| Willie Dixon |
producer, vocal, bass, double bass |
21, 21 (take 14), 21 Blues, 30 Days, Adulteen, After It's Over, Ain't That Just Like a Woman, All Aboard, Almost Grown, Almost Grown (live), Away From You, Back in the USA, Beautiful Delilah, Berry Pickin’, Big Ben Blues, Blue Feeling, Blue on Blue (alternate a/k/a Upchuck) (alternate take), Bo’s Beat (instrumental), Brenda Lee, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Butterscotch (instrumental), Bye Bye Johnny, Bye Bye Johnny (stereo remix), Carol, Changed, Chuck Berry Dialog (live), Chuck's Beat (instrumental), Chuckwalk (instrumental), Come On, Come On (alternate - stereo), Confessin’ the Blues, Dear Dad, Diploma for Two, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Downbound Train, Drifting Blues, Drifting Heart, Everyday We Rock & Roll, Fraulein, Go Bobby Soxer, Go Go Go, Go Go Go (alternate take), Go, Johnny Go (a.k.a. Johnny B. Goode), Guitar Boogie, Guitar Boogie (live), Havana Moon, Hey Pedro, His Daughter Caroline, His Daughter Caroline (fast version), Honey Hush (take 3), House of Blue Lights, How High the Moon, How You’ve Changed, I Got a Booking, I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, Introduction / Instrumental (live), It Wasn’t Me, It Wasn’t Me (stereo remix), It's My Own Business, I’m Just a Lucky So and So, I’m Talking About You, I’m in the Danger Zone, Jaguar and Thunderbird, Jamaica Farewell, Johnny B. Goode, Johnny B. Goode (live), Let It Rock, Let It Rock (live), Little Marie, Little Queenie, Little Star, Liverpool Drive (instrumental), Lonely All the Time (Crazy Arms), Lonely School Days, Lonely School Days (fast version), Low Feeling, Mad Lad (instrumental), Maybellene, Maybellene (live), Maybelline, Medley: Goodnight Sweetheart Goodnight / Johnny B. Goode / Let It Rock / School Day (live), Memphis, Tennessee, Merrily We Rock and Roll, My Little Love-Light, My Mustang Ford, My Mustang Ford (instrumental), My Mustang Ford (stereo remix), Nadine (Is It You), Night Beat, Night Beat (take 3) (instrumental), No Money Down, No Particular Place to Go, O Rangutang (unfaded instrumental), Oh Baby Doll, Oh Yeah, One for My Baby (And One More for the Road), Our Little Rendezvous, Promised Land, Ramona Say Yes, Ramona Say Yes (alternate mix), Reeling and Rocking (take 1), Reeling and Rocking (takes 7–8), Reelin’ and Rockin’, Right Off Rampart Street, Rip It Up, Rock and Roll Music, Rockin’ at the Philharmonic, Roll Over Beethoven, Roly Poly, Route 66 (alternate take 11), Route 66 (take 10), Run Around, Run Around (stereo remix), Run Joe, Sad Day, Long Night (instrumental), Shake Rattle & Roll (take 23), She Once Was Mine, Song of My Love, Spending Christmas, St. Louis Blues, Stop and Listen, Surfin’ Steel (Cryin’ Steel) (instrumental), Sweet Little 16, Sweet Little Rock and Roller, Sweet Little Sixteen, Sweet Little Sixteen (demo), Sweet Little Sixteen (live), Sweet Little Sixteen (take 11), Sweet Little Sixteen (take 3), Sweet Sixteen, The Little Girl From Central, The Man and the Donkey, The Things I Used to Do, The Way It Was Before, Thirteen Question Method, Thirteen Question Method (alternate), Thirty Days, Time Was, Time Was (slow version), Time Was (slow version, take 4), Together (We’ll Always Be), Too Much Monkey Business, Trick or Treat, Vacation Time, Vaya Con Dios, Viva Viva Rock ’n’ Roll, Want to Be Your Driver, Wee Hours Blues, Wee Wee Hours, Wee Wee Hours (instrumental), Wee Wee Hours (live), Welcome Back Pretty Baby, Why Should We End This Way, Worried Life Blues, You Came a Long Way From St. Louis, You Can’t Catch Me, You Never Can Tell, You Two, [untitled] |
