Jørn Jacobsen

sound, balance, engineer, editor, producer

Top collaborators

Artist name Roles Recordings
Roland Pöntinen piano A Bird Came Down the Walk, Adagio and Allegro, Op. 70, Apres un reve, Op. 7, No. 1, Concert Piece, El amor brujo: Pantomime, Elegie, op. 44, Hamabe no Uta (Song of the Seashore), Infanta Marina, Intermezzo, Liebesfreud, Liebesleid, Meditation for Violin and Piano (arr. for Viola): Sehr langsam, No. 3 Melodie, Nocturne, op. 11 no. 2, Quatre Visages: I. La Californienne, Quatre Visages: II. The Wisconsonian, Quatre Visages: III. La Bruxelloise, Quatre Visages: IV. La Parisienne, Reflection, Romance oubliée, Rêverie, Salut d'amour, Op. 12, Schon Rosmarin, Sonata for Viola and Piano (1939): I. Breit. mit Kraft, Sonata for Viola and Piano (1939): II. Sehr lebhaft, Sonata for Viola and Piano (1939): III. Phantasie. Sehr langsam, frei - Schnell - Sehr langsam, frei, Sonata for Viola and Piano (1939): IV. Finale (mit zwei Variationen). Leicht bewegt - Sehr lebhaft, Sonata for Viola and Piano, op. 11 no. 4: I. Fantasie. Ruhig, Sonata for Viola and Piano, op. 11 no. 4: II. Thema und Variationen. Ruhig und einfach, wie ein Volkslied, Sonata for Viola and Piano, op. 11 no. 4: III. Finale (mit Variationen). Sehr lebhaft (Alla breve) in wechselnder Taktart, Sonata for Viola and Piano, op. 147: I. Moderato, Sonata for Viola and Piano, op. 147: II. Allegretto, Sonata for Viola and Piano, op. 147: III. Adagio, Sonata for Viola and Piano, op. 25 no. 4: I. Sehr lebhaft. Markiert und kraftvoll, Sonata for Viola and Piano, op. 25 no. 4: II. Sehr langsame Viertel, Sonata for Viola and Piano, op. 25 no. 4: III. Finale. Lebhafte Viertel, Sonatensatz (Scherzo) in C minor (Allegro) "FAE Sonata", Suite No. 3 in D, BWV 1068: Air, Suite hebraique: Rhapsodie, There Is a Willow Grows Aslant a Brook, Viola Sonata in D minor: I. Allegro moderato, Viola Sonata in D minor: II. Larghetto ma non troppo (Andante)
今井信子 viola A Bird Came Down the Walk, Adagio and Allegro, Op. 70, Apres un reve, Op. 7, No. 1, Concert Piece, El amor brujo: Pantomime, Elegie, op. 44, Hamabe no Uta (Song of the Seashore), Infanta Marina, Intermezzo, Liebesfreud, Liebesleid, Meditation for Violin and Piano (arr. for Viola): Sehr langsam, No. 3 Melodie, Nocturne, op. 11 no. 2, Quatre Visages: I. La Californienne, Quatre Visages: II. The Wisconsonian, Quatre Visages: III. La Bruxelloise, Quatre Visages: IV. La Parisienne, Reflection, Romance oubliée, Rêverie, Salut d'amour, Op. 12, Schon Rosmarin, Sonata for Viola and Piano (1939): I. Breit. mit Kraft, Sonata for Viola and Piano (1939): II. Sehr lebhaft, Sonata for Viola and Piano (1939): III. Phantasie. Sehr langsam, frei - Schnell - Sehr langsam, frei, Sonata for Viola and Piano (1939): IV. Finale (mit zwei Variationen). Leicht bewegt - Sehr lebhaft, Sonata for Viola and Piano, op. 11 no. 4: I. Fantasie. Ruhig, Sonata for Viola and Piano, op. 11 no. 4: II. Thema und Variationen. Ruhig und einfach, wie ein Volkslied, Sonata for Viola and Piano, op. 11 no. 4: III. Finale (mit Variationen). Sehr lebhaft (Alla breve) in wechselnder Taktart, Sonata for Viola and Piano, op. 147: I. Moderato, Sonata for Viola and Piano, op. 147: II. Allegretto, Sonata for Viola and Piano, op. 147: III. Adagio, Sonata for Viola and Piano, op. 25 no. 4: I. Sehr lebhaft. Markiert und kraftvoll, Sonata for Viola and Piano, op. 25 no. 4: II. Sehr langsame Viertel, Sonata for Viola and Piano, op. 25 no. 4: III. Finale. Lebhafte Viertel, Sonatensatz (Scherzo) in C minor (Allegro) "FAE Sonata", Suite No. 3 in D, BWV 1068: Air, Suite hebraique: Rhapsodie, There Is a Willow Grows Aslant a Brook, Viola Sonata in D minor: I. Allegro moderato, Viola Sonata in D minor: II. Larghetto ma non troppo (Andante)
David Eyre
BEKAH (UK singer, rapper and producer)
Margret Hönisch

