MUSICAL BACON
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eighth blackbird
instrument, performer
By-By Huey, Cast, Cheating, Lying, Stealing, Checkered Shade, Come Round: I., Come Round: II., Come Round: III., Coming Together, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Critical Moments 2: I. Dotted eighth note = 120, Critical Moments 2: II. Quarter note: 104, Critical Moments 2: III. Eighth note = 88, Critical Moments 2: IV. Eighth note = 112, Critical Moments 2: IX. Dotted eighth note = 126, Critical Moments 2: V. Quarter note = 88, Critical Moments 2: VI. Dotted quarter note = 112, Critical Moments 2: VII. Quarter note = 44, Critical Moments 2: VIII. Quarter note = 63, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Doublespeak, Evanescence, Fantasy Etudes, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Les moutons de Panurge, Mine, Mime, Meme, Murder Ballades: Brushy Fork, Murder Ballades: Dark Holler, Murder Ballades: Omie Wise, Murder Ballades: Pretty Polly, Murder Ballades: Tears for Sister Polly, Murder Ballades: Wave the Sea, Murder Ballades: Young Emily, Petroushskates, Pocket Symphony: A, Pocket Symphony: B, Pocket Symphony: C, Pocket Symphony: D, Pocket Symphony: E, Pocket Symphony: F, South Catalina, Strange Imaginary Remix, Thirteen Ways: I. Leaden, bleak, Thirteen Ways: II. Aloof, persistent, Thirteen Ways: III. Nimble, capricious, Thirteen Ways: IV. Sensuous, relaxed, Thirteen Ways: IX. Spacious, detached, Thirteen Ways: V. Feely, like a birdsong, Thirteen Ways: VI., Thirteen Ways: VI. Subdued, but urgently, Thirteen Ways: VII. Exuberant, but increasingly stodgy, Thirteen Ways: VIII., Thirteen Ways: VIII. Steady, rhythmic, Thirteen Ways: X. Orotund, discordant, Thirteen Ways: XI., Thirteen Ways: XI. Driving, relentless, Thirteen Ways: XII. Seamless, expansive, Thirteen Ways: XIII. Serene, Variations, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, [crossfade]
Bill Maylone
editor, engineer
By-By Huey, Cast, Catch for Clarinet, Violin, Cello and Piano, Checkered Shade, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Evanescence, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Mine, Mime, Meme, Music in Similar Motion, South Catalina, Still Life With Avalanche, Strange Imaginary Remix, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, [crossfade], …à mesure
Judith Sherman
engineer, mix, producer
Catch for Clarinet, Violin, Cello and Piano, Coming Together, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Les moutons de Panurge, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Pocket Symphony: A, Pocket Symphony: B, Pocket Symphony: C, Pocket Symphony: D, Pocket Symphony: E, Pocket Symphony: F, Still Life With Avalanche, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, …à mesure
Nicholas Photinos
cello
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Michael J. Maccaferri
clarinet
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Collaborators on this artist's recordings
Artist name
Roles
Recordings
eighth blackbird
instrument, performer
By-By Huey, Cast, Cheating, Lying, Stealing, Checkered Shade, Come Round: I., Come Round: II., Come Round: III., Coming Together, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Critical Moments 2: I. Dotted eighth note = 120, Critical Moments 2: II. Quarter note: 104, Critical Moments 2: III. Eighth note = 88, Critical Moments 2: IV. Eighth note = 112, Critical Moments 2: IX. Dotted eighth note = 126, Critical Moments 2: V. Quarter note = 88, Critical Moments 2: VI. Dotted quarter note = 112, Critical Moments 2: VII. Quarter note = 44, Critical Moments 2: VIII. Quarter note = 63, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Doublespeak, Evanescence, Fantasy Etudes, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Les moutons de Panurge, Mine, Mime, Meme, Murder Ballades: Brushy Fork, Murder Ballades: Dark Holler, Murder Ballades: Omie Wise, Murder Ballades: Pretty Polly, Murder Ballades: Tears for Sister Polly, Murder Ballades: Wave the Sea, Murder Ballades: Young Emily, Petroushskates, Pocket Symphony: A, Pocket Symphony: B, Pocket Symphony: C, Pocket Symphony: D, Pocket Symphony: E, Pocket Symphony: F, South Catalina, Strange Imaginary