Matthias Spitzbarth

sound, editor, mix, engineer, producer, recording

Top collaborators

Artist name Roles Recordings
Julia Kedhammar
Jonathan Plowright
Walter G. Samuels
A Sagittariun (UK electronic producer)
Michael Hearne

Work on other artists' recordings

Artist name Roles Recordings
Julia Kedhammar editor 24 Preludes for Piano, op. 41: I. C major. Moderato, 24 Preludes for Piano, op. 41: II. A minor. Presto, 24 Preludes for Piano, op. 41: III. G major. Moderato, 24 Preludes for Piano, op. 41: IV. E minor. Appassionato-Nostalgico, 24 Preludes for Piano, op. 41: IX. E major. Allegretto, 24 Preludes for Piano, op. 41: V. D major. Andantino sognando, 24 Preludes for Piano, op. 41: VI. B minor. Corale, 24 Preludes for Piano, op. 41: VII. A major. Andante, 24 Preludes for Piano, op. 41: VIII. F-sharp minor. Presto, 24 Preludes for Piano, op. 41: X. C-sharp minor. Largo, 24 Preludes for Piano, op. 41: XI. B major. Misterioso, 24 Preludes for Piano, op. 41: XII. G-sharp minor. Allegro brutale, 24 Preludes for Piano, op. 41: XIII. F-sharp major. Andante, 24 Preludes for Piano, op. 41: XIV. E-flat minor. Allegretto, 24 Preludes for Piano, op. 41: XIX. E-flat major. Andante religioso, 24 Preludes for Piano, op. 41: XV. D-flat major. Moderato, 24 Preludes for Piano, op. 41: XVI. B-flat minor. Allegro ma non troppo, tragico, 24 Preludes for Piano, op. 41: XVII. A-flat major. Adagio tragico, 24 Preludes for Piano, op. 41: XVIII. F minor. Grave, 24 Preludes for Piano, op. 41: XX. C minor. Misterioso, 24 Preludes for Piano, op. 41: XXI. B-flat major. Allegro moderato, 24 Preludes for Piano, op. 41: XXII. G minor. Andante, 24 Preludes for Piano, op. 41: XXIII. F major. Allegretto, 24 Preludes for Piano, op. 41: XXIV. D minor. Grandioso, Chorale, Fugue and Postlude, op. 31: I. Chorale, Chorale, Fugue and Postlude, op. 31: II. Fugue, Chorale, Fugue and Postlude, op. 31: III. Postlude, Ten Dreams, op. 45: I. Allegro ma non troppo. As in a nightmare, Ten Dreams, op. 45: II. Andante ad lib, Ten Dreams, op. 45: III. Andante misterioso, Ten Dreams, op. 45: IV. Allegro ma non troppo, Ten Dreams, op. 45: IX. Allegro misterioso, Ten Dreams, op. 45: V. Tempo di marcia, Ten Dreams, op. 45: VI. Adagio sognando, Ten Dreams, op. 45: VII. Allegro assai, Ten Dreams, op. 45: VIII. Moderato, Ten Dreams, op. 45: X. Allegro
Jonathan Plowright mix Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso, Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo, Piano Sonata no. 3 in F minor, op. 5: III. Scherzo. Allegro energico, Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo (Rückblick). Andante molto, Piano Sonata no. 3 in F minor, op. 5: V. Finale. Allegro moderato ma rubato, Variations and Fugue on a Theme by Handel, op. 24: Aria, Variations and Fugue on a Theme by Handel, op. 24: Fuga, Variations and Fugue on a Theme by Handel, op. 24: Variation I, Variations and Fugue on a Theme by Handel, op. 24: Variation II. Animato, Variations and Fugue on a Theme by Handel, op. 24: Variation III, Variations and Fugue on a Theme by Handel, op. 24: Variation IV. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation IX. Poco più sostenuto, Variations and Fugue on a Theme by Handel, op. 24: Variation V, Variations and Fugue on a Theme by Handel, op. 24: Variation VI, Variations and Fugue on a Theme by Handel, op. 24: Variation VII. Molto vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation VIII, Variations and Fugue on a Theme by Handel, op. 24: Variation X. