Gianandrea Noseda

conductor

Top collaborators

Artist name Roles Recordings
Ronnie Lewis (drummer)
John "Buddy" Williams and His Blue Rhythm Orchestra
Flovcut
Kenny Butterill
Pierre-Luc Dupuis

Work on other artists' recordings

Artist name Roles Recordings
Ronnie Lewis conductor Beethoven: Symphony 1, Beethoven: Symphony 2, Beethoven: Symphony 3, Beethoven: Symphony 4, Beethoven: Symphony 5, Beethoven: Symphony 6, Beethoven: Symphony 7, Beethoven: Symphony 8, Beethoven: Symphony 9, Bright Cecilia: Variations on a Theme by Purcell: Fantastico, Bright Cecilia: Variations on a Theme by Purcell: Finale grande, Bright Cecilia: Variations on a Theme by Purcell: Giocoso, Bright Cecilia: Variations on a Theme by Purcell: Scherzando, Bright Cecilia: Variations on a Theme by Purcell: Sognante, Bright Cecilia: Variations on a Theme by Purcell: Solenne, Bright Cecilia: Variations on a Theme by Purcell: Tema, Bright Cecilia: Variations on a Theme by Purcell: Tema elaborata, Caprice bohémien, Op. 12, Concerto for Orchestra, op. 61: I. Sinfonia, Concerto for Orchestra, op. 61: II. Passacaglia, Concerto for Orchestra, op. 61: III. Inno, Die Braut von Messina: Overture, Die Zauberflöte, K. 620: Ouverture, I quattro rusteghi: Intermezzo, I quattro rusteghi: Prelude, Il campiello: Intermezzo, Il campiello: Ritornello, Il segreto di Susanna: Intermezzo, Il segreto di Susanna: Overture, Introduzione, corale e marcia, op. 57: I. Introduzione -, Introduzione, corale e marcia, op. 57: II. Corale -, Introduzione, corale e marcia, op. 57: III. Marcia, Italia, op. 11: Allegretto grazioso, poco mosso - Lento - Sempre più lento -, Italia, op. 11: Allegro molto vivace; giocoso, Italia, op. 11: Lento assai - Lontano –, Italia, op. 11: Lento, grave, tragico; con molta fantasia -, L'heure espagnole: Coda, L'heure espagnole: Introduction / Scenes I & 2, L'heure espagnole: Scenes 12-13, L'heure espagnole: Scenes 14-15, L'heure espagnole: Scenes 16-18, L'heure espagnole: Scenes 19-21, L'heure espagnole: Scenes 3-5, L'heure espagnole: Scenes 6-8, L'heure espagnole: Scenes 9-11, La dama boba: Overture, Legend: St. Francis of Assisi’s Sermon to the Birds for Orchestra, S. 354 No. 1, L’amore medico: Intermezzo, L’amore medico: Overture, Ouverture in Mi minore D. 648, Prince Rostislav, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: I. Andante - Allegro ma non troppo, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: II. Andante con moto, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: III. Scherzo. Allegro vivace, Sinfonia n. 9 in Do maggiore "La Grande" D. 944: IV. Allegro vivace, Sinfonia, op. 63: I. Allegro mosso - Calmato; tranquillo, Sinfonia, op. 63: II. Andante molto moderato, quasi adagio - Lievemente più mosso - Calmato, nuovamente sereno, Sinfonia, op. 63: III. Scherzo minore - maggiore, Sinfonia, op. 63: IV. Rondo finale, Suite from the Opera "I gioielli della Madonna": I. Festa popolare, Suite from the Opera "I gioielli della Madonna": II. Intermezzo, Suite from the Opera "I gioielli della Madonna": III. Serenata, Suite from the Opera "I gioielli della Madonna": IV. Danza napolitana, Symphonic Fragments from "La donna serpente", op. 50: Battaglia e finale, Symphonic Fragments from "La donna serpente", op. 50: Interludio, Symphonic Fragments from "La donna serpente", op. 50: Marcia guerriera, Symphonic Fragments from "La donna serpente", op. 50: Musica del sogno di re altidor, Symphonic Fragments from "La donna serpente", op. 50: Preludio, Symphonic Fragments from "La donna serpente", op. 50: Sinfonia, Symphonic Poem No. 11 for Orchestra, S. 105 “The Battle of the Huns”, Symphonic Poem No. 6 for