Remix, Thirteen Ways: I. Leaden, bleak, Thirteen Ways: II. Aloof, persistent, Thirteen Ways: III. Nimble, capricious, Thirteen Ways: IV. Sensuous, relaxed, Thirteen Ways: IX. Spacious, detached, Thirteen Ways: V. Feely, like a birdsong, Thirteen Ways: VI., Thirteen Ways: VI. Subdued, but urgently, Thirteen Ways: VII. Exuberant, but increasingly stodgy, Thirteen Ways: VIII., Thirteen Ways: VIII. Steady, rhythmic, Thirteen Ways: X. Orotund, discordant, Thirteen Ways: XI., Thirteen Ways: XI. Driving, relentless, Thirteen Ways: XII. Seamless, expansive, Thirteen Ways: XIII. Serene, Variations, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, [crossfade]
Bill Maylone
editor, engineer
By-By Huey, Cast, Catch for Clarinet, Violin, Cello and Piano, Checkered Shade, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Evanescence, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Mine, Mime, Meme, Music in Similar Motion, South Catalina, Still Life With Avalanche, Strange Imaginary Remix, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, [crossfade], …à mesure
Judith Sherman
engineer, mix, producer
Catch for Clarinet, Violin, Cello and Piano, Coming Together, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Friction Systems, Indigenous Instruments: I., Indigenous Instruments: II., Indigenous Instruments: III., Les moutons de Panurge, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Pocket Symphony: A, Pocket Symphony: B, Pocket Symphony: C, Pocket Symphony: D, Pocket Symphony: E, Pocket Symphony: F, Still Life With Avalanche, Violence, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time), Zaka, …à mesure
Nicholas Photinos
cello
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Michael J. Maccaferri
clarinet
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Matthew Duvall
percussion, vibraphone
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Jeanne Velonis
editor
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Matt Albert
viola, violin
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Lisa Kaplan
piano
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Tim Munro (flautist)
flute
Catch for Clarinet, Violin, Cello and Piano, Damaged Goods: III. About Time, Damaged Goods: IV. Eleventh Hour, Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast, Meanwhile: Incidental Music to Imaginary Puppet Plays: I. Procession, Meanwhile: Incidental Music to Imaginary Puppet Plays: II. Fanfares, Meanwhile: Incidental Music to Imaginary Puppet Plays: III. Narration, Meanwhile: Incidental Music to Imaginary Puppet Plays: IV. Spikefiddlers, Meanwhile: Incidental Music to Imaginary Puppet Plays: V. Cradle-songs, Meanwhile: Incidental Music to Imaginary Puppet Plays: VI. Celebration, Music in Similar Motion, Still Life With Avalanche, …à mesure
Hsi-Ling Chang
engineer
Divinum Mysterium: I. Beginnings, Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters, Divinum Mysterium: III. Light, Divinum Mysterium: IV. Rest, Divinum Mysterium: V. Rejoicing, Vox Balaenae (Voice of the Whale): Sea-Nocturne (…for the End of Time), Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Archeozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Cenozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Mesozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Paleozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Proterozoic, Vox Balaenae (Voice of the Whale): Variations on Sea-Time: Sea Theme, Vox Balaenae (Voice of the Whale): Vocalise (…for the Beginning of Time)
Michael Bishop (Telarc recording engineer and record producer)
recording
By-By Huey, Cast, Checkered Shade, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Mine, Mime, Meme, South Catalina, [crossfade]
Elaine Martone (engineer)
producer
By-By Huey, Cast, Checkered Shade, Conduit: I. Touch, Conduit: II. Pulse, Conduit: III. Send, Mine, Mime, Meme, South Catalina, [crossfade]
John Kilgore
mix
Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast
Steve Reich
mix
Double Sextet: I. Fast, Double Sextet: II. Slow, Double Sextet: III. Fast
Gordon Fitzell
producer
Evanescence
Dennis DeSantis
producer
Strange Imaginary Remix
Allen Otte
arranger
Petroushskates
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