Michael Bergek

balance, recording, engineer, sound, editor

Top collaborators

Artist name Roles Recordings
情報処理部 (ゆゆ式)
Jaco, der Papagei (singing parrot)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer)
Ari Gorman
Milos (German hip-hop)

Work on other artists' recordings

Artist name Roles Recordings
情報処理部 balance, editor, engineer, recording, sound "Swanwhite" Suite, op. 54: Listen! The Robin sings, "Swanwhite" Suite, op. 54: Song of Praise, "Swanwhite" Suite, op. 54: Swanwhite and the Prince, "Swanwhite" Suite, op. 54: The Harp, "Swanwhite" Suite, op. 54: The Maidens with Roses, "Swanwhite" Suite, op. 54: The Peacock, "Swanwhite" Suite, op. 54: The Prince alone, Aladdin - Concert Suite: VII. Negro Dance, Aladdin, FS 89: Aladdin's Dream and Dance of the Morning Mist, Aladdin, FS 89: Chinese Dance, Aladdin, FS 89: Hindu Dance, Aladdin, FS 89: Oriental Festive March, Aladdin, FS 89: The Marketplace at Ispahan, Aladdin, FS 89: The Prisoner's Dance, Aleko: No. 1. Introduction, Aleko: No. 11. Intermezzo, Aleko: No. 5. Women's Dance, Aleko: No. 6. Men's Dance, Belsazars gästabud Suite, op. 51: I. Oriental Procession, Belsazars gästabud Suite, op. 51: II. Solitude, Belsazars gästabud Suite, op. 51: III. Nocturne, Belsazars gästabud Suite, op. 51: IV. Khadra’s Dance, Cassazione, op. 6, Dance Intermezzo, op. 45 no. 2, Finlandia, op. 26:7, Francesca da Rimini, op. 25: Prolog, Francesca da Rimini, op. 25: Prologue. (Largo), Francesca da Rimini, op. 25: Tableau 1, Francesca da Rimini, op. 25: Tableau 2, Francesca da Rimini, op. 25: Tableau I. (Allegro vivace), Francesca da Rimini, op. 25: Tableau II. (Moderato - Allegro vivace), Hamlet, op. 32a: I. Introduction and Night Patrol, Hamlet, op. 32a: II. Funeral March, Hamlet, op. 32a: III. Flourish and Dance Music, Hamlet, op. 32a: IV. The Hunt, Hamlet, op. 32a: IX. Ophelia's Song, Hamlet, op. 32a: V. Pantomime of the Actors, Hamlet, op. 32a: VI. Procession, Hamlet, op. 32a: VII. Musical Pantomime, Hamlet, op. 32a: VIII. Banquet, Hamlet, op. 32a: X. Cradle Song, Hamlet, op. 32a: XI. Requiem, Hamlet, op. 32a: XII. Tournament, Hamlet, op. 32a: XIII. Fortinbras's March, Helios Overture, FS 32, In the Steppes of Central Asia, Kung Kristian II Suite, op. 27: I. Nocturne, Kung Kristian II Suite, op. 27: II. Elegy, Kung Kristian II Suite, op. 27: III. Musette, Kung Kristian II Suite, op. 27: IV. Serenade, Kung Kristian II Suite, op. 27: V. Ballade, Lodolezzi sjunger Suite, op. 39: I. Elegy (Introduction to Act I), Lodolezzi sjunger Suite, op. 39: II. Intermezzo, Lodolezzi sjunger Suite, op. 39: III. Karneval, Maskarade, FS 39: Overture, Maskarade, FS 39: Prelude to Act II, Maskarade, FS 39: The Cockerol's Dance, Mellanspel ur kantaten "Sången", op. 44, Notturno: Andante amoroso (from String Quartet no. 2 in D major), October, op. 131: Moderato - Allegro, Overture on Russian and Kirghiz Folk Themes, op. 115: Moderato - Allegro non troppo - Adagio - Allegro - Presto, Pan and Echo, op. 53, Pan and Syrinx, FS 87, Petite Suite: I. In the convent. Andante religioso, Petite Suite: II. Intermezzo. Tempo di Menuetto, Petite Suite: III. Mazurka. Allegro - Meno mosso - Allegro, Petite Suite: IV. Mazurka. Allegretto - Più animato ed appassionato - Tempo I, Petite Suite: V. Dreams. Andante, Petite Suite: VI. Serenade. Allegretto, Petite Suite: VII. Finale. Scherzo: Allegro vivace - Nocturne: Andantino - Scherzo, Preludio, Prince Igor: Dance of the Polovtsian maidens, Prince Igor: Overture, Rhapsodic Overture: A Fantasy Journey to the Faroes, FS 123, Saga-Dream, FS 46, Serenade in F major, op. 31: I. Ouvertura. Allegrissimo, Serenade in F major, op. 31: II. Reverenza. Tempo di menuetto, tranquillo e grazioso, Serenade in F major, op. 31: III. Canzonetta. Tempo di valse, ma poco tranquillo, Serenade in F major, op. 31: IV. Scherzo. Presto, Serenade