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XI, Variations and Fugue on a Theme by Handel, op. 24: Variation XII. Più moto, Variations and Fugue on a Theme by Handel, op. 24: Variation XIII. Un poco largamente, Variations and Fugue on a Theme by Handel, op. 24: Variation XIV. Vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XIX. Molto vivace e leggiero, Variations and Fugue on a Theme by Handel, op. 24: Variation XV, Variations and Fugue on a Theme by Handel, op. 24: Variation XVI, Variations and Fugue on a Theme by Handel, op. 24: Variation XVII, Variations and Fugue on a Theme by Handel, op. 24: Variation XVIII, Variations and Fugue on a Theme by Handel, op. 24: Variation XX, Variations and Fugue on a Theme by Handel, op. 24: Variation XXI, Variations and Fugue on a Theme by Handel, op. 24: Variation XXII, Variations and Fugue on a Theme by Handel, op. 24: Variation XXIII. Molto vivace, Variations and Fugue on a Theme by Handel, op. 24: Variation XXIV, Variations and Fugue on a Theme by Handel, op. 24: Variation XXV
Walter G. Samuels sound Kantate, BWV 128 "Auf Christi Himmelfahrt allein": I. Chor "Auf Christi Himmelfahrt allein", Kantate, BWV 128 "Auf Christi Himmelfahrt allein": II. Rezitativ "Ich bin bereit, komm, hole mich!", Kantate, BWV 128 "Auf Christi Himmelfahrt allein": III. Arie "Auf, auf, mit hellem Schall", Kantate, BWV 128 "Auf Christi Himmelfahrt allein": IV. Arie "Sein Allmacht zu ergrunden", Kantate, BWV 128 "Auf Christi Himmelfahrt allein": V. Choral "Alsdenn so wirst du mich", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": I. Chor "Es ist ein trotzig und verzagt Ding", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": II. Rezitativ "Ich meine, recht verzagt", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": III. Arie "Dein sonst hell beliebter Schein", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": IV. Rezitativ "So wundre dich, o Meister, nicht", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": V. Arie "Ermuntert euch, furchtsam und schuchterne Sinne", Kantate, BWV 176 "Es ist ein trotzig und verzagt Ding": VI. Choral "Auf dass wir also allzugleich", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": I. Chor "Wer mich liebet, der wird mein Wort halten", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": II. Arie "Komm, komm, mein Herze steht dir offen", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": III. Rezitativ "Die Wohnung ist bereit", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": IV. Arie "Ich gehe hin und komme wieder zu euch", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Arie "Kommt, eilet, stimmet Sait und Lieder", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VI. Rezitativ "Es ist nichts Verdammliches an denen", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Arie "Nichts kann mich erretten", Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VIII. Choral "Kein Menschenkind hier auf der Erd", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arie "Bisher habt ich nichts gebeten in meinem Namen", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Rezitativ "O Wort, das Geist und Seel erschreckt!", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Arie "Vergib, o Vater, unsre Schuld", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Rezitativ "Wenn unsre Schuld bis an den Himmel steigt", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arie "In der Welt habt ihr Angst", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Arie "Ich will leiden, ich will schweigen", Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muss ich sein betrubet "
A Sagittariun sound Die Zauberharfe: Overture ("Rosamunde" Overture), Funeral March from Adrast, D 137, Symphony no. 1 in D major, D 82: I. Adagio – Allegro vivace, Symphony no. 1 in D major, D 82: II. Andante, Symphony no. 1 in D major, D 82: III. Menuetto. Allegretto, Symphony no. 1 in D major, D 82: IV. Allegro vivace, Symphony no. 2 in B-flat major, D 125: I. Largo – Allegro vivace, Symphony no. 2 in B-flat major, D 125: II. Andante, Symphony no. 2 in B-flat major, D 125: III. Menuetto. Allegro vivace, Symphony no. 2 in B-flat major, D 125: IV. Presto vivace
