Musical Bacon: Kip Hanrahan

Artist name	Roles	Recordings
Dick Kondas	mix, recording	Busses From Heaven, Can't Fly on One Wing..., Caravaggio / A Quick Balance, Cause, Childhood Damage, City of Gold (Palestine Blues), Estate of Mind, Exterior New York - Night, Father? Well He Fucked My Mother, And Made Me..., Funeral Poem Celebration/Scattering the Ashes, His Mother's Funeral, Junkie Christ, Ladies and Gentlemen, Please Welcome Miguel Piñero..., Last Call, Leaving the Reception, Leijia Heads to Brooklyn, Look, The Moon (Carmen's), Miguel Leaves Puerto Rico, Mikey Enters the Shooting Gallery, Mikey Falls/Obatala, Milton Cardona, Montana, Mother's Prison Visit..., Needle State Building, Night Cumbia, One Summer Afternoon (For Gil Evans), Opening Night Celebration, Opening of the Nuyorican Poet's Cafe, Paris Through Tears, Parole Hearing, Perla, Real Time and Beautiful Scars, Rumba of Cities, Salt in the Mozambique Night (Glasgow, for Jack Bruce), Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme, The Accounting of Morning, The Girl That Won't Resolve, Three Card Monte, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ..., Winterscape With I.M.F., Xiomarra Wears the Heat Beautifully
Jon Fausty	engineer, remixer	...at the same time as the subway train was pulling out of the station..., A Model Bronx Childhood, A Poker Game / Luck Inverts Itself / Four Swimmers, Ah, Intruder! (Female), American Clavé, As in Angola (Red Star in the Morning Sky), As in the Bronx (You Can Tell Where Someone Comes from by what They Laugh at), As in the Red Morning, Buddy Bolden's Blues, G-d Is Great, Gender, Lisbon / Blue Request, Love Is Like a Cigarette, Marriage, My Life Outside of Power, Red Star, Road Song, The First and Last to Love Me (2, December), The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), The Last Song, The Last Song on the Album, The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Unobtainable Days, Unobtainable Nights, What We Learned That Night in Vera Cruz and How We Applied It, Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes, You Can Tell Someone Who'll Never Fulfill Their Potential by the way They Measure the Evening, You Can Tell a Guy by His Anger, You Can Tell a Moment of Clarity by the Digital Traces it Leaves
Jack Bruce	vocal, bass	...at the same time as the subway train was pulling out of the station..., Buddy Bolden's Blues, The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan
Edsel Gomez	piano	Can't Fly on One Wing..., Estate of Mind, Leaving the Reception, Miguel Leaves Puerto Rico, Mother's Prison Visit..., Needle State Building, Opening Night Celebration, Parole Hearing, Perla, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Three Card Monte
Andy González	bass	Cause, Junkie Christ, Look, The Moon (Carmen's), Opening of the Nuyorican Poet's Cafe, Parole Hearing, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme, The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ...