Orchestra, S. 100 “Mazeppa”, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": I. Adagio - Allegro con spirito, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": II. Andante più tosto allegretto, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": III. Menuet - Trio, Symphony No. 103 in E-flat major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito, Symphony No. 3, Op. 44: I. Lento - Allegro moderato, Symphony No. 3, Op. 44: II. Adagio ma non troppo, Symphony No. 3, Op. 44: III. Allegro, Symphony No. 4 in D minor, Op. 120 (1851 revision): I. Ziemlich langsam - Lebhaft, Symphony No. 4 in D minor, Op. 120 (1851 revision): II. Romanze. Ziemlich langsam, Symphony No. 4 in D minor, Op. 120 (1851 revision): III. Scherzo. Lebhaft, Symphony No. 4 in D minor, Op. 120 (1851 revision): IV. Lebhaft, Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace, Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto, Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace, Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso, Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo, Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato, Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo: allegro molto vivace - Trio: l'istesso tempo, Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: moderato assai - allegro vivo - presto, Symphony no. 3 in F major, op 90: I. Allegro con brio, Symphony no. 3 in F major, op 90: II. Andante, Symphony no. 3 in F major, op 90: III. Poco allegretto, Symphony no. 3 in F major, op 90: IV. Allegro un poco sostenuto, Symphony no. 6 in D major: Allegro moderato - Allegro - Allegro moderato - Allegro vivace, Symphony no. 6 in D major: Largo, Symphony no. 6 in D major: Largo - Adagio - Andante - Allegro con fuoco, Symphony no. 6 in D major: Scherzo. Allegro ma non troppo - Trio, Symphony no. 8: I. Allegro con brio, Symphony no. 8: II. Adagio, Symphony no. 8: III. Allegretto grazioso - Molto vivace, Symphony no. 8: IV. Allegro ma non troppo, The Golden Spinning-Wheel
John "Buddy" Williams and His Blue Rhythm Orchestra conductor Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso, Piano Concerto no. 1 in D-flat major, op. 10: II. Meno mosso, Piano Concerto no. 1 in D-flat major, op. 10: III. Andante assai, Piano Concerto no. 1 in D-flat major, op. 10: IV. Allegro scherzando, Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto, Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace, Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato, Piano Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso, Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro, Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni, Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo, Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace, Piano Concerto no. 4 in B-flat major, op. 53: II. Andante, Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato, Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace, Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio, Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato, Piano Concerto no. 5 in G major, op. 55: III. Toccata: Allegro con fuoco, Piano Concerto no. 5 in G major, op. 55: IV. Larghetto, Piano Concerto no. 5 in G major, op. 55: V. Vivo