| Leonard & Phil Chess (Legendary US production duo) |
performer, producer |
Adulteen, After It's Over, Ain't That Just Like a Woman, All Aboard, Almost Grown (live), Around and Around, Away From You, Beautiful Delilah, Big Ben Blues, Blue Feeling, Blues for Hawaiians, Bo’s Beat (instrumental), Brenda Lee, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Butterscotch (instrumental), Bye Bye Johnny, Bye Bye Johnny (stereo remix), Carol, Chuck Berry Dialog (live), Chuck's Beat (instrumental), Come On, Come On (alternate - stereo), Confessin’ the Blues, Dear Dad, Deep Feeling, Diploma for Two, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Downbound Train, Drifting Blues, Drifting Heart, Everyday We Rock & Roll, Fraulein, Go Bobby Soxer, Go Go Go, Go Go Go (alternate take), Guitar Boogie, Guitar Boogie (live), Hey Pedro, His Daughter Caroline, His Daughter Caroline (fast version), Honey Hush (take 3), House of Blue Lights, How High the Moon, How You’ve Changed, I Got a Booking, I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, Ingo (instrumental), Introduction / Instrumental (live), It Don’t Take but a Few Minutes, It Wasn’t Me, It Wasn’t Me (stereo remix), It's My Own Business, I’m Just a Lucky So and So, I’m Talking About You, I’m in the Danger Zone, Jaguar and Thunderbird, Jamaica Farewell, Johnny B. Goode, Johnny B. Goode (live), La Juanda, Let It Rock (live), Little Marie, Little Star, Liverpool Drive (instrumental), Lonely All the Time (Crazy Arms), Lonely School Days, Lonely School Days (fast version), Low Feeling, Mad Lad (instrumental), Maybellene, Maybellene (live), Maybelline, Medley: Goodnight Sweetheart Goodnight / Johnny B. Goode / Let It Rock / School Day (live), Merrily We Rock and Roll, My Little Love-Light, My Mustang Ford, My Mustang Ford (instrumental), My Mustang Ford (stereo remix), Nadine (Is It You), Night Beat, No Money Down, No Particular Place to Go, O Rangutang (unfaded instrumental), Oh Baby Doll, Oh Yeah, One for My Baby (And One More for the Road), Our Little Rendezvous, Promised Land, Ramona Say Yes, Ramona Say Yes (alternate mix), Reelin’ and Rockin’, Right Off Rampart Street, Rip It Up, Rockin’ at the Philharmonic, Roll Over Beethoven, Roly Poly, Route 66 (alternate take 11), Route 66 (take 10), Run Around, Run Around (stereo remix), Run Joe, Sad Day, Long Night (instrumental), School Days, Shake Rattle & Roll (take 23), She Once Was Mine, Song of My Love, Spending Christmas, St. Louis Blues, Stop and Listen, Surfin’ Steel (Cryin’ Steel) (instrumental), Sweet Little Sixteen, Sweet Little Sixteen (live), Sweet Sixteen, The Little Girl From Central, The Man and the Donkey, The Things I Used to Do, The Way It Was Before, Thirteen Question Method, Thirteen Question Method (alternate), Thirty Days, Time Was, Time Was (slow version), Too Much Monkey Business, Trick or Treat, Vacation Time, Vaya Con Dios, Viva Viva Rock ’n’ Roll, Want to Be Your Driver, Wee Hours Blues, Wee Wee Hours, Wee Wee Hours (instrumental), Wee Wee Hours (live), Welcome Back Pretty Baby, Why Should We End This Way, Worried Life Blues, You Came a Long Way From St. Louis, You Never Can Tell, You Two |
| Johnnie Johnson |
performer, vocal, Hammond organ, organ, piano |
