Lennart Dehn

producer, recording, sound, editor, performer

Top collaborators

Artist name Roles Recordings
情報処理部 (ゆゆ式)
Jaco, der Papagei (singing parrot)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer)
Ari Gorman
Henry Holmes (19th century composer and violinist)

Work on other artists' recordings

Artist name Roles Recordings
情報処理部 editor, producer, sound Aladdin - Concert Suite: VII. Negro Dance, Aladdin, FS 89: Aladdin's Dream and Dance of the Morning Mist, Aladdin, FS 89: Chinese Dance, Aladdin, FS 89: Hindu Dance, Aladdin, FS 89: Oriental Festive March, Aladdin, FS 89: The Marketplace at Ispahan, Aladdin, FS 89: The Prisoner's Dance, Aleko: No. 1. Introduction, Aleko: No. 11. Intermezzo, Aleko: No. 5. Women's Dance, Aleko: No. 6. Men's Dance, Cassazione, op. 6, En värmlandsrapsodi, op. 36, Francesca da Rimini, op. 25: Prolog, Francesca da Rimini, op. 25: Tableau 1, Francesca da Rimini, op. 25: Tableau 2, Hamlet, op. 32a: I. Introduction and Night Patrol, Hamlet, op. 32a: II. Funeral March, Hamlet, op. 32a: III. Flourish and Dance Music, Hamlet, op. 32a: IV. The Hunt, Hamlet, op. 32a: IX. Ophelia's Song, Hamlet, op. 32a: V. Pantomime of the Actors, Hamlet, op. 32a: VI. Procession, Hamlet, op. 32a: VII. Musical Pantomime, Hamlet, op. 32a: VIII. Banquet, Hamlet, op. 32a: X. Cradle Song, Hamlet, op. 32a: XI. Requiem, Hamlet, op. 32a: XII. Tournament, Hamlet, op. 32a: XIII. Fortinbras's March, Helios Overture, FS 32, In the Steppes of Central Asia, Lodolezzi sjunger Suite, op. 39: I. Elegy (Introduction to Act I), Lodolezzi sjunger Suite, op. 39: II. Intermezzo, Lodolezzi sjunger Suite, op. 39: III. Karneval, Maskarade, FS 39: Overture, Maskarade, FS 39: Prelude to Act II, Maskarade, FS 39: The Cockerol's Dance, Mellanspel ur kantaten "Sången", op. 44, Notturno: Andante amoroso (from String Quartet no. 2 in D major), October, op. 131: Moderato - Allegro, Overture on Russian and Kirghiz Folk Themes, op. 115: Moderato - Allegro non troppo - Adagio - Allegro - Presto, Pan and Syrinx, FS 87, Petite Suite: I. In the convent. Andante religioso, Petite Suite: II. Intermezzo. Tempo di Menuetto, Petite Suite: III. Mazurka. Allegro - Meno mosso - Allegro, Petite Suite: IV. Mazurka. Allegretto - Più animato ed appassionato - Tempo I, Petite Suite: V. Dreams. Andante, Petite Suite: VI. Serenade. Allegretto, Petite Suite: VII. Finale. Scherzo: Allegro vivace - Nocturne: Andantino - Scherzo, Preludio, Prince Igor: Dance of the Polovtsian maidens, Prince Igor: Overture, Rhapsodic Overture: A Fantasy Journey to the Faroes, FS 123, Saga-Dream, FS 46, Serenade in F major, op. 31: I. Ouvertura. Allegrissimo, Serenade in F major, op. 31: II. Reverenza. Tempo di menuetto, tranquillo e grazioso, Serenade in F major, op. 31: III. Canzonetta. Tempo di valse, ma poco tranquillo, Serenade in F major, op. 31: IV. Scherzo. Presto, Serenade in F major, op. 31: V. Notturno. Andante sostenuto, Serenade in F major, op. 31: VI. Finale. Tempo moderato, Sinfonietta on Estonian Motifs: I. Allegro vivace e grazioso, Sinfonietta on Estonian Motifs: II. Ostinato. Largo, Sinfonietta on Estonian Motifs: III. Finale. Allegro molto moderato, Symphony no. 1 in B minor, op. 3: I. Allegro con fuoco - Tranquillo - Tempo I - Tranquillo -, Symphony no. 1 in B minor, op. 3: II. Adagio -, Symphony no. 1 in B minor, op. 3: III. Presto - Pesante - Tranquillo - Tranquillo - Presto, Symphony no. 1 in B minor, op. 3: IV. Adagio - Allegro energico - [ ] - Tempo I - Meno mosso, Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino, Symphony no. 1 in E-flat major: II. Scherzo: Prestissimo. Trio: Allegro, Symphony no. 1 in E-flat major: III. Andante, Symphony no. 1 in E-flat major: IV. Allegro molto vivo, Symphony no. 1 in F major: I. Tempo molto tranquillo - Allegro, Symphony no. 1 in F major: II. Andante con moto, Symphony no. 1 in F major: III. Allegro amabile, Symphony no. 1 in F major: IV. Allegro non tanto, ma con fuoco - Tranquillo, Symphony no. 1, op. 7: I. Allegro orgoglioso, Symphony no. 1, op. 7: II. Andante, Symphony no. 1, op. 7: III. Allegro comodo, Symphony no. 1, op. 7: IV. Allegro con fuoco, Symphony no. 11 in G minor, op. 103 "The Year 1905": I. Adagio "The Palace Square", Symphony no. 11 in G minor, op. 103 "The Year 1905": II. Allegro "The Ninth of January", Symphony no. 11 in G minor, op. 