in F major, op. 31: V. Notturno. Andante sostenuto, Serenade in F major, op. 31: VI. Finale. Tempo moderato, Sinfonietta on Estonian Motifs: I. Allegro vivace e grazioso, Sinfonietta on Estonian Motifs: II. Ostinato. Largo, Sinfonietta on Estonian Motifs: III. Finale. Allegro molto moderato, Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico, Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento), Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro, Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una Fantasia). Andante. Allegro molto, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1 in F major: I. Tempo molto tranquillo - Allegro, Symphony no. 1 in F major: II. Andante con moto, Symphony no. 1 in F major: III. Allegro amabile, Symphony no. 1 in F major: IV. Allegro non tanto, ma con fuoco - Tranquillo, Symphony no. 1, op. 7: I. Allegro orgoglioso, Symphony no. 1, op. 7: II. Andante, Symphony no. 1, op. 7: III. Allegro comodo, Symphony no. 1, op. 7: IV. Allegro con fuoco, Symphony no. 11 in G minor, op. 103 "The Year 1905": I. Adagio "The Palace Square", Symphony no. 11 in G minor, op. 103 "The Year 1905": II. Allegro "The Ninth of January", Symphony no. 11 in G minor, op. 103 "The Year 1905": III. Adagio "In Memoriam", Symphony no. 11 in G minor, op. 103 "The Year 1905": IV. Allegro non troppo "The Tocsin", Symphony no. 12 in D minor, op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 "The Year 1917": II. Razliv, Symphony no. 12 in D minor, op. 112 "The Year 1917": III. Aurora, Symphony no. 12 in D minor, op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony no. 15, op. 141: I. Allegretto, Symphony no. 15, op. 141: II. Adagio - Largo - Adagio, Symphony no. 15, op. 141: III. Allegretto, Symphony no. 15, op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo all'allegro - Poco largamente - Tempo I - Poco allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Molto largamente - Andante sostenuto - Andante con moto ed energico - Andante - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e soave - Tempo primo - Lento e soave - (attacca), Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato - Moderato assai - Meno moderato e poco a poco ravvivando il tempo - Tempo I - Largamente e pesante - Poco largamente - Molto largamente, Symphony no. 2, op. 16 "The Four Temperaments": I. Allegro collerico, Symphony no. 2, op. 16 "The Four Temperaments": II. Andante comodo e flemmatico, Symphony no. 2, op. 16 "The Four Temperaments": III. Andante malincolico, Symphony no. 2, op. 16 "The Four Temperaments": IV. Allegro sanguineo, Symphony no. 3 in A minor: I. Moderato assai, Symphony no. 3 in A minor: II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3 in C major, op. 52: I. Allegro moderato, Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto, Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto), Symphony no. 3, op. 27 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27 "Sinfonia espansiva": IV. Finale. Allegro, Symphony no. 3: I. Attacca, Symphony no. 3: II. Più mosso - attacca, Symphony no. 3: III. Alla breve, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": II. Allegretto, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29 "The Inextinguishable": IV. Allegro, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegretto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5, op. 50: IIa. Allegro - Un poco più mosso, Symphony no. 5, op. 50: IIb. Presto -, Symphony no. 5, op. 50: IIc. Andante un poco tranquillo -, Symphony no. 5, op. 50: IId. Allegro (Tempo I), Symphony no. 5, op. 50: Ia. Tempo giusto - Adagio non troppo, Symphony no. 5, op. 50: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice": I. Tempo giusto, Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto, Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio, Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6 