Jobst Eberhardt

balance, editor, engineer, audio, producer, recording, sound

Top collaborators

Artist name Roles Recordings
Wilhelm Kempff
Rene “Judas” Harvey
Tamás Vásáry
Tom & Hills
Damn City! (positive hardcore)

Work on other artists' recordings

Artist name Roles Recordings
Wilhelm Kempff balance Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro, Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio, Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto (allegretto), Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo, Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro, Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante, Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (allegro assai), Piano Sonata no. 11 in B-flat, op. 22: I. Allegro con brio, Piano Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione, Piano Sonata no. 11 in B-flat, op. 22: III. Menuetto, Piano Sonata no. 11 in B-flat, op. 22: IV. Rondo (allegretto), Piano Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni, Piano Sonata no. 12 in A-flat, op. 26: II. Scherzo (allegro molto), Piano Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe, Piano Sonata no. 12 in A-flat, op. 26: IV. Allegro, Piano Sonata no. 13 in E-flat, op. 27 no. 1: I. Andante - allegro - tempo I, Piano Sonata no. 13 in E-flat, op. 27 no. 1: II. Allegro molto e vivace, Piano Sonata no. 13 in E-flat, op. 27 no. 1: III. Adagio con espressione, Piano Sonata no. 13 in E-flat, op. 27 no. 1: IV. Allegro vivace - tempo I - presto, Piano Sonata no. 15 in D major, op. 28 “Pastorale”: I. Allegro, Piano Sonata no. 15 in D major, op. 28 “Pastorale”: II. Andante, Piano Sonata no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace, Piano Sonata no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo, Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace, Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso, Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo (allegretto), Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo - allegro, Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio, Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto, Piano Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: I. Allegro, Piano Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: II. Scherzo (allegretto vivace), Piano Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: III. Menuetto (moderato e grazioso), Piano Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: IV. Presto con fuoco, Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante, Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (allegro), Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace, Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato, Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto, Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso, Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo, Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto, Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio, Piano Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione (adagio molto), Piano Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo (allegretto moderato - prestissimo), Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto, Piano Sonata no. 22 in F major, op. 54: II. Allegretto, Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai, Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto, Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo, Piano Sonata no. 24 in F-sharp, op. 78 “For Therese”: I. Adagio cantabile - allegro ma non troppo, Piano Sonata no. 24 in F-sharp, op. 78 “For Therese”: II. Allegro vivace, Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca, Piano Sonata no. 25 in G major, op. 79: II. Andante, Piano Sonata no. 25 in G major, op. 79: III. Vivace, Piano Sonata no. 26 in E-flat, op. 81a “Les adieux”: I. Das Lebewohl (Adagio - allegro), Piano Sonata no. 26 in E-flat, op. 81a “Les adieux”: II. Abwesenheit (Andante espressivo), Piano Sonata no. 26 in E-flat, op. 81a “Les adieux”: III. Das Wiedersehen (Vivacissimamente), Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck, Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen, Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo), Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia), Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto), Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit (Allegro), Piano Sonata no. 29 in B-flat, op. 106 - "Hammerklavier": 1. Allegro, Piano Sonata no. 29 in B-flat, op. 106 - "Hammerklavier": 2. Scherzo (assai vivace - presto - prestissimo - tempo I), Piano Sonata no. 29 in B-flat, op. 106 - "Hammerklavier": 3. Adagio sostenuto, Piano Sonata no. 29 in B-flat, op. 106 - "Hammerklavier": 4. Largo - allegro risoluto, Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio, Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio, Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo (allegro), Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai, Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - adagio espressivo - tempo I, Piano Sonata no. 30 in E major, op. 109: II. Prestissimo, Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo), Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo, Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto, Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - fuga (Allegro ma non troppo), Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato, Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile), Piano Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio, Piano Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione, Piano Sonata no. 4 in E-flat, op. 7: III. Allegro, Piano Sonata no. 4 in E-flat, op. 7: IV. Rondo (poco allegretto e grazioso), Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio, Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto, Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale (prestissimo), Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro, Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto, Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto, Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto, Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto, Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto (allegro), Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo (allegro), Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio, Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile, Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (allegro), Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro, Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto, Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo (allegro comodo), Piano Sonata no.14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto, Piano Sonata no.14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto, Piano Sonata no.14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
Rene “Judas” Harvey editor "Hallelujah" Chorus from Messiah, Adagio (3rd movement) from the Sonata for Viola de Gamba and Harpsichord in C Major, Air and Variations "The Harmonious Blacksmith" in E major, Allegro (1st movement) from Brandenburg Concerto no. 2 in F major, Allegro (4th movement) from the Flute Sonata in F major op. 1 no. 11, Andante (1st movement) from the Sonata a 5 (Violin Concerto) in B flat major, Andante Allegro (1st movement) from the Organ (Harp/Synthesizer) Concerto in B flat major op. 4 no. 6, Aria (1st movement) »Jauchzet Gott in allen Landen«, Aria »Bist du bei mir«, Badinerie from the Suite for Orchestra no. 2 in B minor, Chorale "Jesu, Joy of Man's Desiring" (from Cantata BWV 147), Minuet in G major from the »Notenbüchlein der Anna Magdalena Bach«, Prelude in C minor from »6 Kleine Präludien« BWV 934, Sinfonia "The Arrival of the Queen of Sheba" from Solomon, Vivace (1st movement) from the Concerto for 2 Violins in D minor, Water Music: Bourrée in F major, Water Music: Country Dance I/II in G minor/major, Water Music: Menuet in F major
Tamás Vásáry audio Danse (Tarantelle styrienne): Allegretto, Deux Arabesques, L. 66: No. 1. Andante con moto, Deux Arabesques: Allegretto scherzando, La plus que lente (Valse), L’Isle joyeuse: Modéré et très souple, Masques: Très vif et fantasque, Pour le piano: Prélude: Assez animé et très rythmé, Pour le piano: Sarabande: Avec une élégance grave et lente, Pour le piano: Toccata: Vif, Suite bergamasque, L. 75: 3. Clair de lune, Suite bergamasque: Menuet: Andantino, Suite bergamasque: Passepied: Allegretto ma non troppo, Suite bergamasque: Prélude: Moderato
Tom & Hills producer Piano Concerto no. 1 in E-flat major, S124: I. Allegro maestoso, Piano Concerto no. 1 in E-flat major, S124: II. Quasi adagio - Allegro vivace - Allegro animato, Piano Concerto no. 1 in E-flat major, S124: III. Allegro marziale animato, Piano Concerto no. 2 in A major, S125: Adagio sostenuto assai, Piano Concerto no. 2 in A major, S125: Allegro agitato assai, Piano Concerto no. 2 in A major, S125: Allegro animato, Piano Concerto no. 2 in A major, S125: Allegro deciso, Piano Concerto no. 2 in A major, S125: Allegro moderato, Piano Concerto no. 2 in A major, S125: Marziale un poco meno allegro
Damn City! engineer, sound Symphonie No. 7 in E-Dur: I. Allegro moderato, Symphonie No. 7 in E-Dur: II. Adagio. Sehr feierlich und sehr langsam, Symphonie No. 7 in E-Dur: III. Scherzo. Sehr schnell - Trio. Etwas langsamer, Symphonie No. 7 in E-Dur: IV. Finale. Bewegt, doch nicht schnell, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): I. Feierlich, Misterioso, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): II. Scherzo: Bewegt, lebhaft - Trio: Schnell, Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): III. Adagio: Langsam, ferierlich
The Jimmy Wakely Trio recording Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz, Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell, Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam, Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
12 par skor engineer Symphony Nr. 7 A‐Dur, op. 92: I. Poco sostenuto – Vivace, Symphony Nr. 7 A‐Dur, op. 92: II. Allegretto, Symphony Nr. 7 A‐Dur, op. 92: III. Presto, Symphony Nr. 7 A‐Dur, op. 92: IV. Allegro con brio
Cedar recording Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 1. Allegro maestoso, Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 2. Larghetto, Concerto pour piano & Orchestre No.1 en mi mineur, op.11 - 3. Rondo. Vivace
Mark Ludwig engineer Ouverture solennelle "1814", op. 49: Largo - Andante - Allegro giusto - Largo - Allegro vivace
Vilma von Webenau engineer Meeresstille und glückliche Fahrt, op. 27