Flovcut conductor Bassoon Concertino: I. Allegro brillante - Poco adagio -, Bassoon Concertino: II. Allegro moderato [Theme and Variations] -, Bassoon Concertino: III. Polacca, Bassoon Concerto, KV 191: I. Allegro, Bassoon Concerto, KV 191: II. Andante ma adagio, Bassoon Concerto, KV 191: III. Rondo. Tempo di Menuetto, Bassoon Concerto: I. (Allegro), Bassoon Concerto: II. Largo -, Bassoon Concerto: III. (Rondo), Fantasie for Bassoon and Orchestra: Introduction Theme, Variations I and II, Fantasie for Bassoon and Orchestra: Polacca, Fantasie for Bassoon and Orchestra: Variation III, Suite-Concertino in F major, op. 16: I. Notturno. Andante un poco mosso, Suite-Concertino in F major, op. 16: II. Strimpellata. Presto, Suite-Concertino in F major, op. 16: III. Canzone. Andante cantabile, Suite-Concertino in F major, op. 16: IV. Finale. Andante con moto
Kenny Butterill conductor Il tabarro: [Orchestra], Skupoy Ritsa (The Miserly Knight), Op. 24: Prelude, Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "What has that Idler Solomon to say?" (Albert, Servant), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "What? Poison my father!" (Albert, Jew), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Whatever happens: I shall appear at the tournament" (Albert, Servant), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Yes, at the Baron's funeral more money will flow than tears" (Jew, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 1. "Your humble Servant" (Jew, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "But after me who will have possession of it?" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Every time I start to open a chest!" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "It doesnt seem much, but of how many human cares" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Like some demon, from here I can rule the world!" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 2. "Like the young libertine awaiting a meeting with some wily harlot" (Baron), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "Baron, I'm pleased to see you so hale and hearty" (Duke, Baron, Albert), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "Believe me, Sire: I have long suffered the shame of bitter poverty" (Albert, Duke), Skupoy Ritsa (The Miserly Knight), Op. 24: Scene 3. "You, here? You, here?" (Baron, Albert, Duke)
Pierre-Luc Dupuis conductor Aleko: Cavatina “The whole camp sleeps” (Aleko), Aleko: Chorus “As dear as freedom is our happy encampment”, Aleko: Chorus “But why did you not immediately hasten after the thankless wretch” (Aleko, Zemfira, Young Gypsy, Old Gypsy), Aleko: Chorus “The fires have gone out”, Aleko: Chorus “The magic power of song” (Old Gypsy), Aleko: Chorus “We are gentle and kind-hearted” (Old Gypsy, Aleko), Aleko: Chorus “What’s all this noise? What is that cry?” (Old Gypsy, Zemfira, Old Gypsy Woman, Aleko), Aleko: Cradle Scene. “Old man, fearful man…” (Zemfira, Aleko), Aleko: Duet “Just one more kiss!” (Young Gypsy, Zemfira), Aleko: Finale. Duet “It’s time to go, my love, it’s time!” (Young Gypsy, Aleko), Aleko: Intermezzo, Aleko: Introduction, Aleko: Men’s Dance, Aleko: Romance “Look how beneath the distant vault of heaven” (Young Gypsy), Aleko: Women’s Dance
Сергей Рахманинов conductor Francesca Da Rimini, op. 25: Scene II. "The Fair Guinivere..." (Paolo), Francesca Da Rimini, op. 25: Scene II. Epilogue, Francesca da Rimini, op. 25: Prologue. The First Circle of Hell. The Shade of Virgil, Followed by Dante, Francesca da Rimini, op. 25: Prologue. The Second Circle. Dante and Virgil on the Edge of the Precipice, Francesca da Rimini, op. 25: Prologue. [Largo], Francesca da Rimini, op. 25: Scene I. "My Answer Is Plain." (Lanceotto), Francesca da Rimini, op. 25: Scene I. "My Lord Called for Me?" (Francesca), Francesca da Rimini, op. 25: Scene I. "Nothing Can Extinguish These Jealous Thoughts." (Lanceotto), Francesca da Rimini, op. 25: Scene I. Rimini. The Malatesta Castle., Francesca da Rimini, op. 25: Scene II. Rimini. A Room in the Castle.