in E-flat minor, op. 23: I. Poco largamente - Allegro feroce, Symphony no. 6 in E-flat minor, op. 23: II. Presto tenebroso - Andante moderato - Tempo I, Symphony no. 6 in E-flat minor, op. 23: III. Andante appassionato, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Larghetto, Symphony no. 7: III. Allegro marciale, Symphony no. 9 "Sinfonia semplice": I. Adagio, Symphony no. 9 "Sinfonia semplice": II. Adagio, lento, The Age of Gold, op. 22a: I. Introduction, The Age of Gold, op. 22a: II. Adagio, The Age of Gold, op. 22a: III. Polka, The Age of Gold, op. 22a: IV. Dance, The Dryad, op. 45 no. 1, The Miserly Knight: Introduction, The Miserly Knight: Scene 2: In a Cellar (Largo), The Tempest Prelude, op. 109 no. 1, The Tempest Suite no. 1, op. 109 no. 2: I. The Oak Tree, The Tempest Suite no. 1, op. 109 no. 2: II. Humoresque, The Tempest Suite no. 1, op. 109 no. 2: III. Caliban’s Song, The Tempest Suite no. 1, op. 109 no. 2: IV. The Harvesters, The Tempest Suite no. 1, op. 109 no. 2: IX. The Storm, The Tempest Suite no. 1, op. 109 no. 2: V. Canon, The Tempest Suite no. 1, op. 109 no. 2: VI. Scene, The Tempest Suite no. 1, op. 109 no. 2: VII. Intrada. Berceuse, The Tempest Suite no. 1, op. 109 no. 2: VIII. Entr’acte. Ariel’s Song, The Tempest. Suite no. 2, op. 109 no. 3: I. Chorus of the Winds, The Tempest. Suite no. 2, op. 109 no. 3: II. Intermezzo, The Tempest. Suite no. 2, op. 109 no. 3: III. Dance of the Nymphs, The Tempest. Suite no. 2, op. 109 no. 3: IV. Prospero, The Tempest. Suite no. 2, op. 109 no. 3: IX. Dance Episode, The Tempest. Suite no. 2, op. 109 no. 3: V. Song I, The Tempest. Suite no. 2, op. 109 no. 3: VI. Song II, The Tempest. Suite no. 2, op. 109 no. 3: VII. Miranda, The Tempest. Suite no. 2, op. 109 no. 3: VIII. The Naiads, Tiera, Toccata for orchestra
Jaco, der Papagei balance, engineer, recording, sound Allt under himmelens fäste, Ballet Scene (1891), Capriccio espagnol, op. 34: I. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: II. Variazioni. Andante con moto -, Capriccio espagnol, op. 34: III. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: IV. Scena e canto gitano: Allegretto -, Capriccio espagnol, op. 34: V. Fandango asturiano, Die Sprache der Vögel, JS 62: Act III: Wedding March, Du gamla, du friska... (Swedish National Anthem), Festive Overture on the Danish National Anthem in D major, op. 15, Impromptu for string orchestra "Andante lirico", Incidental Music to Kuolema: Canzonetta, op. 62a, Incidental Music to Kuolema: Scene With Cranes, op. 44 no. 2, Incidental Music to Kuolema: Valse Romantique, op. 62b, Incidental Music to Kuolema: Valse Triste, op. 44 no. 1, Karelia Overture, op. 10, Night-Ride and Sunrise, op. 55, Overture in E major (1891), Overture in F major, Promootiomarssi, JS 155, Russian Easter Festival Overture, op. 36, Scaramouche, op. 71: Act I: Scene 1, Scaramouche, op. 71: Act I: Scene 10, Scaramouche, op. 71: Act I: Scene 2, Scaramouche, op. 71: Act I: Scene 3, Scaramouche, op. 71: Act I: Scene 4, Scaramouche, op. 71: Act I: Scene 5, Scaramouche, op. 71: Act I: Scene 6, Scaramouche, op. 71: Act I: Scene 7, Scaramouche, op. 71: Act I: Scene 8, Scaramouche, op. 71: Act I: Scene 9, Scaramouche, op. 71: Act II: Scene 1, Scaramouche, op. 71: Act II: Scene 10, Scaramouche, op. 71: Act II: Scene 11, Scaramouche, op. 71: Act II: Scene 2, Scaramouche, op. 71: Act II: Scene 3, Scaramouche, op. 71: Act II: Scene 4, Scaramouche, op. 71: Act II: Scene 5, Scaramouche, op. 71: Act II: Scene 6, Scaramouche, op. 71: Act II: Scene 7, Scaramouche, op. 71: Act II: Scene 8, Scaramouche, op. 71: Act II: Scene 9, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegro scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia, Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso, Symphony