Collaborators on this artist's recordings

Artist name Roles Recordings
Roland Pöntinen piano A Bird Came Down the Walk, Adagio and Allegro, Op. 70, Apres un reve, Op. 7, No. 1, Concert Piece, El amor brujo: Pantomime, Elegie, op. 44, Hamabe no Uta (Song of the Seashore), Infanta Marina, Intermezzo, Liebesfreud, Liebesleid, Meditation for Violin and Piano (arr. for Viola): Sehr langsam, No. 3 Melodie, Nocturne, op. 11 no. 2, Quatre Visages: I. La Californienne, Quatre Visages: II. The Wisconsonian, Quatre Visages: III. La Bruxelloise, Quatre Visages: IV. La Parisienne, Reflection, Romance oubliée, Rêverie, Salut d'amour, Op. 12, Schon Rosmarin, Sonata for Viola and Piano (1939): I. Breit. mit Kraft, Sonata for Viola and Piano (1939): II. Sehr lebhaft, Sonata for Viola and Piano (1939): III. Phantasie. Sehr langsam, frei - Schnell - Sehr langsam, frei, Sonata for Viola and Piano (1939): IV. Finale (mit zwei Variationen). Leicht bewegt - Sehr lebhaft, Sonata for Viola and Piano, op. 11 no. 4: I. Fantasie. Ruhig, Sonata for Viola and Piano, op. 11 no. 4: II. Thema und Variationen. Ruhig und einfach, wie ein Volkslied, Sonata for Viola and Piano, op. 11 no. 4: III. Finale (mit Variationen). Sehr lebhaft (Alla breve) in wechselnder Taktart, Sonata for Viola and Piano, op. 147: I. Moderato, Sonata for Viola and Piano, op. 147: II. Allegretto, Sonata for Viola and Piano, op. 147: III. Adagio, Sonata for Viola and Piano, op. 25 no. 4: I. Sehr lebhaft. Markiert und kraftvoll, Sonata for Viola and Piano, op. 25 no. 4: II. Sehr langsame Viertel, Sonata for Viola and Piano, op. 25 no. 4: III. Finale. Lebhafte Viertel, Sonatensatz (Scherzo) in C minor (Allegro) "FAE Sonata", Suite No. 3 in D, BWV 1068: Air, Suite hebraique: Rhapsodie, There Is a Willow Grows Aslant a Brook, Viola Sonata in D minor: I. Allegro moderato, Viola Sonata in D minor: II. Larghetto ma non troppo (Andante)
今井信子 viola A Bird Came Down the Walk, Adagio and Allegro, Op. 70, Apres un reve, Op. 7, No. 1, Concert Piece, El amor brujo: Pantomime, Elegie, op. 44, Hamabe no Uta (Song of the Seashore), Infanta Marina, Intermezzo, Liebesfreud, Liebesleid, Meditation for Violin and Piano (arr. for Viola): Sehr langsam, No. 3 Melodie, Nocturne, op. 11 no. 2, Quatre Visages: I. La Californienne, Quatre Visages: II. The Wisconsonian, Quatre Visages: III. La Bruxelloise, Quatre Visages: IV. La Parisienne, Reflection, Romance oubliée, Rêverie, Salut d'amour, Op. 12, Schon Rosmarin, Sonata for Viola and Piano (1939): I. Breit. mit Kraft, Sonata for Viola and Piano (1939): II. Sehr lebhaft, Sonata for Viola and Piano (1939): III. Phantasie. Sehr langsam, frei - Schnell - Sehr langsam, frei, Sonata for Viola and Piano (1939): IV. Finale (mit zwei Variationen). Leicht bewegt - Sehr lebhaft, Sonata for Viola and Piano, op. 11 no. 4: I. Fantasie. Ruhig, Sonata for Viola and Piano, op. 11 no. 4: II. Thema und Variationen. Ruhig und einfach, wie ein Volkslied, Sonata for Viola and Piano, op. 11 no. 4: III. Finale (mit Variationen). Sehr lebhaft (Alla breve) in wechselnder Taktart, Sonata for Viola and Piano, op. 147: I. Moderato, Sonata for Viola and Piano, op. 147: II. Allegretto, Sonata for Viola and Piano, op. 147: III. Adagio, Sonata for Viola and Piano, op. 25 no. 4: I. Sehr lebhaft. Markiert und kraftvoll, Sonata for Viola and Piano, op. 25 no. 4: II. Sehr langsame Viertel, Sonata for Viola and Piano, op. 25 no. 4: III. Finale. Lebhafte Viertel, Sonatensatz (Scherzo) in C minor (Allegro) "FAE Sonata", Suite No. 3 in D, BWV 1068: Air, Suite hebraique: Rhapsodie, There Is a Willow Grows Aslant a Brook, Viola Sonata in D minor: I. Allegro moderato, Viola Sonata in D minor: II. Larghetto ma non troppo (Andante)

