Musical Bacon: Denise Else

Artist name	Roles	Recordings
Lure of Flames	engineer	From "The Unforgettable Year 1919", Suite from "Five Years and Five Nights": I. Introduction. Adagio, Suite from "Five Years and Five Nights": II. Dresden in Ruins. Largo, Suite from "Five Years and Five Nights": III. Liberated Dresden. Moderato - Presto, Suite from "Five Years and Five Nights": IV. Interlude. Andante - Allegro - Tempo I, Suite from "Five Years and Five Nights": V. Finale. Moderato - Allegretto, Suite from "Hamlet": I. Introduction. Largo, Suite from "Hamlet": II. Ball at the Palace. Presto, Suite from "Hamlet": III. The Ghost. Largo, Suite from "Hamlet": V. Scene of the Poisoning. Largo, Suite from "Hamlet": VI. Arrival and Scene of the Players. Allegro, Suite from "Hamlet": VII. Ophelia. Andante, Suite from "Hamlet":: VIII. Duel and Death of Hamlet. Allegro - Largo, Suite from "The Young Guard": II. By the River. Moderato - Allegro - Tempo I, Suite from "The Young Guard": IV. Turbulent Night. Moderato - Adagio, Suite from "The Young Guard": V. Song of the Young Guardsmen. Moderato sostenuto
George Washbourne Morgan	engineer	Calidoscopi simfònic, op. 61: I. Introducció. Moderato, Calidoscopi simfònic, op. 61: II. Ronda i Pantomima. Allegretto mosso – Meno mosso – Poco più (come prima), Calidoscopi simfònic, op. 61: III. Cànon i Havanera. Allegretto deciso – Meno mosso – Semplice – Tempo d’havanera, Calidoscopi simfònic, op. 61: IV. Final ‘a la Indiana’. Andante ritmico – Poco meno – Tempo I, Divertissements sur un Thème Pastoral, Marche des petits soldats de plomb, Partita 1958: I. Fanfare. Avec allegresse et dureté, Partita 1958: II. Sarabande. Délicat – Plus animé – Tempo I – Tempo I, Partita 1958: III. Intermezzo. Passioné – Plus calme – Tempo I, Partita 1958: IV. Final. Entraînant – Solennel
Flovcut	engineer	Bassoon Concertino: I. Allegro brillante - Poco adagio -, Bassoon Concertino: II. Allegro moderato [Theme and Variations] -, Bassoon Concertino: III. Polacca, Bassoon Concerto: I. (Allegro), Bassoon Concerto: II. Largo -, Bassoon Concerto: III. (Rondo)
Robert Radecke	engineer	Simfonia de Rèquiem: I. Introitus. Andante moderato – Poco più sostenuto – Tempo I (Andante moderato), Simfonia de Rèquiem: II. Kyrie. Andante doloroso, Simfonia de Rèquiem: III. Dies irae. Allegretto con brio – Poco meno mosso – Moderato ritenuto – Tempo I (Allegretto con brio), Simfonia de Rèquiem: IV. Agnus Dei. Adagietto, Simfonia de Rèquiem: V. Lux æterna. Andante moderato, Simfonia de Rèquiem: VI. Libera me, Domine. Moderato solenne, molto tenuto
Carl August Haupt	engineer	Cinco Canciones Negras: No. 1. Cuba dentro de un piano (Cuba in a piano). Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato – Lento – Rubato (Molto lento) – Violento e rapido – Calmando (lento), Cinco Canciones Negras: No. 2. Punto de Habanera (Habanera rhythm). Tempo de guajiras – A tempo – Coda a tempo, Cinco Canciones Negras: No. 3. Chévere (The dandy). Lentissimo, Cinco Canciones Negras: No. 4. Canción de Cuna para Dormir a un Negrito (Lullaby for a little black boy). Lento, Cinco Canciones Negras: No. 5. Canto Negro (Negro song). Leggiero
Max Charbonnier	engineer	Symphony no, 2, op. 16, FS 29 "The Four Temperaments": I. Allegro collerico - A tempo ma tranquillo - Poco moto - Tempo I - Brioso - A tempo ma molto tranquillo - Poco più (stretto), Symphony no, 2, op. 16, FS 29 "The Four Temperaments": II. Allegro comodo e flemmatico, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": III. Andante malincolico - Poco largamente - Tempo I - Un pochettino più mosso - Tempo I, Symphony no, 2, op. 16, FS 29 "The Four Temperaments": IV. Allegro sanguineo - Adagio molto - Tempo I - Marziale

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