no. 1 in G minor "Sérieuse": III. Stretto, Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante - Allegro con fuoco, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo, Symphony no. 2 in D major "Capricieuse": I. Allegro, Symphony no. 2 in D major "Capricieuse": II. Andante, Symphony no. 2 in D major "Capricieuse": III. Finale. Allegro assai, Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo - Allegretto vivace - Largo, Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando - Allegro, Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia, Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai, Symphony no. 3 in C major "Singulière": I. Allegro fuocoso, Symphony no. 3 in C major "Singulière": II. Adagio - Scherzo. Allegro assai - Adagio, Symphony no. 3 in C major "Singulière": III. Finale. Presto, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo. Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in D major, op. 10 "Västkustbilder": I. Soldis. Lento - Un poco più mosso- Molto tranquillo - Un poco più mosso - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": III. Sommarnatt. Adagio - Molto tranquillo - Un poco più mosso - Largamente - Adagio - Molto vivace - Più mosso - Più mosso sempre - Tempo I - Tranquillo - Largamente - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": Storm. Con fuoco (non troppo presto, largamente) - Più mosso - Con fuoco [Tempo I] - [ ] - A Tempo I (un poco più vivo) - Più mosso (molto) - Tempo I - Adagio molto tranquillo, Symphony no. 4 in E-flat major: I. Allegro risoluto, Symphony no. 4 in E-flat major: II. Adagio, Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto, Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace, Symphony no. 7 in C major, op. 105, The Storm (Groza), Overture, op. 76
Пётр Ильич Чайковский engineer Mazeppa: Act I, Scene I. No. 1. Chorus of Maidens and Scene "Ya zav'yu venok moy dushistiy", Mazeppa: Act I, Scene I. No. 2. Scene, Mariya's Arioso and Duet "Vam lyuby pesni, miliye podruzhki", Mazeppa: Act I, Scene I. No. 3. "Nu, Cestvuyes', Vasiliy, ti menya", Mazeppa: Act I, Scene I. No. 4. Chorus and Dance "Netu, netu tut mostocka, netu perekhodu", Mazeppa: Act I, Scene I. No. 4a. Hopak, Mazeppa: Act I, Scene I. No. 5. Scene and Mazeppa's Arioso "Vot khoroso, lyublyu...", Mazeppa: Act I, Scene I. No. 6. Quarrel Scene "Mazeppa, ty menya smushchayesh' rech'yu", Mazeppa: Act I, Scene II. No. 7. Chorus and Mother's Lament "Ne groza nebesa kroyet tucheyu", Mazeppa: Act I, Scene II. No. 8. Finale "Ochnis' ot gorya, Kochubey!", Mazeppa: Act II, Scene I. No. 9. Dungeon Scene "Tak vot nagrada za donos", Mazeppa: Act II, Scene II. No. 10. Mazeppa's Monologue and Scene with Orlik "Tikha ukraynskaya noch", Mazeppa: Act II, Scene II. No. 10a. Mazeppa's Arioso "O, Mariya, Mariya!", Mazeppa: Act II, Scene II. No. 11. Mazeppa's Scene with Mariya "Moy miliy drug!", Mazeppa: Act II, Scene II. No. 12. Scene Between Mariya and her Mother "Kak blescut zvyozdi v Nebe", Mazeppa: Act II, Scene II. No. 13. Crowd Scene and Drunken Cossack's Song "Skoro li? Vezut al' net? ... Molodushka, moloda", Mazeppa: Act II, Scene II. No. 14. Finale "Oy, goy, chumandra, chumandrikha Moloda!", Mazeppa: Act III, Entr'acte. No. 15. The Battle Of Poltava, Mazeppa: Act III, Scene I. No. 16. Scene and Andrei's Aria "V boyu krovavom, na pole chesti", Mazeppa: Act III, Scene I. No. 17. Scene and Duet "Nevdaleke ya slishu topot...", Mazeppa: Act III, Scene I. No. 18. Appearance of the Demented Mariya "Nescastniy! Vidit Bog, ya ne khotel tvoey pogibeli", Mazeppa: Act III, Scene I. No. 19. Finale "Ushol starik, kak serdtse byotsya", Mazeppa: Introduction
