sonate für Viola und Piano, op. 11 Nr. 4: I. Phantasie, Sonate für Viola und Piano, op. 11 Nr. 4: II. Thema mit Variationen, Sonate für Viola und Piano, op. 11 Nr. 4: III. Finale mit Variationen, Sonate für Viola und Piano, op. 25 Nr. 4: I. Sehr lebhaft, markiert und kraftvoll, Sonate für Viola und Piano, op. 25 Nr. 4: II. Sehr langsame Viertel, Sonate für Viola und Piano, op. 25 Nr. 4: III. Finale, lebhafte Viertel, Sonate in Es-Dur, Op. 120 No. 2: I. Allegro amabile, Sonate in Es-Dur, Op. 120 No. 2: II. Allegro appassionato - Sostenuto - Tempo I, Sonate in Es-Dur, Op. 120 No. 2: III. Andante con moto - Allegro - Più tranquillo, Sonate in f-Moll, Op. 120 No. 1: I. Allegro appassionato - Sostenuto ed espressivo, Sonate in f-Moll, Op. 120 No. 1: II. Andante un poco Adagio, Sonate in f-Moll, Op. 120 No. 1: III. Allegretto grazioso, Sonate in f-Moll, Op. 120 No. 1: IV. Vivace, Triste, Viola Sonata, op. 147: I. Moderato, Viola Sonata, op. 147: II. Allegretto, Viola Sonata, op. 147: III. Adagio
Helito George fortepiano Cello Sonata in A major, op. 69: I. Allegro, ma non tanto, Cello Sonata in A major, op. 69: II. Scherzo: Allegro molto, Cello Sonata in A major, op. 69: IIIa. Adagio cantabile –, Cello Sonata in A major, op. 69: IIIb. Allegro vivace, Cello Sonata in C major, op. 102 no. 1: IIa. Adagio – Tempo d'andante –, Cello Sonata in C major, op. 102 no. 1: IIb. Allegro vivace, Cello Sonata in C major, op. 102 no. 1: Ia. Andante –, Cello Sonata in C major, op. 102 no. 1: Ib. Allegro vivace, Cello Sonata in D major, op. 102 no. 2: I. Allegro con brio, Cello Sonata in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto, Cello Sonata in D major, op. 102 no. 2: III. Allegro – Allegro fugato, Cello Sonata in F major, op. 5 no. 1: II. Allegro vivace, Cello Sonata in F major, op. 5 no. 1: Ia. Adagio sostenuto –, Cello Sonata in F major, op. 5 no. 1: Ib. Allegro, Cello Sonata in G minor, op. 5 no. 2: II. Rondo: Allegro, Cello Sonata in G minor, op. 5 no. 2: Ia. Adagio sostenuto ed espressivo, Cello Sonata in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto, Horn Sonata in F major, op. 17: I. Allegro moderato, Horn Sonata in F major, op. 17: II. Poco adagio, quasi andante, Horn Sonata in F major, op. 17: III. Rondo: Allegro moderato, Variations in E-flat major on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte, WoO 46, Variations in F major on "Ein Mädchen oder Weibchen" from Mozart's Die Zauberflöte, op. 66, Variations in G major on "See the conqu'ring hero comes" from Handel's Judas Maccabaeus, WoO 45
Rap Bear fortepiano Choral Fantasy, op. 80 (alternative improvised introduction no. 1), Choral Fantasy, op. 80 (alternative improvised introduction no. 2), Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio, Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo, Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio, Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo, Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro, Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato, Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -, Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto, Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro a non troppo, Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Adagio, Fantasy for Piano, Chorus and Orchestra in C minor, op. 80: Finale: Allegro, Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro - Andante - Tempo I
Gonzalo Cornejo fortepiano Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): I. Allegro moderato, Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): II. Andante con moto, Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): III. Rondo. Vivace, Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: I. Adagio molto - Allegro con brio, Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: II. Larghetto, Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: III. Scherzo. Allegro, Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: IV. Allegro molto
Ken Ludwig piano Figures de résonances pour deux pianos: I, Figures de résonances pour deux pianos: II, Figures de résonances pour deux pianos: III, Figures de résonances pour deux pianos: IV
Robert Schumann piano Fantasiestücke, op. 73: I. Zart und mit Ausdruck, Fantasiestücke, op. 73: II. Lebhaft, leicht, Fantasiestücke, op. 73: III. Rasch und mit Feuer