103 "The Year 1905": III. Adagio "In Memoriam", Symphony no. 11 in G minor, op. 103 "The Year 1905": IV. Allegro non troppo "The Tocsin", Symphony no. 12 in D minor, op. 112 "The Year 1917": I. Revolutionary Petrograd, Symphony no. 12 in D minor, op. 112 "The Year 1917": II. Razliv, Symphony no. 12 in D minor, op. 112 "The Year 1917": III. Aurora, Symphony no. 12 in D minor, op. 112 "The Year 1917": IV. The Dawn of Humanity, Symphony no. 15, op. 141: I. Allegretto, Symphony no. 15, op. 141: II. Adagio - Largo - Adagio, Symphony no. 15, op. 141: III. Allegretto, Symphony no. 15, op. 141: IV. Adagio - Allegretto - Adagio - Allegretto, Symphony no. 2 in B minor: 1. Allegro - Asimato assai, Symphony no. 2 in B minor: 2. Scherzo Prestissimo - Allegretto, Symphony no. 2 in B minor: 3. Andante, Symphony no. 2 in B minor: 4. Finale. Allegro, Symphony no. 2 in B minor: I. Allegro - Animato assai - Poco meno mosso - Animato assai - Tempo I, Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Allegretto - Tempo I, Symphony no. 2 in B minor: III. Andante - Poco animato - Tempo I, Symphony no. 2 in B minor: IV. Finale: Allegro, Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo all'allegro - Poco largamente - Tempo I - Poco allegro, Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Poco allegro - Molto largamente - Andante sostenuto - Andante con moto ed energico - Allegro - Poco largamente - Molto largamente - Andante sostenuto - Andante con moto ed energico - Andante - Pesante, Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e soave - Tempo primo - Lento e soave - (attacca), Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato - Moderato assai - Meno moderato e poco a poco ravvivando il tempo - Tempo I - Largamente e pesante - Poco largamente - Molto largamente, Symphony no. 2, op. 16 "The Four Temperaments": I. Allegro collerico, Symphony no. 2, op. 16 "The Four Temperaments": II. Andante comodo e flemmatico, Symphony no. 2, op. 16 "The Four Temperaments": III. Andante malincolico, Symphony no. 2, op. 16 "The Four Temperaments": IV. Allegro sanguineo, Symphony no. 3 in A minor: I. Moderato assai, Symphony no. 3 in A minor: II. Scherzo: Vivo. Trio: Moderato, Symphony no. 3, op. 27 "Sinfonia espansiva": I. Allegro espansivo, Symphony no. 3, op. 27 "Sinfonia espansiva": III. Allegretto un poco, Symphony no. 3, op. 27 "Sinfonia espansiva": IV. Finale. Allegro, Symphony no. 3: I. Attacca, Symphony no. 3: II. Più mosso - attacca, Symphony no. 3: III. Alla breve, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto -, Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto, Symphony no. 4, op. 29 "The Inextinguishable": I. Allegro, Symphony no. 4, op. 29 "The Inextinguishable": II. Allegretto, Symphony no. 4, op. 29 "The Inextinguishable": III. Poco adagio quasi andante, Symphony no. 4, op. 29 "The Inextinguishable": IV. Allegro, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Allegro molto - Tempo vivo - Un poco meno mosso - Adagio -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Lento -, Symphony no. 5 in D minor, op. 20 "Sinfonia funebre": Pesante allegro - Molto più mosso - Subito allargando molto - Tempo I -, Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegretto, Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto, Symphony no. 5 in E-flat major, op. 82: III. Allegro molto, Symphony no. 5, op. 50: IIa. Allegro - Un poco più mosso, Symphony no. 5, op. 50: IIb. Presto -, Symphony no. 5, op. 50: IIc. Andante un poco tranquillo -, Symphony no. 5, op. 50: IId. Allegro (Tempo I), Symphony no. 5, op. 50: Ia. Tempo giusto - Adagio non troppo, Symphony no. 5, op. 50: Ib. Adagio non troppo, Symphony no. 6 "Sinfonia semplice": I. Tempo giusto, Symphony no. 6 "Sinfonia semplice": II. Humoreske. Allegretto, Symphony no. 6 "Sinfonia semplice": III. Proposta seria. Adagio, Symphony no. 6 "Sinfonia semplice": IV. Tema con variazioni, Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato, Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio, Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace, Symphony no. 6 in E-flat minor, op. 23: I. Poco largamente - Allegro feroce, Symphony no. 6 in E-flat minor, op. 23: II. Presto tenebroso - Andante moderato - Tempo I, Symphony no. 6 in E-flat minor, op. 23: III. Andante appassionato, Symphony no. 7: I. Allegro