Ari Gorman balance, engineer Aleko: No. 10. Aleko's Cavatina, Francesca da Rimini, op. 25: Tableau 1, Scene 2. "Nictó ne zaglusít revnívïkh dum", Francesca da Rimini, op. 25: Tableau 1, Scene 2. "O, yésli bï tï znála", Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Lyubví tvoyéy khocú ya!", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Net! Vécnoye proklyát'ye!", Francesca da Rimini, op. 25: Tableau I, Scene II. "Nictó ne zaglusít revnívïkh dum" (Lanceotto) / "O, yésli bï tï znála" (Lanceotto), Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 1. To His Sonne, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 2. Oh wert thou in the cauld blast, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 3. Mc Pherson's Farewell, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 4. Jenny, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 5. Sonnet LXVI, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 6. The Kings's Campaign, Symphony no. 14, op. 135: I. De profundis. Adagio, Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration, Three Romances on Poems by Pushkin, op. 46a: No. 2. A jealous maiden, Three Romances on Poems by Pushkin, op. 46a: No. 3. Premonition
Milos balance Suite on the Verses of Michelangelo Buonarroti, op. 145a: Anger, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Creativity, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Dante, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Death, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Immortality, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Love, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Morning, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Night, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Separation, Suite on the Verses of Michelangelo Buonarroti, op. 145a: To the Exile, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Truth, Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante, Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio, Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks' Reply to the Sultan of Constantinople. Allegro
The Triffids engineer Billy, Hell of a Summer, How Could I Help but Love You, I Am a Lonesome Hobo, In the Pines, Keep Your Eyes on the Hole, Lonely Stretch, Personal Things, Property Is Condemned, Raining Pleasure, Sure the Girl I Love, Wide Open Road
Cheney balance Turangalîla-Symphonie: Chant d'amour 1. Modéré, lourd, Turangalîla-Symphonie: Chant d'amour 2. Bien modéré, Turangalîla-Symphonie: Développement de l'amour. Bien modéré, Turangalîla-Symphonie: Introduction. Modéré, un peu vif, Turangalîla-Symphonie: Jardin du sommeil d'amour. Très modéré, très tendre, Turangalîla-Symphonie: Joie du sang des étoiles. Vif, passionné, avec joie, Turangalîla-Symphonie: Turangalîla 1. Presque lent, rêveur, Turangalîla-Symphonie: Turangalîla 2. Un peu vif - bien modéré, Turangalîla-Symphonie: Turangalîla 3. Bien modéré, Turangalîla‐Symphonie: Final. Modéré, presque vif, avec une grande joie
Pedro Miguel Ledo balance The Miserly Knight: Scene 2: In a Cellar "Cto nepodvlástno mne?", The Miserly Knight: Scene 2: In a Cellar "Da! Yésli bï vseslyozï", The Miserly Knight: Scene 2: In a Cellar "Kak molodóy povésa", The Miserly Knight: Scene 2: In a Cellar "No kto vosléd za mnoy", The Miserly Knight: Scene 2: In a Cellar "O, yésli b mog ot vzórov nedostóynïkh", The Miserly Knight: Scene 2: In a Cellar "Tut yest' dublón starínnïy", The Miserly Knight: Scene 2: In a Cellar "Ya kazdiy raz", The Miserly Knight: Scene 2: In a Cellar "Ya spokóyen"
レナ balance Six Poems of Marina Tsvetayeva, op. 143a: Hamlet's Dialogue With Conscience, Six Poems of Marina Tsvetayeva, op. 143a: My Poems, Six Poems of Marina Tsvetayeva, op. 143a: No, the Drum Beat, Six Poems of Marina Tsvetayeva, op. 143a: The Poet and the Tsar, Six Poems of Marina Tsvetayeva, op. 143a: To Anna Akhmatova, Six Poems of Marina Tsvetayeva, op. 143a: Where Does Such Tenderness Come From?
