Michael Gray

balance, engineer, recording

Top collaborators

Artist name Roles Recordings
Helmut Kaufmann
Altima (Dan Ushino)
河口友美
Katia Caré
grassmass

Work on other artists' recordings

Artist name Roles Recordings
Helmut Kaufmann balance Symphony no. 29 in A, K. 201: I. Allegro moderato, Symphony no. 29 in A, K. 201: II. Andante, Symphony no. 29 in A, K. 201: III. Menuetto - Trio, Symphony no. 29 in A, K. 201: IV. Allegro con spirito, Symphony no. 30 in D, K. 202: I. Molto allegro, Symphony no. 30 in D, K. 202: II. Andantino con moto, Symphony no. 30 in D, K. 202: III. Menuetto - Trio, Symphony no. 30 in D, K. 202: IV. Presto, Symphony no. 34 in C, K. 338: I. Allegro vivace, Symphony no. 34 in C, K. 338: II. Andante di molto, Symphony no. 34 in C, K. 338: III. Finale: Allegro vivace
Altima balance Andantino (in the Style of Martini), Cavatina, op. 85 no. 3, Liebeslied, Sicilienne, Slavonic Dance no. 3 in G (arr. Kreisler), Souvenir d'Amérique, op. 17, Tambourin chinois, op. 3, Tango (arr. Kreisler)
河口友美 balance Suite for Violin and Orchestra in A minor, op. 10: I. Presto, Suite for Violin and Orchestra in A minor, op. 10: II. Adagio, Suite for Violin and Orchestra in A minor, op. 10: III. Tempo giusto, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Katia Caré recording Norma: Atti I (part 3), Norma: Atto 1 (conclusion), Norma: Atto I (part 1), Norma: Atto I (part 2), Norma: Atto II (conclusion), Norma: Atto II (part 1)
grassmass balance Sérénade mélancolique, op. 26, Violin Concerto in D major, Op. 35: II. Canzonetta. Andante, Violin Concerto in D major, Op. 35: III. Allegro vivacissimo, Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta / III. Allegro vivacissimo
D.A. recording Anna Bolena: Atto II, Scena I. "Dio, che mi vedi in core", Anna Bolena: Atto II, Scena I. Duetta "Sul suo capo aggravi un Dio" (Anna, Giovanna), Anna Boleno: Atto II, Scena I. " Va, infelice, e teco reca", Anna Boleno: Atto II, Scena I. "Dal mio cor punita io sono"
The Forty Revolutions recording I puritani: Atto I, Scena II. "Chi mosse a' miei desir il genitor?", I puritani: Atto I, Scena II. "Odi...Qual suon si desta?", I puritani: Atto I, Scena II. Duetta "O amato zio" ... "Sai com'arde in petlo mio" (Elvira, Giorgio)
Ponyboy balance Concerto in E, BWV 1042: I. Allegro, Concerto in E, BWV 1042: II. Adagio, Concerto in E, BWV 1042: III. Allegro assai
Beverly Sills recording Anna Bolena: "Cielo, a' miei lunghi spasimi" / "Coppia iniqua", I puritani: "Finì... me lassa!" (Elvira), I putitani: "Vieni, vieni fra queste braccia" (Elvira)
A2A balance Concerto (2 Violins) in D minor, BWV 1043: I. Vivace, Concerto (2 Violins) in D minor, BWV 1043: II. Largo ma non tanto, Concerto (2 Violins) in D minor, BWV 1043: III. Allegro
Jota Erre recording Anna Bolena: Atto I, Scena III (Conclusion)
Jungles recording Anna Bolena: Atto II, Scena II (Beginning)
Kapitol recording Anna Bolena: Atto II, Scena II (Conclusion) / Scena III (Beginning)
Jody Glenham recording Anna Bolena: Atto I, Scena I (Conc.) / Scena II (Beg.)
Kay Weathers recording Anna Bolena: Atto II, Scena III (Conclusion)
Jeremy and The Harlequins recording Anna Bolena: Atto I, Scena I (Beg.)
Ted Kears recording Anna Bolena: Atto I, Scena II (Conclusion) / Scena III (Beginning)
Itzhak Perlman balance Recitativo & Scherzo capriccio, op. 6
EMBATERION balance Romeo and Juliet: Fantasy Overture
Julia Cole recording Anna Bolena: Atto II, Scena I