Norma Procter

vocal

Top collaborators

Artist name Roles Recordings
Christopher K. Koenigsberg
Mong Rosseel
Gustav Mahler
Lucid (dubstep/electro producer)
Erich Wolfgang Korngold

Work on other artists' recordings

Artist name Roles Recordings
Christopher K. Koenigsberg vocal Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ia. "Veni, Creator Spiritus!", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ib. "Imple superna gratia", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ic. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Id. Tempo I. (Allegro, etwas hastig.), Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ie. "Infirma nostri corporis", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! If. "Accende lumen sensibus", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ig. "Qui Paraclitus diceris", Symphony No. 8 in E-flat major, Part I: Hymnus: Veni, Creator Spiritus! Ih. "Gloria Patri Domino", Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIa. Poco adagio, Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIb. Più mosso. (Allegro moderato), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIc. "Waldung, sie schwankt heran" (Heilige Anachoreten), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IId. "Ewiger Wonnebrand" (Pater Ecstaticus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIe. "Wie Felsenabgrund mir zu Füßen" (Pater Profundus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIf. "Gerettet ist das edle Glied" (Chor der Engel und Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIg. "Jene Rosen, aus den Händen" (Chor der jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIh. "Uns bleibt ein Erdenrest" (Die vollendeteren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIi. "Ich spür' soeben" (Die jûngeren Engel), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIj. "Hier ist die Aussicht frei" (Doctor Marianus) / "Freudig empfangen wir" (Chor seliger Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIk. "Höchste Herrscherin der Welt" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIl. "Jungfrau, rein im schänsten Sinne" (Doctor Marianus und Chor), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIm. Aussert langsam. Adagissimo., Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIn. "Dir, der Unberührbaren" (Chöre) / "Du schwebst zu Höhen" (Una Poenitentium und Chor der Büßerinnen), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIo. "Bei der Liebe, die den Fen" (Magna Peccatrix), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIp. "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIq. "Bei dem hochgeweigten Orte" (Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIr. "Die du grossen Sünderinnen" (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIs. "Neige, neige, du Ohnegleiche" (Una Poenitenium), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIt. "Er überwächst uns schon" (Selige Knaben), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIu. "Vom edlen Geisterchor umgeben" (Una Poenitentium (Gretchen)), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIv. "Komm! Hebe dich zu höhern Sphären!" (Mater Gloriosa), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIw. "Blicket auf zum Retterblick" (Doctor Marianus), Symphony No. 8 in E-flat major, Part II: Final Scene from Goethe's "Faust": IIx. "Alles Vergängliche" (Chorus Mysticus)
Mong Rosseel vocal Das Klagende Lied, Part I: I. Beim Weidenbaum, im kühlen Tann, Das Klagende Lied, Part I: II. Ein Spielmann zog einst des Weges daher, Das Klagende Lied, Part I: III. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: IV. Von hohen Felsen erglänzt das Schloß, Das Klagende Lied, Part II: V. Was ist der König so stumm und bleich, Das Klagende Lied, Part II: VI. Ach Spielmann, lieber Spielmann mein!, Das Klagende Lied, Part II: VII. Auf springt der König von seinem Thron, Das Klagende Lied, Part II: VIII. Ach Bruder, lieber Bruder mein!
Gustav Mahler vocal Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann", Das klagende Lied: Erster Teil, II. "Ein Spielmann zog einst des Weges daher", Das klagende Lied: Erster Teil, III. "Ach Spielmann, lieber Spielmann mein!", Das klagende Lied: Zweiter Teil, IV. "Von hohen Felsen erglanzt das Schloß", Das klagende Lied: Zweiter Teil, V. "Was ist der Konig so stumm und bleich", Das klagende Lied: Zweiter Teil, VI. "Ach Spielmann, lieber Spielmann mein!"
Lucid vocal Symphonie no. 8 “Symphonie der Tausend”, Part I Hymnus “Veni, creator spiritus”: I. Allegro Impetuoso “Veni, creator spiritus”, Symphonie no. 8 “Symphonie der Tausend”, Part II Schlußszene aus Goethes “Faust”: IIb. Äusserst langsam. Adagissimo “Dir, der Unberührbaren”, Symphonie nr. 2 “Auferstehung”: IV. Urlicht. Sehr feierlich, aber schlicht, Symphonie nr. 2 “Auferstehung”: Langsam. Misterioso
Erich Wolfgang Korngold vocal The Constant Nymph: Tomorrow
VDon vocal Bless This House