Michael Hearne sound Suite from the Ballet "Swan Lake": Csárdás: Danse hongroise [Act III, no. 20], Suite from the Ballet "Swan Lake": Danse des cygnes [Act III, no. 13, Var.I], Suite from the Ballet "Swan Lake": Scène [Act II, no. 10 from the ballet], Suite from the Ballet "Swan Lake": Scène [Act II, no. 13, Var.V], Suite from the Ballet "Swan Lake": Scène [Act IV, no. 28 and part of no. 29], Suite from the Ballet "Swan Lake": Valse [Act I, no. 2], Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima, Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza, Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato, Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace
The Vangarde recording, sound Air des clochettes, Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: I. Andante, Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: II. Allegro, Der hölle rache, La Machine de l'être - a monodrama: I. tetème, La Machine de l'être - a monodrama: II. le révelé, La Machine de l'être - a monodrama: III. entremêlés, Luonnotar, op. 70, Scène et air d’Ophélie, Solovei
Stero Sound sound Catch Me If You Can: Joyfully, Catch Me If You Can: Reflectively and Freely, Catch Me If You Can: Stealthily, Concerto for alto saxophone and band: I. Energetic, Concerto for alto saxophone and band: II. Meditative, Concerto for alto saxophone and band: III. Rhythmic, Divertimento pour saxophone alto et orchestre d’harmonie: I. Allegro ma non troppo, Divertimento pour saxophone alto et orchestre d’harmonie: II. Andante, Divertimento pour saxophone alto et orchestre d’harmonie: III. Presto, Escualo
Avenford sound La création du monde: I. Le chaos avant la création, La création du monde: II. La naissance de la flore et de la faune, La création du monde: III. La naissance de l’homme et de la femme, La création du monde: IV. Le désir, La création du monde: Ouverture. Modéré, La création du monde: V. Le printemps ou l’apaisement, Salute the band
Rainer Lingk sound Clarinet Concerto: I. Tempestoso, Clarinet Concerto: II. Cadenza. Tranquillo, Clarinet Concerto: III. Vivace, con brio, Clarinet Concerto: IV. Adagio, mesto, Clarinet Concerto: V. Epilogo. Misterioso
Rob Wellerstein producer, sound Häämarssi I, Häämarssi II, Hääsoitto, In memoriam, Ludus solemnis
Seumas Norv editor On a Distant Shore: I. The Dark, On a Distant Shore: II. The Light, On a Distant Shore: III. The Wild, On a Distant Shore: IV. The Singing, On a Distant Shore: V. The Call
Outmode sound Elegy, op. 58, Symphony no. 4, op. 29 "Det uudslukkelige": I. Allegro –, Symphony no. 4, op. 29 "Det uudslukkelige": II. Poco Allegretto –, Symphony no. 4, op. 29 "Det uudslukkelige": III. Poco adagio quasi andante –, Symphony no. 4, op. 29 "Det uudslukkelige": IV. Allegro
T.E.M. Science sound Concerto for Double Bass and Orchestra: I. Moderato, Passionato, Concerto for Double Bass and Orchestra: II. Cadenza (Pizzicato), Concerto for Double Bass and Orchestra: III. Presto - Tranquillo - Presto, Concerto for Double Bass and Orchestra: IV. Misterioso (Cadenza II), Concerto for Double Bass and Orchestra: V. Andante - Allegro ritmico
Ely El Kah sound Symphony no. 15: I. Nebbia, Symphony no. 15: II. Musica bizzarra, Symphony no. 15: III. Interludio, Symphony no. 15: IV. Musica strana
Will van Overbeek sound Images pour orchestre, L 118: I. Gigues, Images pour orchestre, L 118: II. Ibéria: Le matin d’un jour de fête, Images pour orchestre, L 118: II. Ibéria: Les parfums de la nuit, Prélude à l’après-midi d’un faune, L 87
Wicona Airbag mix, sound Piano Concerto: Fuga, Piano Concerto: Passacaglia, Piano Concerto: Toccata
Super Vintage mix, sound Sea-Change, Tenebrae
Adrien Cailleteau mix Rhapsody-Concerto, H 337: I. Moderato, Rhapsody-Concerto, H 337: II. Molto adagio - Cadenza - Poco allegro - Andante (molto tranquillo)
The Headhunters sound Bogey Thresher