Dave Giles conductor Piano Concerto no. 1, BB 91: I. Allegro moderato, Piano Concerto no. 1, BB 91: II. Andante, Piano Concerto no. 1, BB 91: III. Allegro, Piano Concerto no. 2, BB 101: I. Allegro, Piano Concerto no. 2, BB 101: II. Adagio - Presto - Adagio, Piano Concerto no. 2, BB 101: III. Allegro molto, Piano Concerto no. 3, BB 127: I. Allegretto, Piano Concerto no. 3, BB 127: II. Adagio religioso, Piano Concerto no. 3, BB 127: III. [Allegro vivace]
Raj Pandit conductor War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison, War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam, War Requiem, op. 66: II. Dies irae: Confutatis maledictis, War Requiem, op. 66: II. Dies irae: Dies irae, War Requiem, op. 66: II. Dies irae: Pie Jesu Domine, War Requiem, op. 66: II. Dies irae: Recordare Jesu pie, War Requiem, op. 66: III. Offertorium: Domine Jesu Christe, War Requiem, op. 66: III. Offertorium: Sed signifer Sanctus, War Requiem, op. 66: VI. Libera me: Requiescant
Roman Trekel conductor Viola Concerto, Sz 120, BB 128: I. Moderato. Un poco meno mosso, Viola Concerto, Sz 120, BB 128: II. Adagio religioso, Viola Concerto, Sz 120, BB 128: III. Allegro vivace, Violin Concerto no. 1, BB 48a: I. Andante sostenuto, Violin Concerto no. 1, BB 48a: II. Allegro giocoso, Violin Concerto no. 2, BB 117: I. Allegro non troppo, Violin Concerto no. 2, BB 117: II. Andante tranquillo, Violin Concerto no. 2, BB 117: III. Allegro molto
Virlani Hallberg conductor Benvenuto Cellini: Les belles fleurs! / Quand j'aurai votre âge, Faust: Les grands Seigneurs / Ah! Je ris de me voir, Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia), La Bohème: Quando men vo, La Sonnambula: Care Compagne / Come per me sereno, La bohème: Act II. Quando me'n vò "Musetta's Waltz", Manon: Obéissons, quand leur voix apelle, Rusalka: Song to the Moon
Giacomo Puccini conductor La bohème: "Che gelida manina", La bohème: Act II. "Quando me n’vò" (Musetta), La fanciulla del West: "Ch'ella mi creda", Madama Butterfly: "Addio, fiorito asil", Madama Butterfly: Act III. "Addio, fiorito asil" (Pinkerton), Tosca: "Recondita armonia"
Пётр Ильич Чайковский conductor Symphony No. 3 in D major, Op. 29 "Polish": I. Introduzione e allegro, Symphony No. 3 in D major, Op. 29 "Polish": II. Alla tedesca - Allegro moderato e simplice, Symphony No. 3 in D major, Op. 29 "Polish": III. Andante elegiaco, Symphony No. 3 in D major, Op. 29 "Polish": IV. Scherzo. Allegro vivo, Symphony No. 3 in D major, Op. 29 "Polish": V. Finale. Allegro con fuoco - Tempo di polacca
Gustav Mahler conductor Symphony No. 7 in E minor: I. Langsam - Allegretto, Symphony No. 7 in E minor: II. Nachtnusik I: Allegro moderato, Symphony No. 7 in E minor: III. Scherzo: Schattenhaft, Symphony No. 7 in E minor: IV. Nachtmusik II: Andante amoroso, Symphony No. 7 in E minor: V. Rondo - Finale
Stefano Podda conductor Concerto soirée: I. Valzer-Fantasia. Tempo di valzer tranquillo – Un poco animato – Poco più, brillante ma tranquillo – Animando insensibilmente – Tempo di valzer – Molto più calmo – Tempo I, Concerto soirée: II. Ballo figurato. Allegretto calmo, con spirito – Più calmo – Riprendendo il tempo, Concerto soirée: III. Romanza. Andante malinconico – Poco più mosso, capriccioso – Mosso – Calmo – Tempo I, Concerto soirée: IV. Quadriglia. Allegro con spirito – Lo stesso tempo – Lo stesso tempo – Poco meno, con spirito – Tempo I – Un poco sostenuto, Concerto soirée: V. Can-can. Animatissimo – Poco trattenuto – Più mosso, quasi presto – Ancora più