30 Days, Adulteen, Ain't That Just Like a Woman, All Aboard, Almost Grown, Around and Around, Around and Around (overdub take 2), Around and Around (overdub take 3), Away From You, Back in the USA, Berry Pickin’, Blue Feeling, Blue on Blue (alternate a/k/a Upchuck) (alternate take), Blues for Hawaiians, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Bye Bye Johnny, Bye Bye Johnny (stereo remix), Changed, Chuckwalk (instrumental), Come On, Come On (alternate - stereo), Confessin’ the Blues, Deep Feeling, Diploma for Two, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Drifting Blues, Drifting Heart, Everyday We Rock & Roll, Fraulein, Go Go Go, Go Go Go (alternate take), Go, Johnny Go (a.k.a. Johnny B. Goode), Guitar Boogie, His Daughter Caroline (fast version), I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, Ingo (instrumental), Ingo (overdub take 3) (instrumental), It Don’t Take but a Few Minutes, It Wasn’t Me, It Wasn’t Me (stereo remix), It's My Own Business, I’m Just a Lucky So and So, I’m Talking About You, I’m in the Danger Zone, I’ve Changed, Jaguar and Thunderbird, Johnny B. Goode, La Juanda, La Juanda (Española), Let It Rock, Little Queenie, Little Star, Lonely All the Time (Crazy Arms), Lonely School Days (fast version), Low Feeling, Mad Lad (instrumental), Maybellene, Maybelline, Merrily We Rock and Roll, My Mustang Ford, My Mustang Ford (instrumental), My Mustang Ford (stereo remix), Nadine (Is It You), Night Beat, Night Beat (take 3) (instrumental), No Money Down, O Rangutang (unfaded instrumental), One for My Baby (And One More for the Road), Our Little Rendezvous, Ramona Say Yes, Ramona Say Yes (alternate mix), Reeling and Rocking (take 1), Reeling and Rocking (takes 7–8), Reelin’ and Rockin’, Right Off Rampart Street, Rip It Up, Rock & Roll Music, Rock and Roll Music, Rock and Roll Music (demo), Rockin’ at the Philharmonic, Roll Over Beethoven, Roly Poly, Route 66 (alternate take 11), Route 66 (take 10), Run Around, Run Around (stereo remix), Run Joe, Sad Day, Long Night (instrumental), School Days, Stop and Listen, Surfin’ Steel (Cryin’ Steel) (instrumental), Sweet Little 16, Sweet Little Rock and Roller, Sweet Little Sixteen, Sweet Little Sixteen (demo), Sweet Little Sixteen (take 11), Sweet Little Sixteen (take 3), Sweet Sixteen, The Little Girl From Central, The Man and the Donkey, The Things I Used to Do, The Way It Was Before, Thirteen Question Method, Thirty Days, Time Was, Time Was (slow version), Time Was (slow version, take 4), Together (We’ll Always Be), Too Much Monkey Business, Trick or Treat, Vaya Con Dios, Viva Viva Rock ’n’ Roll, Wee Hours Blues, Wee Wee Hours, Welcome Back Pretty Baby, Worried Life Blues, You Can’t Catch Me, You Never Can Tell, [untitled] |
| Jaspar Thomas |
drums |
Ain't That Just Like a Woman, Away From You, Bye Bye Johnny, Bye Bye Johnny (stereo remix), Confessin’ the Blues, Diploma for Two, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Drifting Blues, Everyday We Rock & Roll, His Daughter Caroline (fast version), I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, It Wasn’t Me, It Wasn’t Me (stereo remix), It's My Own Business, I’m Just a Lucky So and So, Jaguar and Thunderbird, Little Star, Lonely School Days (fast version), Mad Lad (instrumental), Merrily We Rock and Roll, My Mustang Ford, My Mustang Ford (instrumental), My Mustang Ford (stereo remix), One for My Baby (And One More for the Road), Our Little Rendezvous, Ramona Say Yes, Ramona Say Yes (alternate mix), Right Off Rampart Street, Run Around, Run Around (stereo remix), Run Joe, Sad Day, Long Night (instrumental), Stop and Listen, Surfin’ Steel (Cryin’ Steel) (instrumental), Sweet Sixteen, The Way It Was Before, Thirteen Question Method, Vaya Con Dios, Viva Viva Rock ’n’ Roll, Wee Hours Blues, Welcome Back Pretty Baby, Worried Life Blues |
