MUSICAL BACON
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Michael Gray
balance, engineer, recording
Top collaborators
Artist name
Roles
Recordings
Helmut Kaufmann
Altima (Dan Ushino)
河口友美
Katia Caré
grassmass
Work on other artists' recordings
Artist name
Roles
Recordings
Helmut Kaufmann
balance
Symphony no. 29 in A, K. 201: I. Allegro moderato, Symphony no. 29 in A, K. 201: II. Andante, Symphony no. 29 in A, K. 201: III. Menuetto - Trio, Symphony no. 29 in A, K. 201: IV. Allegro con spirito, Symphony no. 30 in D, K. 202: I. Molto allegro, Symphony no. 30 in D, K. 202: II. Andantino con moto, Symphony no. 30 in D, K. 202: III. Menuetto - Trio, Symphony no. 30 in D, K. 202: IV. Presto, Symphony no. 34 in C, K. 338: I. Allegro vivace, Symphony no. 34 in C, K. 338: II. Andante di molto, Symphony no. 34 in C, K. 338: III. Finale: Allegro vivace
Altima
balance
Andantino (in the Style of Martini), Cavatina, op. 85 no. 3, Liebeslied, Sicilienne, Slavonic Dance no. 3 in G (arr. Kreisler), Souvenir d'Amérique, op. 17, Tambourin chinois, op. 3, Tango (arr. Kreisler)
河口友美
balance
Suite for Violin and Orchestra in A minor, op. 10: I. Presto, Suite for Violin and Orchestra in A minor, op. 10: II. Adagio, Suite for Violin and Orchestra in A minor, op. 10: III. Tempo giusto, Violin Concerto in D minor, op. 47: I. Allegro moderato, Violin Concerto in D minor, op. 47: II. Adagio di molto, Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Katia Caré
recording
Norma: Atti I (part 3), Norma: Atto 1 (conclusion), Norma: Atto I (part 1), Norma: Atto I (part 2), Norma: Atto II (conclusion), Norma: Atto II (part 1)
grassmass
balance
Sérénade mélancolique, op. 26, Violin Concerto in D major, Op. 35: II. Canzonetta. Andante, Violin Concerto in D major, Op. 35: III. Allegro vivacissimo, Violin Concerto in D major, op. 35: I. Allegro moderato, Violin Concerto in D major, op. 35: II. Canzonetta / III. Allegro vivacissimo
D.A.
recording
Anna Bolena: Atto II, Scena I. "Dio, che mi vedi in core", Anna Bolena: Atto II, Scena I. Duetta "Sul suo capo aggravi un Dio" (Anna, Giovanna), Anna Boleno: Atto II, Scena I. " Va, infelice, e teco reca", Anna Boleno: Atto II, Scena I. "Dal mio cor punita io sono"
The Forty Revolutions
recording
I puritani: Atto I, Scena II. "Chi mosse a' miei desir il genitor?", I puritani: Atto I, Scena II. "Odi...Qual suon si desta?", I puritani: Atto I, Scena II. Duetta "O amato zio" ... "Sai com'arde in petlo mio" (Elvira, Giorgio)
Ponyboy
balance
Concerto in E, BWV 1042: I. Allegro, Concerto in E, BWV 1042: II. Adagio, Concerto in E, BWV 1042: III. Allegro assai
Beverly Sills
recording
Anna Bolena: "Cielo, a' miei lunghi spasimi" / "Coppia iniqua", I puritani: "Finì... me lassa!" (Elvira), I putitani: "Vieni, vieni fra queste braccia" (Elvira)
A2A
balance
Concerto (2 Violins) in D minor, BWV 1043: I. Vivace, Concerto (2 Violins) in D minor, BWV 1043: II. Largo ma non tanto, Concerto (2 Violins) in D minor, BWV 1043: III. Allegro
Jota Erre
recording
Anna Bolena: Atto I, Scena III (Conclusion)
Jungles
recording
Anna Bolena: Atto II, Scena II (Beginning)
Kapitol
recording
Anna Bolena: Atto II, Scena II (Conclusion) / Scena III (Beginning)
Jody Glenham
recording
Anna Bolena: Atto I, Scena I (Conc.) / Scena II (Beg.)
Kay Weathers
recording
Anna Bolena: Atto II, Scena III (Conclusion)
Jeremy and The Harlequins
recording
Anna Bolena: Atto I, Scena I (Beg.)
Ted Kears
recording
Anna Bolena: Atto I, Scena II (Conclusion) / Scena III (Beginning)
Itzhak Perlman
balance
Recitativo & Scherzo capriccio, op. 6
EMBATERION
balance
Romeo and Juliet: Fantasy Overture
Julia Cole
recording
Anna Bolena: Atto II, Scena I
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