Louis Lortie

piano

Top collaborators

Artist name Roles Recordings
Dewayne Petty
Brynovsky
Chill (Southern US rapper)
The Tombstone Ramblers
Lenny Lashley

Work on other artists' recordings

Artist name Roles Recordings
Dewayne Petty piano 12 Études (a Madame la Comtesse D`Agoult) in A flat major "Aeolian Harp", Op. 25 No. 1: Allegro sostenuto, 12 Études (a Madame la Comtesse D`Agoult) in A minor "Winter Wind", Op. 25 No. 11: Allegro con brio, 12 Études (a Madame la Comtesse D`Agoult) in A minor, Op. 25 No. 4: Agitato, 12 Études (a Madame la Comtesse D`Agoult) in B minor, Op. 25 No. 10: Allegro con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C minor "Ocean", Op. 25 No. 12: Allegro molto con fuoco, 12 Études (a Madame la Comtesse D`Agoult) in C sharp minor, Op. 25 No. 7: Lento, 12 Études (a Madame la Comtesse D`Agoult) in D flat major, Op. 25 No. 8: Vivace assai, 12 Études (a Madame la Comtesse D`Agoult) in E minor, Op. 25 No. 5: Vivace, 12 Études (a Madame la Comtesse D`Agoult) in F major "Cartwheel", Op. 25 No. 3: Allegro, 12 Études (a Madame la Comtesse D`Agoult) in F minor "Balm", Op. 25 No. 2: Presto, 12 Études (a Madame la Comtesse D`Agoult) in G flat major "Butterfly", Op. 25 No. 9: Allegro assai, 12 Études (a Madame la Comtesse D`Agoult) in G sharp minor, Op. 25 No. 6: Allegro, 12 Études (a son ami Franz Liszt) in A flat major, Op. 10 No. 10: Vivace assai, 12 Études (a son ami Franz Liszt) in A minor, Op. 10 No. 2: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 1: Allegro, 12 Études (a son ami Franz Liszt) in C major, Op. 10 No. 7: Vivace, 12 Études (a son ami Franz Liszt) in C minor "Revolutionary", Op. 10 No. 12: Allegro con fuoco, 12 Études (a son ami Franz Liszt) in C sharp minor, Op. 10 No. 4: Presto, 12 Études (a son ami Franz Liszt) in E flat major, Op. 10 No. 11: Allegretto, 12 Études (a son ami Franz Liszt) in E flat minor, Op. 10 No. 6: Andante con molto espressione, 12 Études (a son ami Franz Liszt) in E major "Tristesse", Op. 10 No. 3: Lento ma non troppo, 12 Études (a son ami Franz Liszt) in F major, Op. 10 No. 8: Allegro, 12 Études (a son ami Franz Liszt) in F minor, Op. 10 No. 9: Allegro molto agitato, 12 Études (a son ami Franz Liszt) in G flat major "Black Keys", Op. 10 No. 5: Vivace, A la manière de... Borodine, A la manière de... Chabrier, Années de Pèlerinage: Deuxième Année, Italie, S. 161: I. Sposalizio, Années de Pèlerinage: Deuxième Année, Italie, S. 161: II. Il Penseroso, Années de Pèlerinage: Deuxième Année, Italie, S. 161: III. Canzonetta del Salvator Rosa, Années de Pèlerinage: Deuxième Année, Italie, S. 161: IV. Sonetto 47 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: V. Sonetto 104 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: VI. Sonetto 123 del Petrarca, Années de Pèlerinage: Deuxième Année, Italie, S. 161: VII. Après une lecture du Dante. Fantasia quasi sonata, Années de Pèlerinage: Première Année, Suisse, S. 160: I. Chappelle de Guillaume Tell, Années de Pèlerinage: Première Année, Suisse, S. 160: II. Au lac de Wallenstadt, Années de Pèlerinage: Première Année, Suisse, S. 160: III. Pastorale, Années de Pèlerinage: Première Année, Suisse, S. 160: IV. Au bord d’une source, Années de Pèlerinage: Première Année, Suisse, S. 160: IX. Les cloches de Genève. Nocturne, Années de Pèlerinage: Première Année, Suisse, S. 160: V. Orage, Années de Pèlerinage: Première Année, Suisse, S. 160: VI. Vallée d’Obermann, Années de Pèlerinage: Première Année, Suisse, S. 160: VII. Églogue. De l’expression romantique et du ranz-des-vaches, Années de Pèlerinage: Première Année, Suisse, S. 160: VIII. Le mal du pays, Années de Pèlerinage: Troisième Année, S. 163: I. Angelus! Prière aux anges gardiens, Années de Pèlerinage: Troisième Année, S. 163: II. Aux cyprès de la Villa d’Este. Thrénodie (I), Années de Pèlerinage: Troisième Année, S. 163: III. Aux cyprès de la Villa d’Este. Thrénodie (II), Années de Pèlerinage: Troisième Année, S. 163: IV. Les Jeux d’eaux à la Villa d’Este, Années de Pèlerinage: Troisième Année, S. 163: V. Sunt lacrymae rerum. En mode hongrois. An Hans von Bülow, Années de Pèlerinage: Troisième Année, S. 163: VI. Marche funèbre. En mémoire de Maximilien I, Empereur du Mexique. † 19 Juin 1867, Années de Pèlerinage: Troisième