Artist name	Roles	Recordings
Dick Kondas	mix, recording	Busses From Heaven, Can't Fly on One Wing..., Caravaggio / A Quick Balance, Cause, Childhood Damage, City of Gold (Palestine Blues), Estate of Mind, Exterior New York - Night, Father? Well He Fucked My Mother, And Made Me..., Funeral Poem Celebration/Scattering the Ashes, His Mother's Funeral, Junkie Christ, Ladies and Gentlemen, Please Welcome Miguel Piñero..., Last Call, Leaving the Reception, Leijia Heads to Brooklyn, Look, The Moon (Carmen's), Miguel Leaves Puerto Rico, Mikey Enters the Shooting Gallery, Mikey Falls/Obatala, Milton Cardona, Montana, Mother's Prison Visit..., Needle State Building, Night Cumbia, One Summer Afternoon (For Gil Evans), Opening Night Celebration, Opening of the Nuyorican Poet's Cafe, Paris Through Tears, Parole Hearing, Perla, Real Time and Beautiful Scars, Rumba of Cities, Salt in the Mozambique Night (Glasgow, for Jack Bruce), Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme, The Accounting of Morning, The Girl That Won't Resolve, Three Card Monte, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ..., Winterscape With I.M.F., Xiomarra Wears the Heat Beautifully
Jon Fausty	engineer, remixer	...at the same time as the subway train was pulling out of the station..., A Model Bronx Childhood, A Poker Game / Luck Inverts Itself / Four Swimmers, Ah, Intruder! (Female), American Clavé, As in Angola (Red Star in the Morning Sky), As in the Bronx (You Can Tell Where Someone Comes from by what They Laugh at), As in the Red Morning, Buddy Bolden's Blues, G-d Is Great, Gender, Lisbon / Blue Request, Love Is Like a Cigarette, Marriage, My Life Outside of Power, Red Star, Road Song, The First and Last to Love Me (2, December), The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), The Last Song, The Last Song on the Album, The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Unobtainable Days, Unobtainable Nights, What We Learned That Night in Vera Cruz and How We Applied It, Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes, You Can Tell Someone Who'll Never Fulfill Their Potential by the way They Measure the Evening, You Can Tell a Guy by His Anger, You Can Tell a Moment of Clarity by the Digital Traces it Leaves
Jack Bruce	vocal, bass	...at the same time as the subway train was pulling out of the station..., Buddy Bolden's Blues, The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan
Edsel Gomez	piano	Can't Fly on One Wing..., Estate of Mind, Leaving the Reception, Miguel Leaves Puerto Rico, Mother's Prison Visit..., Needle State Building, Opening Night Celebration, Parole Hearing, Perla, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Three Card Monte
Andy González	bass	Cause, Junkie Christ, Look, The Moon (Carmen's), Opening of the Nuyorican Poet's Cafe, Parole Hearing, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme, The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ...
Jerry González	congas, percussion, shekere	...at the same time as the subway train was pulling out of the station..., A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, No One Gets to Transcend Anything (No One Except Oil Company Executives), Shadow to Shadow, Sketch From Two Cubas, The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), This Night Comes Out of Both of Us, Whatever I Want
Milton Cardona	congas	...at the same time as the subway train was pulling out of the station..., Cause, Father? Well He Fucked My Mother, And Made Me..., Funeral Poem Celebration/Scattering the Ashes, Needle State Building, Short Eyes Prison Rehearsal Boogaloo, Sugar's Theme, The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ...
Alfredo Triff	violin	...at the same time as the subway train was pulling out of the station..., Childhood Damage, Funeral Poem Celebration/Scattering the Ashes, Junkie Christ, Ladies and Gentlemen, Please Welcome Miguel Piñero..., Needle State Building, Opening of the Nuyorican Poet's Cafe
Susy Dyer	engineer	...at the same time as the subway train was pulling out of the station..., Buddy Bolden's Blues, The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes
Anton Fier	drums	A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, No One Gets to Transcend Anything (No One Except Oil Company Executives), Shadow to Shadow, Sketch From Two Cubas, This Night Comes Out of Both of Us, Whatever I Want
Arto Lindsay	electric guitar	A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, No One Gets to Transcend Anything (No One Except Oil Company Executives), Shadow to Shadow, Sketch From Two Cubas, This Night Comes Out of Both of Us, Whatever I Want
Alfredo "Chocolate" Armenteros	trumpet	...at the same time as the subway train was pulling out of the station..., Funeral Poem Celebration/Scattering the Ashes, Look, The Moon (Carmen's), Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme
Benjamin Bratt	vocal	Can't Fly on One Wing..., Exterior New York - Night, Funeral Poem Celebration/Scattering the Ashes, Look, The Moon (Carmen's), Mikey Enters the Shooting Gallery, Opening of the Nuyorican Poet's Cafe
Daniel Ponce	congas, percussion, shekere	A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, Shadow to Shadow, This Night Comes Out of Both of Us, Whatever I Want
Chico Freeman	tenor saxophone	...at the same time as the subway train was pulling out of the station..., At the Moment of the Serve, Heart on My Sleeve, India Song, Whatever I Want