moderato, Symphony no. 7: II. Larghetto, Symphony no. 7: III. Allegro marciale, Symphony no. 9 "Sinfonia semplice": I. Adagio, Symphony no. 9 "Sinfonia semplice": II. Adagio, lento, The Age of Gold, op. 22a: I. Introduction, The Age of Gold, op. 22a: II. Adagio, The Age of Gold, op. 22a: III. Polka, The Age of Gold, op. 22a: IV. Dance, The Miserly Knight: Introduction, The Miserly Knight: Scene 2: In a Cellar (Largo), The Tempest Prelude, op. 109 no. 1, The Tempest Suite no. 1, op. 109 no. 2: I. The Oak Tree, The Tempest Suite no. 1, op. 109 no. 2: II. Humoresque, The Tempest Suite no. 1, op. 109 no. 2: III. Caliban’s Song, The Tempest Suite no. 1, op. 109 no. 2: IV. The Harvesters, The Tempest Suite no. 1, op. 109 no. 2: IX. The Storm, The Tempest Suite no. 1, op. 109 no. 2: V. Canon, The Tempest Suite no. 1, op. 109 no. 2: VI. Scene, The Tempest Suite no. 1, op. 109 no. 2: VII. Intrada. Berceuse, The Tempest Suite no. 1, op. 109 no. 2: VIII. Entr’acte. Ariel’s Song, The Tempest. Suite no. 2, op. 109 no. 3: I. Chorus of the Winds, The Tempest. Suite no. 2, op. 109 no. 3: II. Intermezzo, The Tempest. Suite no. 2, op. 109 no. 3: III. Dance of the Nymphs, The Tempest. Suite no. 2, op. 109 no. 3: IV. Prospero, The Tempest. Suite no. 2, op. 109 no. 3: IX. Dance Episode, The Tempest. Suite no. 2, op. 109 no. 3: V. Song I, The Tempest. Suite no. 2, op. 109 no. 3: VI. Song II, The Tempest. Suite no. 2, op. 109 no. 3: VII. Miranda, The Tempest. Suite no. 2, op. 109 no. 3: VIII. The Naiads, Tiera, Toccata for orchestra
Jaco, der Papagei editor, performer, producer, sound Allt under himmelens fäste, Ballet Scene (1891), Capriccio espagnol, op. 34: I. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: II. Variazioni. Andante con moto -, Capriccio espagnol, op. 34: III. Alborada. Vivo e strepitoso -, Capriccio espagnol, op. 34: IV. Scena e canto gitano: Allegretto -, Capriccio espagnol, op. 34: V. Fandango asturiano, Du gamla, du friska... (Swedish National Anthem), Festive Overture on the Danish National Anthem in D major, op. 15, Impromptu for string orchestra "Andante lirico", Incidental Music to Kuolema: Canzonetta, op. 62a, Incidental Music to Kuolema: Scene With Cranes, op. 44 no. 2, Incidental Music to Kuolema: Valse Romantique, op. 62b, Incidental Music to Kuolema: Valse Triste, op. 44 no. 1, Night-Ride and Sunrise, op. 55, Overture in E major (1891), Overture in F major, Russian Easter Festival Overture, op. 36, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegro scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso, Symphony no. 1 in E minor, op. 1: I. Largo assai - Allegro, Symphony no. 1 in E minor, op. 1: II. Andante tranquillo, Symphony no. 1 in E minor, op. 1: III. Scherzo vivace - Trio, Symphony no. 1 in E minor, op. 1: IV. Allegro assai, Symphony no. 1 in G minor "Sérieuse": I. Allegro con energia, Symphony no. 1 in G minor "Sérieuse": II. Adagio maestoso, Symphony no. 1 in G minor "Sérieuse": III. Stretto, Symphony no. 1 in G minor "Sérieuse": IV. Finale. Adagio - Allegro molto, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante - Allegro con fuoco, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo, Symphony no. 2 in D major "Capricieuse": I. Allegro, Symphony no. 2 in D major "Capricieuse": II. Andante, Symphony no. 2 in D major "Capricieuse": III. Finale. Allegro assai, Symphony no. 2 in F major, op. 6: I. Allegro con moto – Pesante – A tempo, tranquillo – Tempo I (subito) – Agitato – Tranquillo – Tempo I – Pesante – A tempo, tranquillo – Tranquillo – Maestoso – Largamente, Symphony no. 2 in F major, op. 6: II. Adagio – Presto – Adagio – Presto – Tranquillo – Adagio, Symphony no. 2 in F major, op. 6: III. Allegro con fuoco – Con moto – Tranquillo – Con moto – Adagio – Tempo I, furioso – Pesante – Tranquillo – Con moto – Tranquillo – A tempo, con moto – Maestoso, Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso - Adagio - Largo - Allegretto vivace - Largo, Symphony no. 2, op. 9 "Antar": II. Allegro - Molto allegro - Meno mosso, allargando - Allegro, Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia, Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso - Animato assai, Symphony no. 3 in C major "Singulière": I. Allegro fuocoso, Symphony no. 3 in C major "Singulière": II. Adagio - Scherzo. Allegro assai - Adagio, Symphony no. 3 