Année, S. 163: VII. Sursum corda, Années de Pèlerinage: Venezia e Napoli, S. 162: I. Gondoliera ("La biondina in gondoletta", canzone del Cavaliere Peruchini), Années de Pèlerinage: Venezia e Napoli, S. 162: II. Canzone ("Nessùn maggior dolore", canzone del Gondoliere nel Otello di Rossini), Années de Pèlerinage: Venezia e Napoli, S. 162: III. Tarantella da Guillaume Louis Cottrau, Années de pèlerinage, deuxième année : Italie : Après une lecture du Dante, Années de pèlerinage, deuxième année : Italie : Canzonetta del Salvator Rosa, Années de pèlerinage, deuxième année : Italie : II Penseroso, Années de pèlerinage, deuxième année : Italie : Sonetto 104 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 123 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sonetto 47 del Petrarca, Années de pèlerinage, deuxième année : Italie : Sposalizio, Ballade no. 1 in G minor, op. 23, Ballade no. 2 in F major, op. 38, Ballade no. 3 in A-flat major, op. 47, Ballade no. 4 in F minor, op. 52, Barcarolle in F-sharp major, op. 60, Berceuse in D-flat major, op. 57, Etude no. 12 in C minor, op. 25, Gaspard de la nuit : I. Ondine, Gaspard de la nuit : II. Le Gibet, Gaspard de la nuit : III. Scarbo, Jeux d'eau, La Valse, Le Tombeau de Couperin : I. Prélude, Le Tombeau de Couperin : II. Fugue, Le Tombeau de Couperin : III. Forlane, Le Tombeau de Couperin : IV. Rigaudon, Le Tombeau de Couperin : V. Menuet, Le Tombeau de Couperin : VI. Toccata, Menuet antique, Menuet sur le nom de Haydn, Miroirs : I. Noctuelles, Miroirs : II. Oiseaux tristes, Miroirs : III. Une barque sur l'océan, Miroirs : IV. Alborada del gracioso, Miroirs : V. La Vallée des cloches, Nocturne no. 13 in C minor, op. 48, no. 1, Nocturne no. 15 in F minor, op. 55, no. 1, Nocturne no. 2 in E-flat major, op. 9, no. 2, Nocturne no. 4 in F major, op. 15, no. 1, Nocturne no. 5 in F-sharp major, op. 15, no. 2, Nocturne no. 6 in G minor, op. 15, no. 3, Pavane pour une infante défunte, Piano Sonata in D major for Four Hands, op. 6: I. Allegro molto, Piano Sonata in D major for Four Hands, op. 6: II. Rondo. Moderato, Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro, Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio, Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegro - Trio, Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo, Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro, Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante, Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai, Piano Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio, Piano Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione, Piano Sonata no. 11 in B-flat major, op. 22: III. Minuetto, Piano Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto, Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni, Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto, Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe. Maestoso andante, Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: I. Andante – Allegro – Andante –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: II. Allegro molto e vivace –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: III. Adagio con espressione –, Piano Sonata no. 13 "quasi una fantasia" in E-flat major, op. 27 no. 1: IV. Allegro vivace – Adagio con espressione – Presto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto –, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto, Piano Sonata no. 14 "quasi una fantasia" in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato, Piano Sonata no. 15 in D major, op. 28 "Pastoral": I. Allegro, Piano Sonata no. 15 in D major, op. 28 "Pastoral": II. Andante, Piano Sonata no. 15 in D major, op. 28 "Pastoral": III. Scherzo. Allegro vivace, Piano Sonata no. 15 in D major, op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo, Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace, Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso, Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto – Adagio – Presto, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo – Allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso – Trio, Piano Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco, Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante, Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro, Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace, Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato, Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto – Trio, Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso, Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro, ma non troppo, Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto, Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio, Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Allegro molto –, Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato, Piano Sonata no. 22 in F major, op. 54: I. In tempo d’un menuetto, Piano Sonata no. 22 in F major, op. 54: II. Allegretto – Più allegro, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai – Più allegro, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto –, Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Andante con moto –, Piano Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile – Allegro ma non troppo, Piano Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace, Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca, Piano Sonata no. 25 in G major, op. 79: II. Andante, Piano Sonata no. 25 in G major, op. 79: III. Vivace, Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": I. Das Lebewohl. Adagio – Allegro, Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": II. Abwesenheit. Andante espressivo, Piano Sonata no. 26 in E-flat major, op. 81a "Les Adieux": III. Das Wiedersehen. Vivacissimamente, Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen, Piano Sonata no. 28 in A major, op. 101: I. Allegretto ma non troppo -, Piano Sonata no. 28 in A major, op. 101: I. Allegretto ma non troppo –, Piano Sonata no. 28 in A major, op. 101: II. Vivace alla marcia -, Piano Sonata no. 28 in A major, op. 101: II. Vivace alla marcia –, Piano Sonata no. 28 in A major, op. 101: III. Adagio ma non troppo, con affetto - Tempo del primo pezzo - Presto -, Piano Sonata no. 28 in A major, op. 101: III. Adagio ma non troppo, con affetto – Tempo del primo pezzo – Presto –, Piano Sonata no. 28 in A major, op. 101: IV. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace – Presto – Tempo I, Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e con molto sentimento, Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo – Allegro risoluto, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: I. Allegro, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: II. Scherzo: assai vivace - Presto: - Tempo I, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: III. Adagio sostenuto - Appassionato e con molto sentimento, Piano Sonata no. 29 in B-flat major, op. 106 ”Hammerklavier”: IV. Largo - Allegro risoluto, Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio, Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio, Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro – Trio, Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai, Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo – Adagio espressivo – Tempo I – Adagio espressivo – Tempo I –, Piano Sonata no. 30 in E major, op. 109: II. Prestissimo, Piano Sonata no. 30 in E major, op. 109: III. Tema. Gesangvoll, mit innigster Empfindung –, Piano Sonata no. 30 in E major, op. 109: Variazione I. Molto espressivo –, Piano Sonata no. 30 in E major, op. 109: Variazione II. Leggiermente –, Piano Sonata no. 30 in E major, op. 109: Variazione III. Allegro vivace –, Piano Sonata no. 30 in E major, op. 109: Variazione IV. Un poco meno andante ciò è un poco più adagio come il tema –, Piano Sonata no. 30 in E major, op. 109: Variazione V. Allegro, ma non troppo –, Piano Sonata no. 30 in E major, op. 109: Variazione VI. Tempo I del tema. Cantabile, Piano Sonata no. 31 in A-flat major, op. 110: Adagio ma non troppo –, Piano Sonata no. 31 in A-flat major, op. 110: Fuga. Allegro ma non troppo –, Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo, Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto –, Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo – Arioso dolente –, Piano Sonata no. 31 in A-flat major, op. 110: L’istesso tempo della Fuga poi a poi di nuovo vivente – Meno allegro – Tempo I, Piano Sonata no. 31 in A-flat major, op. 110: L’istesso tempo di Arioso –, Piano Sonata