MUSICAL BACON
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Nicolis Louw
Top collaborators
Artist name
Roles
Recordings
David Schneerman
sound
Credits / Introduction to "Sunday", Discussion of "A Weekend in the Country", Introduction to "A Bowler Hat", Introduction to "Another Hundred People", Introduction to "Anyone Can Whistle", Introduction to "Being Alive", Introduction to "Bernstein's Birthday Tribute", Introduction to "Broadway Baby", Introduction to "Children Will Listen", Introduction to "Could I Leave You?", Introduction to "Everybody Ought to Have a Maid", Introduction to "Finishing the Hat", Introduction to "Franklin Shepard, Inc.", Introduction to "Green Finch and Linnet Bird", Introduction to "Happiness", Introduction to "I Must Be Dreaming", Introduction to "I'm Still Here", Introduction to "If You Can Find Me Here", Introduction to "Invocation and Instructions to the Audience", Introduction to "Losing My Mind", Introduction to "Love Will See Us Through" and "You're Gonna Love Tomorrow", Introduction to "Loving You", Introduction to "Marry Me a Little", Introduction to "Me and My Town", Introduction to "Move On", Introduction to "Not a Day Goes by", Introduction to "Now/Later/Soon", Introduction to "Send in the Clowns", Introduction to "Silly People", Introduction to "Someone Woke Up", Introduction to "Someone in a Tree", Introduction to "Take Me to the World", Introduction to "The Best Thing That Ever Has Happened", Introduction to "The Boy From...": Between-Broadway-Shows, Introduction to "The Glamorous Life", Introduction to "The Gun Song", Introduction to "The Sun Won't Set", Introduction to "The-God-Why-Don't-You-Love-Me?-Blues", Introduction to "There Won't Be Trumpets", Introduction to "Too Many Mornings", Introduction to "Waiting for the Girls Upstairs", Introduction to ''A Very Short Violin Sonata'', Introduction to ''How Do I Know?", Introduction to ''I Remember'' And ''Being Alive'', Introduction to ''I'm in Love With a Boy'', Introduction to ''Small World'', Introduction to ''The Girls of Summer'', Introduction to ''Truly Content'', Introductions and Speeches, Remarks, Remarks (End of First Hour), Remarks / Introduction to "A Little Priest", Remarks / Introduction to "Assassins", Remarks / Introduction to "Giants in the Sky", Remarks / Introduction to "Merrily We Roll Along", Remarks / Introduction to Paul Gemignani, Remarks / John Guare - Introduction to Pacific Overtures, The Waltz King of Our Day, [introduction to "Agony"], [introduction to "Another Hundred Lyrics"], [introduction to "Can That Boy Foxtrot?"], [introduction to "I Never Do Anything Twice"], [introduction to the Ying Quartet]
Isaiah Sheffer
producer, vocal
Credits / Introduction to "Sunday", Discussion of "A Weekend in the Country", Introduction to "A Bowler Hat", Introduction to "Another Hundred People", Introduction to "Anyone Can Whistle", Introduction to "Being Alive", Introduction to "Bernstein's Birthday Tribute", Introduction to "Broadway Baby", Introduction to "Children Will Listen", Introduction to "Could I Leave You?", Introduction to "Everybody Ought to Have a Maid", Introduction to "Finishing the Hat", Introduction to "Franklin Shepard, Inc.", Introduction to "Green Finch and Linnet Bird", Introduction to "Happiness", Introduction to "I Must Be Dreaming", Introduction to "I'm Still Here", Introduction to "If You Can Find Me Here", Introduction to "Invocation and Instructions to the Audience", Introduction to "Losing My Mind", Introduction to "Love Will See Us Through" and "You're Gonna Love Tomorrow", Introduction to "Loving You", Introduction to "Marry Me a Little", Introduction to "Me and My Town", Introduction to "Move On", Introduction to "Not a Day Goes by", Introduction to "Now/Later/Soon", Introduction to "Send in the Clowns", Introduction to "Silly People", Introduction to "Someone Woke Up", Introduction to "Someone in a Tree", Introduction to "Take Me to the World", Introduction to "The Best Thing That Ever Has Happened", Introduction to "The Boy From...": Between-Broadway-Shows, Introduction to "The Glamorous Life", Introduction to "The Gun Song", Introduction to "The Sun Won't Set", Introduction to "The-God-Why-Don't-You-Love-Me?-Blues", Introduction to "There Won't Be Trumpets", Introduction to "Too Many Mornings", Introduction to "Waiting for the Girls Upstairs", Introduction to ''A Very Short Violin Sonata'', Introduction to ''How Do I Know?", Introduction to ''I Remember'' And ''Being Alive'', Introduction to ''I'm in Love With a Boy'', Introduction to ''Small World'', Introduction to ''The Girls of Summer'', Introduction to ''Truly Content'', Introductions and Speeches, Remarks, Remarks (End of First Hour), Remarks / Introduction to "A Little Priest", Remarks / Introduction to "Assassins", Remarks / Introduction to "Giants in the Sky", Remarks / Introduction to "Merrily We Roll Along", Remarks / Introduction to Paul Gemignani, Remarks / John Guare - Introduction to Pacific Overtures, The Waltz King of Our Day, [introduction to "Agony"], [introduction to "Another Hundred Lyrics"], [introduction to "Can That Boy Foxtrot?"], [introduction to "I Never Do Anything Twice"], [introduction to the Ying Quartet]