BiggTrill conductor Divertimento concertante: I. Allegro. Allegro maestoso – Poco sostenuto – Più sostenuto – Calmo – Tempo I – Cadenza – Animato, Divertimento concertante: II. Marcia. Alla marcia, allegramente, Divertimento concertante: III. Aria. Andante – A tempo, molto calmo, Divertimento concertante: IV. Finale. Allegro marcato – Meno mosso, con ampiezza – Tempo I – Cadenza – Vivacissimo
Feest DJ Barry conductor War Requiem, op. 66: II. Dies irae: Be slowly lifted up, War Requiem, op. 66: II. Dies irae: Bugles sang, War Requiem, op. 66: IV. Sanctus: After the blast of lightning, War Requiem, op. 66: VI. Libera me: None, said the other
Paolo Seu conductor Symphony no. 3: I. Allegro, Symphony no. 3: II. Adagio con moto – Poco più mosso – Calmando – Tempo I, Symphony no. 3: III. Scherzo. Allegretto mosso – Trio – Con anima – [Scherzo. Allegretto mosso], Symphony no. 3: IV. Vivace con spirito
Vocal Foundry conductor A notte alta, op. 30: Agitando e cresc, molto, A notte alta, op. 30: Andante molto tranquillo e calmo, quasi adagio, A notte alta, op. 30: Lento molto, misterioso
Roberta Sammarelli conductor War Requiem, op. 66: II. Dies irae: Dies irae, dies illa, War Requiem, op. 66: IV. Sanctus: Sanctus, War Requiem, op. 66: VI. Libera me: Libera me
Sanchita Bhattacharya conductor War Requiem, op. 66: I. Requiem aeternam: What passing bells, War Requiem, op. 66: VI. Libera me: It seemed that out of battle
Andrea Bocelli conductor Di rigori armato il seno, Tosca: "E lucevan le stelle..."
Yellow Day Union conductor Il tabarro: "Eccola la passata!", Il tabarro: "O Luigi!"
Umberto Giordano conductor Andrea Chénier: "Come un bel dì di maggio", Fedora: "Amor ti vieta"
Gaetano Donizetti conductor La fille du régiment: "Pour mon âme", Lucia di Lammermoor: "Tombe degli avi miei" / "Fra poco a me ricovero"
Alberto Ferrari conductor War Requiem, op. 66: II. Dies irae: Out there, War Requiem, op. 66: III. Offertorium: So Abram rose
Harry Clark conductor Don Govanni: Crudele? - Ah no, mio bene! / Non mi dir, bell'idol mio
Letters Burning conductor Il tabarro: "Dimmi: perché gli hai chiesto di sbarcati a Rouen?"
Dust conductor Il tabarro: "È ben altro il mio sogno!"
My Enemies & I conductor Il tabarro: "Hai ben ragione"
Amilcare Ponchielli conductor La Gioconda: "Cielo e mar!"
Anikiko conductor Il tabarro: "O Michele?"
Jules Massenet conductor Werther: "Pourquoi me réveiller"
Antonín Dvořák conductor Rusalka, opera, B. 203 (Op. 114): Měsíčku na nebi hlubokém (Song to the Moon)
Jiřina Menšlová conductor War Requiem, op. 66: II. Dies irae: Move him into the sun
Jens Büttner conductor Il tabarro: "T'ho colto!"
Ruggero Leoncavallo conductor La bohème: "Musetta!" / "Testa adorata"
Hello! Jersey conductor Il tabarro: "Come è difficile esser felici!"
Luca Ferrari conductor War Requiem, op. 66: III. Offertorium: Hostias et preces tibi
The Dream The Chase conductor Il tabarro: "To'! guarda la mia vecchia!"
Through the Crowd conductor Il tabarro: "O eterni innamorati"
Giuseppe Verdi conductor Rigoletto: "Questa o quella"
Ville Kuukka conductor War Requiem, op. 66: V. Agnus Dei: One ever hangs
Vincenzo Bellini conductor I puritani: "A te, o cara"
Georges Bizet conductor Carmen: "La fleur que tu m'avais jetée"
Francesco Cilea conductor Adriana Lecouvreur: "La dolcissima effigie"
Words Like Daggers conductor Il tabarro: "Ragazzi c'è il padrone!"
Fidel Fogaroli conductor War Requiem, op. 66: VI. Libera me: Let us sleep now
EBA conductor Il tabarro: "Nulla! Silenzio!"
Martin Röttger conductor War Requiem, op. 66: I. Requiem aeternam: Te decet hymnus