in C major "Singulière": III. Finale. Presto, Symphony no. 3 in C major, op. 32: I. Moderato assai - Allegro, Symphony no. 3 in C major, op. 32: II. Scherzo. Vivo - Moderato - Tempo I, Symphony no. 3 in C major, op. 32: III. Andante - Animato assai - Tempo I - attacca, Symphony no. 3 in C major, op. 32: IV. Allegro con spirito - Animato, Symphony no. 3 in D major, op. 10 "Västkustbilder": I. Soldis. Lento - Un poco più mosso- Molto tranquillo - Un poco più mosso - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": III. Sommarnatt. Adagio - Molto tranquillo - Un poco più mosso - Largamente - Adagio - Molto vivace - Più mosso - Più mosso sempre - Tempo I - Tranquillo - Largamente - Lento, Symphony no. 3 in D major, op. 10 "Västkustbilder": Storm. Con fuoco (non troppo presto, largamente) - Più mosso - Con fuoco [Tempo I] - [ ] - A Tempo I (un poco più vivo) - Più mosso (molto) - Tempo I - Adagio molto tranquillo, Symphony no. 4 in E-flat major: I. Allegro risoluto, Symphony no. 4 in E-flat major: II. Adagio, Symphony no. 4 in E-flat major: III. Scherzo. Allegro molto, Symphony no. 4 in E-flat major: IV. Finale. Allegro vivace, Symphony no. 7 in C major, op. 105, Symphony no. 7, op. 45 "Sinfonia romantica": I. Drammatico. Lento - Molto vivo - Andante - Andante molto tranquillo - Molto vivo - Cantando - Lento - Vivacissimo, Symphony no. 7, op. 45 "Sinfonia romantica": II. Semplice. Andante - Un poco più lento - A tempo I - Tranquillo, Symphony no. 7, op. 45 "Sinfonia romantica": III. Feroce. Allegro - L'istesso tempo, pesante - (Un poco meno mosso) - (Tranquillo) - (Con moto) - (Tempo I) - Animando al fine, Symphony no. 8 in E minor, op. 48: I. Largo – Allegro, Symphony no. 8 in E minor, op. 48: II. Adagio, Symphony no. 8 in E minor, op. 48: III. Molto vivo, Symphony no. 8 in E minor, op. 48: IV. Con moto, Symphony no. 9, op. 54 "Sinfonia visionaria": Adagio -, Symphony no. 9, op. 54 "Sinfonia visionaria": Allegro. Kör, Barden: "Nu stundar Friggas sorg den största" - Allegro. Kör, Barden: "Då kommer Odens ättling, åskguden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Andante. Barden: "Heid hon hette, till vad hus hon kom" - Tranquillo. Valan: "Varom frågen I mig?" - [Andante.] Barden: "Härfader gav henne halsguld och ringar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Barden: "Solen svartnar, land sjunker i havet" - Molto tranquillo. Barden: "Då kommer dunklets drake och glider", Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Hur är det med asar?" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Barden: "Väl vet hon, att Odens öga är gömt i Mimes brunn" - Poco con moto. Barden: "Väl vet hon, att Heimdalls horn är gömt under himmelshöga, heliga trädet" - Allegro. Barden: "Hon minns det första mannadråpet" - Poco meno mosso. Kör, Barden: "Då drogo de mäktige till sina domaresåten" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Kör: "Bröder varandras bane varda" - Poco tenuto, molto espressivo. Kör: "Då störtar världen, jorden dånar" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" - Vivo. Kör: "Mimes söner sig fröjda" - Tranquillo. Valan: "Ringlande vörlsorm över rymden gapar" - "Vivo. Kör: "Då skälver Yggdrasils ask, den ståndande" - Tranquillo. Valan: "Ringlande världsorm över rymden gapar" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Con moto. Valan: "Jag jättarna minns, i urtid avlade" - Poco tranquillo. Valan: "Gapande svalg fanns men gräs icke" - [Con moto.] Valan: "I åldrarnas ursprung, när Ymer levde" - Poco tranquillo. Valan: "stjärnorna ej var de skimra skulle" - [Con moto.] Valan: "Söner till Bur då lyfte landen" - Poco meno mosso. Kör, Valan: "Då drogo de mäktige till sina domaresäten" - Tranquillo. Barden: "Hon såg vida och än vidare i världar alla" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Poco più mosso. Barden: "Med spjut sprängde Oden mot hotande horder" - Poco meno mosso. Valan: "Då drogo de mäktige till sina domaresäten" - Poco più mosso. Barden: "Blott Tor då slog till i trotsig harm" - Meno mosso. Kör: "Då drogo de mäktige till sina domaresäten" - Allegro - Molto tranquillo -, Symphony no. 9, op. 54 "Sinfonia visionaria": Tempo [Un poco più mosso]. Barden: "Öster i Järnskogen dvaldes den åldriga" - Vico. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Mycket jag fattat, fram ser jag längre till Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Un poco più mosso. Valan: "Vid heta källors kittel i lunden" - Vivo. Kör: "Garm tjuter gräsligt vid Gnupahålan" - Tranquillo. Valan: "Jag ser längre fram, har fullt upp att säga om Ragnarök" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Valan: "En ask ser jag stånda, den Yggdrasil heter" - Molto tranquillo - Con moto. Valan: "Dädan draga möar, som mycket veta" - Molto tranquillo. Valan: "Lyckans lotter, liv och död" -, Symphony no. 9, op. 54 "Sinfonia visionaria": Vivo - Tempo martellato. Kör: "Rym styr ur östern" - Allegro molto -, The Storm (Groza), Overture, op. 76, Three Nocturnes, op. 35bis: I. Flykten till bödelskojan. Agitato (non troppo allegro) - Poco calando - A tempo I agitato - Calando, Three Nocturnes, op. 35bis: II. Drömmen, tåget till avrättsplatsen. Andante lugubre, Three Nocturnes, op. 35bis: III. Uppvaknandet. Presto - Poco tranquillo - Presto - Poco tranquillo - Con moto - Tranquillo - A tempo presto - Più mosso - Poco calando - A tempo presto - Poco calando - Poco tranquillo - Presto - Più mosso - Tranquillo - Più tranquillo - Molto presto - Prestissimo, Vittorioso, op. 58. Moderato (tranquillo) - Alla marcia - Tranquillo - Allegro cantando - Allegro molto
Пётр Ильич Чайковский producer Mazeppa: Act I, Scene I. No. 1. Chorus of Maidens and Scene "Ya zav'yu venok moy dushistiy", Mazeppa: Act I, Scene I. No. 2. Scene, Mariya's Arioso and Duet "Vam lyuby pesni, miliye podruzhki", Mazeppa: Act I, Scene I. No. 3. "Nu, Cestvuyes', Vasiliy, ti menya", Mazeppa: Act I, Scene I. No. 4. Chorus and Dance "Netu, netu tut mostocka, netu perekhodu", Mazeppa: Act I, Scene I. No. 4a. Hopak, Mazeppa: Act I, Scene I. No. 5. Scene and Mazeppa's Arioso "Vot khoroso, lyublyu...", Mazeppa: Act I, Scene I. No. 6. Quarrel Scene "Mazeppa, ty menya smushchayesh' rech'yu", Mazeppa: Act I, Scene II. No. 7. Chorus and Mother's Lament "Ne groza nebesa kroyet tucheyu", Mazeppa: Act I, Scene II. No. 8. Finale "Ochnis' ot gorya, Kochubey!", Mazeppa: Act II, Scene I. No. 9. Dungeon Scene "Tak vot nagrada za donos", Mazeppa: Act II, Scene II. No. 10. Mazeppa's Monologue and Scene with Orlik "Tikha ukraynskaya noch", Mazeppa: Act II, Scene II. No. 10a. Mazeppa's Arioso "O, Mariya, Mariya!", Mazeppa: Act II, Scene II. No. 11. Mazeppa's Scene with Mariya "Moy miliy drug!", Mazeppa: Act II, Scene II. No. 12. Scene Between Mariya and her Mother "Kak blescut zvyozdi v Nebe", Mazeppa: Act II, Scene II. No. 13. Crowd Scene and Drunken Cossack's Song "Skoro li? Vezut al' net? ... Molodushka, moloda", Mazeppa: Act II, Scene II. No. 14. Finale "Oy, goy, chumandra, chumandrikha Moloda!", Mazeppa: Act III, Entr'acte. No. 15. The Battle Of Poltava, Mazeppa: Act III, Scene I. No. 16. Scene and Andrei's Aria "V boyu krovavom, na pole chesti", Mazeppa: Act III, Scene I. No. 17. Scene and Duet "Nevdaleke ya slishu topot...", Mazeppa: Act III, Scene I. No. 18. Appearance of the Demented Mariya "Nescastniy! Vidit Bog, ya ne khotel tvoey pogibeli", Mazeppa: Act III, Scene I. No. 19. Finale "Ushol starik, kak serdtse byotsya", Mazeppa: Introduction
Ari Gorman producer Aleko: No. 10. Aleko's Cavatina, Francesca da Rimini, op. 25: Tableau 1, Scene 2. "Nictó ne zaglusít revnívïkh dum", Francesca da Rimini, op. 25: Tableau 1, Scene 2. "O, yésli bï tï znála", Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Lyubví tvoyéy khocú ya!", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Net! Vécnoye proklyát'ye!", Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 1. To His Sonne, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 2. Oh wert thou in the cauld blast, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 3. Mc Pherson's Farewell, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 4. Jenny, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 5. Sonnet LXVI, Six Romances on Verses by Raleigh, Burns and Shakespeare, op. 62/140: No. 6. The Kings's Campaign, Symphony no. 14, op. 135: I. De profundis. Adagio, Three Romances on Poems by Pushkin, op. 46a: No. 1. Regeneration, Three Romances on Poems by Pushkin, op. 46a: No. 2. A jealous maiden, Three Romances on Poems by Pushkin, op. 46a: No. 3. Premonition