Don Pullen	organ, piano	...at the same time as the subway train was pulling out of the station..., Buddy Bolden's Blues, The First and Last to Love Me (4, December), The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes
Orlando "Puntilla" Rios	vocal, Batá drum	Exterior New York - Night, Funeral Poem Celebration/Scattering the Ashes, Mikey Falls/Obatala, Opening Night Celebration, Opening of the Nuyorican Poet's Cafe
Abraham Rodriguez Mansfarroll	vocal, Batá drum, claves, congas	Exterior New York - Night, Funeral Poem Celebration/Scattering the Ashes, Mikey Falls/Obatala, Opening Night Celebration, Opening of the Nuyorican Poet's Cafe
Carlos Ward	alto saxophone	At the Moment of the Serve, Heart on My Sleeve, India Song, Shadow to Shadow
Lysandro Arias	piano	Mikey Falls/Obatala, Parole Hearing, Stealing the Furs Boogaloo, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ...
Leo Nocentelli	guitar	...at the same time as the subway train was pulling out of the station..., Look, The Moon (Carmen's), Real Time and Beautiful Scars, The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic
Robby Ameen	drums	...at the same time as the subway train was pulling out of the station..., The First and Last to Love Me (4, December), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan
Bill Laswell	electric bass guitar	India Song, Shadow to Shadow, This Night Comes Out of Both of Us, Whatever I Want
Ignacio Berroa (drummer)	drums	A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, No One Gets to Transcend Anything (No One Except Oil Company Executives), The First and Last to Love Me (2, October)
Mario Rivera (salsa and jazz musician)	baritone saxophone, saxophone	Paris Through Tears, Real Time and Beautiful Scars, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo
George Cartwright	alto saxophone, flute, piccolo	India Song, This Night Comes Out of Both of Us, Whatever I Want
Lisa Herman	vocal	A Lover Divides Time (to Hear How It Sounds), Shadow to Shadow, This Night Comes Out of Both of Us
Jamaaladeen Tacuma	electric bass guitar	A Lover Divides Time (to Hear How It Sounds), At the Moment of the Serve, No One Gets to Transcend Anything (No One Except Oil Company Executives)
Richie Flores	congas	...at the same time as the subway train was pulling out of the station..., Opening of the Nuyorican Poet's Cafe, Rumba of Cities
Nicky Marrero	bongos, percussion, timbales	Cause, This Night Comes Out of Both of Us, Whatever I Want
Charles Neville	tenor saxophone	Buddy Bolden's Blues, The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic
Yomo Toro	cuatro	His Mother's Funeral, Perla
Anthony Carillo	bongos, congas	...at the same time as the subway train was pulling out of the station..., The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan
Byard Lancaster	flute, tenor saxophone	This Night Comes Out of Both of Us, Whatever I Want
Félix Sanabria	vocal, Batá drum	Exterior New York - Night, Opening of the Nuyorican Poet's Cafe
Gene Golden	congas, shekere	No One Gets to Transcend Anything (No One Except Oil Company Executives), Sketch From Two Cubas
Papo Vazquez	trombone	Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo
Carlos Mestre	congas	Cause, Sketch From Two Cubas
George Naha	electric guitar	At the Moment of the Serve, This Night Comes Out of Both of Us
Giovanni Hidalgo	trumpet	The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic
Anthony Cox	bass	One Summer Afternoon (For Gil Evans), Winterscape With I.M.F.
Paoli Mejias	congas, percussion	Opening Night Celebration, Opening of the Nuyorican Poet's Cafe
Mauricio Smith	flute	His Mother's Funeral, Mother's Prison Visit...
Orlando Di Girolamo	accordion	Heart on My Sleeve, India Song
Cecil McBee	bass	Heart on My Sleeve
J.T. Lewis	drums	...at the same time as the subway train was pulling out of the station...
John Stubblefield	tenor saxophone	No One Gets to Transcend Anything (No One Except Oil Company Executives)
Horacio 'El Negro' Hernández	drums, percussion	Opening of the Nuyorican Poet's Cafe
Fred Frith	electric guitar	Shadow to Shadow
Frankie Rodriguez (vocals)	vocal	Cause
Eric Valez	congas	Opening Night Celebration
Elysee Pyronneau	guitar	The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic
Edgardo Miranda	cuatro	Cause
Michael Cain	piano	Funeral Poem Celebration/Scattering the Ashes
Michael Mantler	trumpet	Sketch From Two Cubas
Dom Um Romão	agogô, surdo	Shadow to Shadow
Dino Saluzzi	bandoneón	The First and Last to Love Me (4, December)
David Liebman (saxophonist)	soprano saxophone	Heart on My Sleeve
John Clark (flute & horn player)	French horn	India Song
Carmen Lundy (American Jazz Singer)	vocal	The First and Last to Love Me (4, December)
Carla Bley	vocal, piano	India Song
Renaud Garcia-Fons	bass	The First and Last to Love Me (4, December)
Bern Nix	electric guitar	No One Gets to Transcend Anything (No One Except Oil Company Executives)
Amadito Valdés	timbales	Opening of the Nuyorican Poet's Cafe
Steve Swallow	bass	The First and Last to Love Me (2, October)
Allen Toussaint	piano	Buddy Bolden's Blues
Teo Macero	tenor saxophone	Heart on My Sleeve
Victor Lewis	drums	Heart on My Sleeve
Vincente George	güiro	Cause
Willie Green	drums	The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic
Wolfgang Puschnig	alto saxophone	The First and Last to Love Me (4, December)
George Adams	tenor saxophone	The First and Last to Love Me (2, October)