no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato, Piano Sonata no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile –, Piano Sonata no. 32 in C minor, op. 111: [Variazione III] L’istesso tempo –, Piano Sonata no. 32 in C minor, op. 111: [Variazione II] L’istesso tempo –, Piano Sonata no. 32 in C minor, op. 111: [Variazione IV] –, Piano Sonata no. 32 in C minor, op. 111: [Variazione I] –, Piano Sonata no. 32 in C minor, op. 111: [Variazione V], Piano Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio, Piano Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione, Piano Sonata no. 4 in E-flat major, op. 7: III. Allegro – Minore – Allegro, Piano Sonata no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso, Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio, Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto, Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo, Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro, Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto, Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto, Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto, Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto, Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro – Trio – Menuetto, Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave – Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro, Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro, Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto – Maggiore – Allegretto, Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo, Prélude, Sonatine : I. Modéré, Sonatine : II. Mouvement de Menuet, Sonatine : III. Animé, Sérénade grotesque, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in A flat major, No. 3: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in D flat major, No. 2: Allegretto, Trois nouvelle étude, composées pour la Méthode de Moscheles et Fétis) in F minor, No. 1: Andantino, Valses nobles et sentimentales : I. Adélaïde: Modéré - très franc, Valses nobles et sentimentales : II. Assez lent - avec une expression intense, Valses nobles et sentimentales : III. Modéré, Valses nobles et sentimentales : IV. Assez animé, Valses nobles et sentimentales : V. Presque lent - dans un sentiment intime, Valses nobles et sentimentales : VI. Vif, Valses nobles et sentimentales : VII. Moins vif, Valses nobles et sentimentales : VIII. Epilogue: Lent
Brynovsky piano Bolero, Introduction et Allegro, La Valse, Ma Mère l'Oye : I. Pavane de la belle au bois dormant, Ma Mère l'Oye : II. Petit Poucet, Ma Mère l'Oye : III. Laideronnette, impératrice des pagodes, Ma Mère l'Oye : IV. Les entretiens de la belle et de la bête, Ma Mère l'Oye : V. Le jardin féerique, Rapsodie espagnole : I. Prélude à la nuit, Rapsodie espagnole : II. Malagueña, Rapsodie espagnole : III. Habanera, Rapsodie espagnole : IV. Feria, Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto, Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato
Chill piano Piano Concerto: I. ♩. = c. 110 - ♩ = c. 70 -, Piano Concerto: II. Presto (♩ = c. 160) - Poco meno mosso - Lento -, Piano Concerto: III. ♪ = c. 85 - Largo (♩ = 40 – 45) - Più mosso - Ancora più mosso - Ancora più mosso - Tempo I - Pochino meno mosso - Tempo I -, Piano Concerto: IV. ♩ = c. 84 - Poco meno mosso - Più mosso (♩ = c. 110) - Più mosso (♩ = c. 120) - Ancora più mosso (♩ = c. 130) - Presto (♩ = c. 165), Symphony no. 4, op. 60 "Symphonie concertante": I. Moderato, Symphony no. 4, op. 60 "Symphonie concertante": II. Andante molto sostenuto, Symphony no. 4, op. 60 "Symphonie concertante": III. Allegro non troppo, ma agitato ed ansioso, Variations on a Theme of Paganini
The Tombstone Ramblers piano Piano Concerto in A minor, op. 54: I. Allegro affettuoso, Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso, Piano Concerto in A minor, op. 54: III. Allegro vivace, Piano Concerto no. 2 in F minor, op. 21: I. Maestoso, Piano Concerto no. 2 in F minor, op. 21: II. Larghetto, Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
Lenny Lashley piano Symphonie sur un chant montagnard français, op. 25: I. Assez lent, Symphonie sur un chant montagnard français, op. 25: II. Assez modéré, mais sans lenteur, Symphonie sur un chant montagnard français, op. 25: III. Animé