Henry Holmes producer La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, IX. Perfecte conscius illius perfectae generationis, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, VIII. Récit évangélique, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, X. Adoptionem filiorum perfectam, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, XI. Récit évangélique, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, XII. Terribilis est locus iste, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, XIII. Tota Trinitas apparuit, La Transfiguration de Notre Seigneur Jésus-Christ: Deuxième Septénaire, XIV. Choral de la lumière de Gloire, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, I. Récit évangélique, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, II. Configuratum corpori claritatis suae, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, III. Christus Jesus, splendor Patris, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, IV. Récit évangélique, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, V. Quam dilecta tabernacula tua, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, VI. Candor est lucis aeternae, La Transfiguration de Notre Seigneur Jésus-Christ: Premier Septénaire, VII. Choral de la Sainte Montagne
Milos producer Suite on the Verses of Michelangelo Buonarroti, op. 145a: Anger, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Creativity, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Dante, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Death, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Immortality, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Love, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Morning, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Night, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Separation, Suite on the Verses of Michelangelo Buonarroti, op. 145a: To the Exile, Suite on the Verses of Michelangelo Buonarroti, op. 145a: Truth, Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante, Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio, Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks' Reply to the Sultan of Constantinople. Allegro
Indiana Evans producer Concerto No. 1 for flute and string orchestra, Op. 75: I. Allegro molto, Concerto No. 1 for flute and string orchestra, Op. 75: II. Largo -, Concerto No. 1 for flute and string orchestra, Op. 75: III. Allegro comodo, Concerto No. 2 for flute and orchestra, Op. 148: I. Allegro, Concerto No. 2 for flute and orchestra, Op. 148: II. Largo, Concerto No. 2 for flute and orchestra, Op. 148: III. Allegretto - Andante molto ritenuto - Largo, Concerto for clarinet and string orchestra, Op. 104: I. Allegro, Concerto for clarinet and string orchestra, Op. 104: II. Andante -, Concerto for clarinet and string orchestra, Op. 104: III. Allegretto, Fantasia for cello and orchestra, Op. 52: I. Adagio - andante leggiero - adagio -, Fantasia for cello and orchestra, Op. 52: II. Allegro con fuoco - Cadenza (Lento) -, Fantasia for cello and orchestra, Op. 52: III. Andantino leggiero - Adagio
Cheney producer Turangalîla-Symphonie: Chant d'amour 1. Modéré, lourd, Turangalîla-Symphonie: Chant d'amour 2. Bien modéré, Turangalîla-Symphonie: Développement de l'amour. Bien modéré, Turangalîla-Symphonie: Introduction. Modéré, un peu vif, Turangalîla-Symphonie: Jardin du sommeil d'amour. Très modéré, très tendre, Turangalîla-Symphonie: Joie du sang des étoiles. Vif, passionné, avec joie, Turangalîla-Symphonie: Turangalîla 1. Presque lent, rêveur, Turangalîla-Symphonie: Turangalîla 2. Un peu vif - bien modéré, Turangalîla-Symphonie: Turangalîla 3. Bien modéré, Turangalîla‐Symphonie: Final. Modéré, presque vif, avec une grande joie
Pedro Miguel Ledo producer The Miserly Knight: Scene 2: In a Cellar "Cto nepodvlástno mne?", The Miserly Knight: Scene 2: In a Cellar "Da! Yésli bï vseslyozï", The Miserly Knight: Scene 2: In a Cellar "Kak molodóy povésa", The Miserly Knight: Scene 2: In a Cellar "No kto vosléd za mnoy", The Miserly Knight: Scene 2: In a Cellar "O, yésli b mog ot vzórov nedostóynïkh", The Miserly Knight: Scene 2: In a Cellar "Tut yest' dublón starínnïy", The Miserly Knight: Scene 2: In a Cellar "Ya kazdiy raz", The Miserly Knight: Scene 2: In a Cellar "Ya spokóyen"
Michael Piccard producer Ekphrasis (Continuo II), for orchestra, Sinfonia: I., Sinfonia: II. O King, Sinfonia: III. In ruhig fliessender Bewegung, Sinfonia: IV., Sinfonia: V.