Work on other artists' recordings

Artist name Roles Recordings
David Eyre sound Kullervo, op. 7: I. Introduction, Kullervo, op. 7: II. Kullervo's Youth, Kullervo, op. 7: IV. Kullervo goes to War, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): I. Allegro con brio, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): II. Allegretto ma non troppo, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): III. Allegro assai vivace ma serioso, String Quartet in F minor, op. 95 (arr. for String Orchestra by Mahler): IV. Larghetto espressivo - Allegretto agitato - Allegro, Symphonic Movement "Blumine": Andante allegretto, Symphony no. 1 in D major "Titan": I. Langsam, schleppend. Im Anfang sehr gemächlich, Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell, Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen, Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt, Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco, Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato, Symphony no. 7 in E minor: III. Scherzo. Schattenhaft - Trio - Wieder wie zu Anfang, Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso, Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario, Todtenfeier
BEKAH balance Four Humoresques for Violin and Orchestra, op. 89: No. 1 in G minor, Four Humoresques for Violin and Orchestra, op. 89: No. 2 in G minor, Four Humoresques for Violin and Orchestra, op. 89: No. 3 in E-flat major, Four Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor, Suite for Violin and Orchestra, op. 117: Country Scenery: Allegretto, Suite for Violin and Orchestra, op. 117: Evening in Spring: Andantino, Suite for Violin and Orchestra, op. 117: In the Summer: Vivace, Two Humoresques, op. 87: No. 1 in D minor, Two Humoresques, op. 87: No. 2 in D major, Two Pieces for Violin and Orchestra, op. 77: No. 1. Cantique: Laetare anima mea, Two Pieces for Violin and Orchestra, op. 77: No. 2. Devotion: Ab imo pectore, Two Serenades for Violin and Orchestra, op. 69: No. 1 in D major, Two Serenades for Violin and Orchestra, op. 69: No. 2 in G minor, Violin Concerto in D minor, op. 47: Adagio di molto, Violin Concerto in D minor, op. 47: Allegro ma non tanto, Violin Concerto in D minor, op. 47: Allegro moderato, Violin Concerto in D minor: I. Allegro moderato [excerpt]
Margret Hönisch editor, engineer Overture: Elisa, op. 29, Overture: Elverhøj, Overture: Hugo and Adelheid, op. 107, Overture: Lulu, op. 65, Overture: Røverborgen, Overture: Trillingbrødrene fra Damask, op. 115, Overture: Trylleharpen, op. 27, Overture: William Shakespeare, op. 74
Pinkwash sound Nordisk Sommerpastorale, op. 51, Sommasvit for String Orchestra, op. 24: Afton: Bjälnäs, Sommasvit for String Orchestra, op. 24: Epilog, Sommasvit for String Orchestra, op. 24: Middag: Böljeskvalp vid Aspanäs udde, Sommasvit for String Orchestra, op. 24: Morgon: Svalön, Sommasvit for String Orchestra, op. 24: Natt: Höststorm på Storsjön
Shortfall sound Symphony no. 5: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5: Part I. II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5: Part II. III. Scherzo: Kräftig, nicht zu schnell, Symphony no. 5: Part III. IV. Adagietto; Sehr langsam, Symphony no. 5: Part III. V. Rondo-Finale: Allegro - Allegro giocoso. Frisch
脇田貞二 engineer, producer String Quartet no. 6, op. 78: I. Lento – Allegro con fuoco, String Quartet no. 6, op. 78: II. Molto vivace, String Quartet no. 6, op. 78: III. Adagio e piano, String Quartet no. 6, op. 78: IV. Allegro spiritoso
Franco Luciani sound Kullervo, op. 7: III. Kullervo and his Sister