Michael Piccard balance Ekphrasis (Continuo II), for orchestra, Sinfonia: I., Sinfonia: II. O King, Sinfonia: III. In ruhig fliessender Bewegung, Sinfonia: IV., Sinfonia: V.
Alison Hill balance Six Romances on Texts by Japanese Poets, op. 21: An Immodest Glance, Six Romances on Texts by Japanese Poets, op. 21: Before Suicide, Six Romances on Texts by Japanese Poets, op. 21: Death, Six Romances on Texts by Japanese Poets, op. 21: Love, Six Romances on Texts by Japanese Poets, op. 21: Love Without Hope, Six Romances on Texts by Japanese Poets, op. 21: The First and the Last Time
Yung Thug sound Atenarnes sång (Song of the Athenians), op. 31 no. 3, Finlandia with male chorus, op. 26, Har du mod? (Have you courage?), op. 31 no. 2, Sandels, op. 28, Suomen Jääkärien Marssi (Finnish Jäger March), op. 91 no. 1
José Miguel Ginés balance Aleko: No. 2. Chorus, Aleko: No. 7. Chorus, Francesca da Rimini, op. 25: Epilogue. "A-a...", Francesca da Rimini, op. 25: Prolog, Part 2. "A-a...", Francesca da Rimini, op. 25: Prolog.,Part 1. "M-m..."
Tessa balance Symphony no. 14, op. 135: II. Malagueña. Allegretto, Symphony no. 14, op. 135: IV. The Suicide. Adagio, Symphony no. 14, op. 135: V. On Watch. Allegretto, Symphony no. 14, op. 135: X. The Poet's Death. Largo
邰肇玫 balance From Jewish Folk Poetry, op. 79a: No. 11. Happiness, From Jewish Folk Poetry, op. 79a: No. 2. Fussy Mymmy and Auntie, From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father, From Jewish Folk Poetry, op. 79a: No. 8. Winter
Violetshaped recording Symphony no. 4 "Sinfonia lirica": I. Molto moderato, Symphony no. 4 "Sinfonia lirica": II. Allegro con anima, Symphony no. 4 "Sinfonia lirica": III. Andante un poco maestoso, Symphony no. 4 "Sinfonia lirica": IV. Allegro
Banda de Gaitas de Cea balance Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Kak dúmayes', Francéska", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Na cto mne ray", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "O, kak im bïlo sládostno i zútko"
Giovanni Nicoletta balance, engineer Aleko: No. 9. Cradle Scene, Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Moy povelítel' zval menyá?", Francesca da Rimini, op. 25: Tableau I, Scene III. "Moy povelítel' zval menyá?" (Francesca, Lanceotto) / "Lyubví tvoyéy khocú ya!" (Lanceotto) / "Proklyát'ye!" (Lanceotto, Francesca)
Viagra B. balance Symphony no. 14, op. 135: III. Loreley. Allegro molto, Symphony no. 14, op. 135: VI. Madam, look! Adagio, Symphony no. 14, op. 135: XI. Conclusion. Moderato
Cecco e Cipo balance, recording Midvinter, op. 24, Snöfrid, op. 5, Symphony no. 6 in E-flat minor, op. 23: IV. Allegro vivace (quasi presto) - Più sostenuto: "Što mï vídeli" - Andante molto espressivo
Benoît Charvey recording Concertino for Piano and Orchestra: I. Allegro vivace, Concertino for Piano and Orchestra: II. Quasi andante, Concertino for Piano and Orchestra: III. Allegro giocoso, ma non troppo
Miguel Ángel Arenas balance Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Prekásnaya Ginévra", The Miserly Knight: Scene 1:In the Castle "Von, pyos!"
Graflex balance From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty, From Jewish Folk Poetry, op. 79a: No. 9. The Good Life
Eric Daniels balance, engineer Francesca da Rimini, op. 25: Tableau 1, Scene 1, Francesca da Rimini, op. 25: Tableau I, Scene I. "Otvét moy prost" (Lanceotto, Retainers)
Renaldo & The Loaf With The Residents balance From Jewish Folk Poetry, op. 79a: No. 10. A Girl's Song, From Jewish Folk Poetry, op. 79a: No. 5. A Warning
Rod Goodway balance Two Fables of Krylov, op. 4: No. 1. The Dragonfly and the Ant, Two Fables of Krylov, op. 4: No. 2. The Ass and the Nightingale
Luca Vittori balance The Miserly Knight: Scene 3: In the Palace "Barón, ya rad vas vídet'", The Miserly Knight: Scene 3: In the Palace "U vas, Barón, yest' déti?"