Andrea Ferrario producer Piano Concerto in F major: I. Allegro, Piano Concerto in F major: II. Adagio - Andante con moto, Piano Concerto in F major: III. Allegro agitato, Piano Concerto in G major: I. Allegramente, Piano Concerto in G major: II. Allegro assai, Piano Concerto in G major: III. Presto
レナ producer Six Poems of Marina Tsvetayeva, op. 143a: Hamlet's Dialogue With Conscience, Six Poems of Marina Tsvetayeva, op. 143a: My Poems, Six Poems of Marina Tsvetayeva, op. 143a: No, the Drum Beat, Six Poems of Marina Tsvetayeva, op. 143a: The Poet and the Tsar, Six Poems of Marina Tsvetayeva, op. 143a: To Anna Akhmatova, Six Poems of Marina Tsvetayeva, op. 143a: Where Does Such Tenderness Come From?
Alison Hill producer Six Romances on Texts by Japanese Poets, op. 21: An Immodest Glance, Six Romances on Texts by Japanese Poets, op. 21: Before Suicide, Six Romances on Texts by Japanese Poets, op. 21: Death, Six Romances on Texts by Japanese Poets, op. 21: Love, Six Romances on Texts by Japanese Poets, op. 21: Love Without Hope, Six Romances on Texts by Japanese Poets, op. 21: The First and the Last Time
José Miguel Ginés producer Aleko: No. 2. Chorus, Aleko: No. 7. Chorus, Francesca da Rimini, op. 25: Epilogue. "A-a...", Francesca da Rimini, op. 25: Prolog, Part 2. "A-a...", Francesca da Rimini, op. 25: Prolog.,Part 1. "M-m..."
The Devil Made Me Do It producer Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato, Symphony no. 4 in C minor, op. 43: II. Moderato con moto, Symphony no. 4 in C minor, op. 43: III. Largo, Symphony no. 4 in C minor, op. 43: IIIb. Allegro, Symphony no. 4 in C minor, op. 43: Ib. Presto
Ultimate Borey Collection producer Symphony no. 5 in A minor, op. 54: I. Lento - Allegro non troppo, Symphony no. 5 in A minor, op. 54: II. Andante, Symphony no. 5 in A minor, op. 54: III. Lento - Allegro - Presto molto agitato, Symphony no. 5 in A minor, op. 54: IV. Finale: Allegro con brio
邰肇玫 producer From Jewish Folk Poetry, op. 79a: No. 11. Happiness, From Jewish Folk Poetry, op. 79a: No. 2. Fussy Mymmy and Auntie, From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father, From Jewish Folk Poetry, op. 79a: No. 8. Winter
Violetshaped producer Symphony no. 4 "Sinfonia lirica": I. Molto moderato, Symphony no. 4 "Sinfonia lirica": II. Allegro con anima, Symphony no. 4 "Sinfonia lirica": III. Andante un poco maestoso, Symphony no. 4 "Sinfonia lirica": IV. Allegro
Tessa producer Symphony no. 14, op. 135: II. Malagueña. Allegretto, Symphony no. 14, op. 135: IV. The Suicide. Adagio, Symphony no. 14, op. 135: V. On Watch. Allegretto, Symphony no. 14, op. 135: X. The Poet's Death. Largo
oAz producer, sound Suite no. 3, op. 19 no. 1: I. Prélude. Adagio, Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato, Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato
María Símoglou Ensemble producer Piano Concerto no. 1 in D minor, op. 15: I. Maestoso, Piano Concerto no. 1 in D minor, op. 15: II. Adagio, Piano Concerto no. 1 in D minor, op. 15: III. Rondo - Allegro non troppo
Cecco e Cipo producer Midvinter, op. 24, Snöfrid, op. 5, Symphony no. 6 in E-flat minor, op. 23: IV. Allegro vivace (quasi presto) - Più sostenuto: "Što mï vídeli" - Andante molto espressivo
Viagra B. producer Symphony no. 14, op. 135: III. Loreley. Allegro molto, Symphony no. 14, op. 135: VI. Madam, look! Adagio, Symphony no. 14, op. 135: XI. Conclusion. Moderato
Banda de Gaitas de Cea producer Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Kak dúmayes', Francéska", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Na cto mne ray", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "O, kak im bïlo sládostno i zútko"
Maurizio Giancani producer Francesca da Rimini, op. 25: Prolog, Part 2. "Net bóleye velíkoy skórbi v míre", Francesca da Rimini, op. 25: Tableau 2, Scene 1. "S tobóyu ad mne lúcse ráya!" / Gde tï, tam scast'ye bez koncá!
