Glenn Branca

guitar, conductor, vocal, electric guitar, guitars, arranger, producer, bass guitar, bass

Sample recordings

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Top collaborators

Artist name Roles Recordings
Theoretical Girls
Stephan Wischerth instrument arranger, cymbals, drums, percussion Bad Smells, Dissonance, Fifth Movement, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Lesson No. 1 for Electric Guitar, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Lee Ranaldo producer, guitar, guitars Bad Smells, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Thurston Moore guitar, guitars Bad Smells, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Wharton Tiers mix, producer, guitars, keyboard, percussion Fifth Movement, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater

Collaborators on this artist's recordings

Artist name Roles Recordings
Stephan Wischerth instrument arranger, cymbals, drums, percussion Bad Smells, Dissonance, Fifth Movement, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Lesson No. 1 for Electric Guitar, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Lee Ranaldo producer, guitar, guitars Bad Smells, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Thurston Moore guitar, guitars Bad Smells, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Wharton Tiers mix, producer, guitars, keyboard, percussion Fifth Movement, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Barbara Ess baritone guitar, bass guitar, guitar, percussion Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Craig Bromberg guitar, guitars Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Robert Harrison (Rock producer, songwriter, guitarist from Austin, Texas) guitar, guitars Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement, First Movement: Slow Mass, Fourth Movement, Fourth Movement: Sacred Field, Second Movement, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Gunter Meinhart conductor Symphony No. 7: 1st Movement: Shivering Air, Symphony No. 7: 2nd Movement: FreeForm, Symphony No. 7: 3rd Movement: Harmonic Series Chords, Part One, Symphony No. 7: 3rd Movement: Harmonic Series Chords, Part Two, Symphony No. 7: 4th Movement: Old School, Symphony No. 7: 5th Movement: Shaking Light, Part One, Symphony No. 7: 5th Movement: Shaking Light, Part Two
The Graz Festival Orchestra performing orchestra Symphony No. 7: 1st Movement: Shivering Air, Symphony No. 7: 2nd Movement: FreeForm, Symphony No. 7: 3rd Movement: Harmonic Series Chords, Part One, Symphony No. 7: 3rd Movement: Harmonic Series Chords, Part Two, Symphony No. 7: 4th Movement: Old School, Symphony No. 7: 5th Movement: Shaking Light, Part One, Symphony No. 7: 5th Movement: Shaking Light, Part Two
Jeffrey Glenn bass guitar Bad Smells, Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
David Rosenbloom baritone guitar, guitar, guitars Bad Smells, First Movement, Fourth Movement, Second Movement, Third Movement
Ellen Watkins guitar, keyboard Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Eric Hubel guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Evans Wohlforth guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Sue Hanel guitar Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Algis Kiyzs bass guitar, guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Carolyn Master guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Z'EV drums Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Al Arthur drums, guitar Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
John Myers (Worked with Glenn Branca) guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Jon Bepler guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
David Linton drums, guitar Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Phil Kline guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Patrick Derivaz mix Fifth Movement: In the Late 20th Century the Impossible Becomes Possible, First Movement: Slow Mass, Fourth Movement: Sacred Field, Second Movement: Radioactive Poltergeist Kitchen 1955, Third Movement: Melodrama and Nuclear Physics in the Global Theater
Page Hamilton guitar Fifth Movement, First Movement, Fourth Movement, Second Movement, Third Movement
Ned Sublette guitar, guitars Bad Smells, First Movement, Fourth Movement, Second Movement, Third Movement
Fritz Van Orden tenor saxophone First Movement, Fourth Movement, Second Movement, Third Movement
Anne DeMarinis keyboard, percussion First Movement, Fourth Movement, Second Movement, Third Movement
Richard Edson trumpet First Movement, Fourth Movement, Second Movement, Third Movement
Gail Vachon keyboard First Movement, Fourth Movement, Second Movement, Third Movement
Margot Zvaleko French horn First Movement, Fourth Movement, Second Movement, Third Movement
Dave Buk baritone horn, trumpet First Movement, Fourth Movement, Second Movement, Third Movement
F. L. Schröder bass guitar Dissonance, Lesson No. 1 for Electric Guitar
Anthony Coleman keyboard, organ Dissonance, Lesson No. 1 for Electric Guitar
London Sinfonietta performing orchestra Galba
Paul Daniel (conductor) conductor Galba
Michael Gross guitar Lesson No. 1 for Electric Guitar

Work on other artists' recordings

Artist name Roles Recordings
Theoretical Girls vocal, bass, bass guitar, electric guitar, guitar Chicita Bonita, Chicita Bonita (second version), Computer Dating, Computer Dating (second version), Contrary Motion, Electronic Angie (second version), Electronic Angie (short version), Europe Man, Fuck Yourself, Glazened Idols, Jill, Lovin in the Red, Lovin in the Red (second version), Mom & Dad, Nato, No More Sex, Parlez-vous Francais, Polytonal, TV Song, Theoretical Girls (live), Theoretical Girls (studio), U.S. Millie, You, You Got Me
The Static vocal, electric guitar Don’t Let Me Stop You, My Relationship