Collaborators on this artist's recordings
Artist name
Roles
Recordings
David Schneerman
sound
Credits / Introduction to "Sunday", Discussion of "A Weekend in the Country", Introduction to "A Bowler Hat", Introduction to "Another Hundred People", Introduction to "Anyone Can Whistle", Introduction to "Being Alive", Introduction to "Bernstein's Birthday Tribute", Introduction to "Broadway Baby", Introduction to "Children Will Listen", Introduction to "Could I Leave You?", Introduction to "Everybody Ought to Have a Maid", Introduction to "Finishing the Hat", Introduction to "Franklin Shepard, Inc.", Introduction to "Green Finch and Linnet Bird", Introduction to "Happiness", Introduction to "I Must Be Dreaming", Introduction to "I'm Still Here", Introduction to "If You Can Find Me Here", Introduction to "Invocation and Instructions to the Audience", Introduction to "Losing My Mind", Introduction to "Love Will See Us Through" and "You're Gonna Love Tomorrow", Introduction to "Loving You", Introduction to "Marry Me a Little", Introduction to "Me and My Town", Introduction to "Move On", Introduction to "Not a Day Goes by", Introduction to "Now/Later/Soon", Introduction to "Send in the Clowns", Introduction to "Silly People", Introduction to "Someone Woke Up", Introduction to "Someone in a Tree", Introduction to "Take Me to the World", Introduction to "The Best Thing That Ever Has Happened", Introduction to "The Boy From...": Between-Broadway-Shows, Introduction to "The Glamorous Life", Introduction to "The Gun Song", Introduction to "The Sun Won't Set", Introduction to "The-God-Why-Don't-You-Love-Me?-Blues", Introduction to "There Won't Be Trumpets", Introduction to "Too Many Mornings", Introduction to "Waiting for the Girls Upstairs", Introduction to ''A Very Short Violin Sonata'', Introduction to ''How Do I Know?", Introduction to ''I Remember'' And ''Being Alive'', Introduction to ''I'm in Love With a Boy'', Introduction to ''Small World'', Introduction to ''The Girls of Summer'', Introduction to ''Truly Content'', Introductions and Speeches, Remarks, Remarks (End of First Hour), Remarks / Introduction to "A Little Priest", Remarks / Introduction to "Assassins", Remarks / Introduction to "Giants in the Sky", Remarks / Introduction to "Merrily We Roll Along", Remarks / Introduction to Paul Gemignani, Remarks / John Guare - Introduction to Pacific Overtures, The Waltz King of Our Day, [introduction to "Agony"], [introduction to "Another Hundred Lyrics"], [introduction to "Can That Boy Foxtrot?"], [introduction to "I Never Do Anything Twice"], [introduction to the Ying Quartet]
Isaiah Sheffer
producer, vocal
Credits / Introduction to "Sunday", Discussion of "A Weekend in the Country", Introduction to "A Bowler Hat", Introduction to "Another Hundred People", Introduction to "Anyone Can Whistle", Introduction to "Being Alive", Introduction to "Bernstein's Birthday Tribute", Introduction to "Broadway Baby", Introduction to "Children Will Listen", Introduction to "Could I Leave You?", Introduction to "Everybody Ought to Have a Maid", Introduction to "Finishing the Hat", Introduction to "Franklin Shepard, Inc.", Introduction to "Green Finch and Linnet Bird", Introduction to "Happiness", Introduction to "I Must Be Dreaming", Introduction to "I'm Still Here", Introduction to "If You Can Find Me Here", Introduction to "Invocation and Instructions to the Audience", Introduction to "Losing My Mind", Introduction to "Love Will See Us Through" and "You're Gonna Love Tomorrow", Introduction to "Loving You", Introduction to "Marry Me a Little", Introduction to "Me and My Town", Introduction to "Move On", Introduction to "Not a Day Goes by", Introduction to "Now/Later/Soon", Introduction to "Send in the Clowns", Introduction to "Silly People", Introduction to "Someone Woke Up", Introduction to "Someone in a Tree", Introduction to "Take Me to the World", Introduction to "The Best Thing That Ever Has Happened", Introduction to "The Boy From...": Between-Broadway-Shows, Introduction to "The Glamorous Life", Introduction to "The Gun Song", Introduction to "The Sun Won't Set", Introduction to "The-God-Why-Don't-You-Love-Me?-Blues", Introduction to "There Won't Be Trumpets", Introduction to "Too Many Mornings", Introduction to "Waiting for the Girls Upstairs", Introduction to ''A Very Short Violin Sonata'', Introduction to ''How Do I Know?", Introduction to ''I Remember'' And ''Being Alive'', Introduction to ''I'm in Love With a Boy'', Introduction to ''Small World'', Introduction to ''The Girls of Summer'', Introduction to ''Truly Content'', Introductions and Speeches, Remarks, Remarks (End of First Hour), Remarks / Introduction to "A Little Priest", Remarks / Introduction to "Assassins", Remarks / Introduction to "Giants in the Sky", Remarks / Introduction to "Merrily We Roll Along", Remarks / Introduction to Paul Gemignani, Remarks / John Guare - Introduction to Pacific Overtures, The Waltz King of Our Day, [introduction to "Agony"], [introduction to "Another Hundred Lyrics"], [introduction to "Can That Boy Foxtrot?"], [introduction to "I Never Do Anything Twice"], [introduction to the Ying Quartet]
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