Giovanni Nicoletta producer Aleko: No. 9. Cradle Scene, Francesca da Rimini, op. 25: Tableau 1, Scene 3. "Moy povelítel' zval menyá?"
Renaldo & The Loaf With The Residents producer From Jewish Folk Poetry, op. 79a: No. 10. A Girl's Song, From Jewish Folk Poetry, op. 79a: No. 5. A Warning
Rod Goodway producer Two Fables of Krylov, op. 4: No. 1. The Dragonfly and the Ant, Two Fables of Krylov, op. 4: No. 2. The Ass and the Nightingale
Geraint Roberts producer Concerto for Flute and Orchestra: I. Allegro moderato, Concerto for Flute and Orchestra: II. Allegretto - Adagio ma no troppo - Allegretto - Tempo di marcia
Luca Vittori producer The Miserly Knight: Scene 3: In the Palace "Barón, ya rad vas vídet'", The Miserly Knight: Scene 3: In the Palace "U vas, Barón, yest' déti?"
Graflex producer From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty, From Jewish Folk Poetry, op. 79a: No. 9. The Good Life
Miguel Ángel Arenas producer Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Prekásnaya Ginévra", The Miserly Knight: Scene 1:In the Castle "Von, pyos!"
Jawad Karimi producer Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Poco adagio - Allegro non troppo - Adagio - Allegro vivace
Fabrizio Racioni producer The Miserly Knight: Scene 3: In the Palace "Barón, vï lzóte"
Jesús Ugalde producer The Miserly Knight: Scene 3: In the Palace "Povér'te, gosudár'"
Eric Daniels producer Francesca da Rimini, op. 25: Tableau 1, Scene 1
Nino Giuffrida producer The Miserly Knight: Scene 3: In the Palace "Prostíte, gozudár'"
Oliver Luna producer Aleko: No. 12. Young Gypsy's Romance
Graciella Rodriguez producer Francesca da Rimini, op. 25: Epilogue. "A-a..." / "O, v étot den' mï ból'se ne citáli!"
Pauline Diamond producer Aleko: No. 13. Duet and Finale
E. Gordon producer Francesca da Rimini, op. 25: Tableau 2, Scene 1. "Pust' ne danó nam znat'lobzániy"
Portia Diwa producer The Miserly Knight: Scene 1: In the Castle "Kto tam?"
Giamba Lizzori producer Francesca da Rimini, op. 25: Prolog, Part 1. "Tepér' vstupáyem mï v slepúyu bézdnu"
Renato Cantele producer Francesca da Rimini, op. 25: Prolog, Part 2. "Kto éti dva, cto tak legkí dlya vétra?"
Juan Mínguez producer The Miserly Knight: Scene 1: In the Castle "vo cto bï to ni stálo"
SOYC producer From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation
Club Privé producer Requiem, op. 48: Libera me
Itamar Borochov producer Marche Pontificale
Bob Bagchus producer Francesca da Rimini, op. 25: Prolog, Part 2. "A-a..." / "Moy sïn"
J. Domingo López producer Aleko: No. 4. Scene and Chorus
Manuel González producer Aleko: No. 3. The Old Gypsy's Tale
[no artist] producer [applause]
Lamram Jam producer From Jewish Folk Poetry, op. 79a: No. 1. Lament for a Dead Infant
Antíoco Llanos producer Aleko: No. 8. Duettino
Antonio Saglio producer Francesca da Rimini, op. 25: Tableau 1, Scene 3."Proklyát'ye!"
André Dumortier producer O sacrum convivium
Orchester Gino Mariano producer From Jewish Folk Poetry, op. 79a: No. 3. Lullaby