Busses From Heaven, Can't Fly on One Wing..., Caravaggio / A Quick Balance, Cause, Childhood Damage, City of Gold (Palestine Blues), Estate of Mind, Exterior New York - Night, Father? Well He Fucked My Mother, And Made Me..., Funeral Poem Celebration/Scattering the Ashes, His Mother's Funeral, Junkie Christ, Ladies and Gentlemen, Please Welcome Miguel Piñero..., Last Call, Leaving the Reception, Leijia Heads to Brooklyn, Look, The Moon (Carmen's), Miguel Leaves Puerto Rico, Mikey Enters the Shooting Gallery, Mikey Falls/Obatala, Milton Cardona, Montana, Mother's Prison Visit..., Needle State Building, Night Cumbia, One Summer Afternoon (For Gil Evans), Opening Night Celebration, Opening of the Nuyorican Poet's Cafe, Paris Through Tears, Parole Hearing, Perla, Real Time and Beautiful Scars, Rumba of Cities, Salt in the Mozambique Night (Glasgow, for Jack Bruce), Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Sugar's Theme, The Accounting of Morning, The Girl That Won't Resolve, Three Card Monte, Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ..., Winterscape With I.M.F., Xiomarra Wears the Heat Beautifully

Jon Fausty

engineer, remixer

...at the same time as the subway train was pulling out of the station..., A Model Bronx Childhood, A Poker Game / Luck Inverts Itself / Four Swimmers, Ah, Intruder! (Female), American Clavé, As in Angola (Red Star in the Morning Sky), As in the Bronx (You Can Tell Where Someone Comes from by what They Laugh at), As in the Red Morning, Buddy Bolden's Blues, G-d Is Great, Gender, Lisbon / Blue Request, Love Is Like a Cigarette, Marriage, My Life Outside of Power, Red Star, Road Song, The First and Last to Love Me (2, December), The First and Last to Love Me (2, October), The First and Last to Love Me (4, December), The Last Song, The Last Song on the Album, The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan, Unobtainable Days, Unobtainable Nights, What We Learned That Night in Vera Cruz and How We Applied It, Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes, You Can Tell Someone Who'll Never Fulfill Their Potential by the way They Measure the Evening, You Can Tell a Guy by His Anger, You Can Tell a Moment of Clarity by the Digital Traces it Leaves

Jack Bruce

vocal, bass

...at the same time as the subway train was pulling out of the station..., Buddy Bolden's Blues, The First and Last to Love Me (2, October), The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic, The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan

Edsel Gomez

piano

Can't Fly on One Wing..., Estate of Mind, Leaving the Reception, Miguel Leaves Puerto Rico, Mother's Prison Visit..., Needle State Building, Opening Night Celebration, Parole Hearing, Perla, Short Eyes Prison Rehearsal Boogaloo, Stealing the Furs Boogaloo, Three Card Monte

Andy González

bass