Maurizio Giancani balance Francesca da Rimini, op. 25: Prolog, Part 2. "Net bóleye velíkoy skórbi v míre", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "S tobóyu ad mne lúcse ráya!" / Gde tï, tam scast'ye bez koncá!
Bob Bagchus balance, engineer Francesca da Rimini, op. 25: Prolog, Part 2. "A-a..." / "Moy sïn", Francesca da Rimini, op. 25: Prologue. Part 1. "M-m..." (The Tormented) / "Tepér' vstupáyem mï v slepúyu bézdnu" (Virgil Shade, Dante)
Geraint Roberts engineer Concerto for Flute and Orchestra: I. Allegro moderato, Concerto for Flute and Orchestra: II. Allegretto - Adagio ma no troppo - Allegretto - Tempo di marcia
Oliver Luna balance Aleko: No. 12. Young Gypsy's Romance
Graciella Rodriguez balance Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!"
Jawad Karimi engineer Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Poco adagio - Allegro non troppo - Adagio - Allegro vivace
Fabrizio Racioni balance The Miserly Knight: Scene 3: In the Palace "Barón, vï lzóte"
Nino Giuffrida balance The Miserly Knight: Scene 3: In the Palace "Prostíte, gozudár'"
Jesús Ugalde balance The Miserly Knight: Scene 3: In the Palace "Povér'te, gosudár'"
Orchester Gino Mariano balance From Jewish Folk Poetry, op. 79a: No. 3. Lullaby
Pauline Diamond balance Aleko: No. 13. Duet and Finale
John Koenig sound Tulen synty (The origin of fire), op. 32
Portia Diwa balance The Miserly Knight: Scene 1: In the Castle "Kto tam?"
Giamba Lizzori balance Francesca da Rimini, op. 25: Prolog, Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu"
Renato Cantele balance Francesca da Rimini, op. 25: Prolog, Part 2. "Kto éti dva, cto tak legkí dlya vétra?"
Juan Mínguez balance The Miserly Knight: Scene 1: In the Castle "vo cto bï to ni stálo"
Rustic Charm engineer Francesca da Rimini, op. 25: Epilogue. "A-a..." (The Tormented) / "A-a..." & "O, v étot den' mï ból'se ne citáli!" (Francesca, Paolo, The Tormented)
SOYC balance From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation
Echo & The Bunnymen recording Run, Run, Run (live)
E. Gordon balance Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Pust' ne danó nam znat'lobzániy"
Lamram Jam balance From Jewish Folk Poetry, op. 79a: No. 1. Lament for a Dead Infant
Antonio Saglio balance Francesca da Rimini, op. 25: Tableau 1, Scene 3."Proklyát'ye!"
Grey Storm engineer Francesca da Rimini, op. 25: Tableau II. Scene I. "Prekásnaya Ginévra" (Paolo) / "Kak dúmayes', Francéska" (Paolo, Francesca) / "O, kak im bïlo sládostno i zútko" (Paolo, Francesca) / "Pust' ne danó nam znat'lobzániy" (Francesca) / "Na cto mne ray" (Paolo, Francesca) / "S tobóyu ad mne lúcse ráya!" (Francesca, Paolo) / "Gde tï, tam scast'ye bez koncá!" (Francesca, Paolo) / "Net! Vécnoye proklyát'ye!" (Lanceotto)
Manuel González balance Aleko: No. 3. The Old Gypsy's Tale
J. Domingo López balance Aleko: No. 4. Scene and Chorus
Antíoco Llanos balance Aleko: No. 8. Duettino
Lee Moro engineer Francesca da Rimini, op. 25: Prologue. Part 2. "A-a..." (The Tormented) / "A-a..." / "Moy sïn" (The Tormented, Virgil's Shade, Dante) / "A-a..." (The Tormented) / "Kto éti dva, cto tak legkí dlya vétra?" (Dante, The Tormented, Virgil's Shade) / "Net bóleye velíkoy skórbi v míre" (Francesca, Paolo)