| Leroy C. Davis |
tenor saxophone |
Adulteen, All Aboard, Away From You, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Bye Bye Johnny, Bye Bye Johnny (stereo remix), Come On, Come On (alternate - stereo), Confessin’ the Blues, Diploma for Two, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Drifting Blues, Drifting Heart, Fraulein, Go Go Go, Go Go Go (alternate take), I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, I’m Just a Lucky So and So, I’m in the Danger Zone, Jaguar and Thunderbird, Little Star, Lonely All the Time (Crazy Arms), Mad Lad (instrumental), Nadine (Is It You), O Rangutang (unfaded instrumental), Our Little Rendezvous, Roll Over Beethoven, Run Around, Run Around (stereo remix), Stop and Listen, Surfin’ Steel (Cryin’ Steel) (instrumental), Sweet Sixteen, The Man and the Donkey, The Way It Was Before, Thirteen Question Method, Too Much Monkey Business, Trick or Treat, Worried Life Blues, You Never Can Tell |
| Erick Labson |
mastering |
30 Days, Almost Grown, Around and Around, Back in the USA, Beautiful Delilah, Brown Eyed Handsome Man, Carol, Come On, Havana Moon, I Want to Be Your Driver, I’m Talking About You, Johnny B. Goode, Let It Rock, Little Queenie, Maybellene, Memphis, Tennessee, My Ding-A-Ling (live) (single edit), Nadine (Is It You), No Particular Place to Go, Oh Baby Doll, Promised Land, Reelin’ and Rockin’, Rock and Roll Music, Roll Over Beethoven, School Days, Sweet Little Rock and Roller, Sweet Little Sixteen, Too Much Monkey Business, You Can’t Catch Me, You Never Can Tell |
| Odie Payne (Drummer, born in 1926) |
drums |
21, 21 (take 14), 21 Blues, Beautiful Delilah, Big Ben Blues, Brenda Lee, Carol, Fraulein, Go Bobby Soxer, Hey Pedro, House of Blue Lights, I’m in the Danger Zone, Little Marie, Liverpool Drive (instrumental), Lonely All the Time (Crazy Arms), Nadine (Is It You), No Particular Place to Go, O Rangutang (unfaded instrumental), Oh Yeah, Promised Land, The Little Girl From Central, The Things I Used to Do, Time Was, Vacation Time, You Never Can Tell, You Two |
| Jasper Thomas |
drums |
Around and Around, Around and Around (overdub take 2), Around and Around (overdub take 3), Blues for Hawaiians, Chuckwalk (instrumental), Go, Johnny Go (a.k.a. Johnny B. Goode), Guitar Boogie, Ingo (instrumental), Ingo (overdub take 3) (instrumental), It Don’t Take but a Few Minutes, Johnny B. Goode, Night Beat, Night Beat (take 3) (instrumental), Reeling and Rocking (take 1), Reeling and Rocking (takes 7–8), Reelin’ and Rockin’, Rockin’ at the Philharmonic, Sweet Little 16, Sweet Little Sixteen, Sweet Little Sixteen (demo), Sweet Little Sixteen (take 11), Sweet Little Sixteen (take 3), Time Was, Time Was (slow version), Time Was (slow version, take 4) |
| Ebby Hardy |
vocal, drums |
30 Days, Berry Pickin’, Blue on Blue (alternate a/k/a Upchuck) (alternate take), Changed, Come On, Downbound Train, I’m Talking About You, I’ve Changed, Johnny B. Goode, Maybelline, Memphis, No Money Down, Rip It Up, Rock and Roll Music, Roll Over Beethoven, Roly Poly, Route 66 (alternate take 11), Route 66 (take 10), School Days, Sweet Little Sixteen, Thirty Days, Together (We’ll Always Be), Wee Wee Hours, You Can’t Catch Me |
| Chuck Bernard |
bass guitar |
Ain't That Just Like a Woman, Everyday We Rock & Roll, His Daughter Caroline (fast version), It Wasn’t Me, It Wasn’t Me (stereo remix), It's My Own Business, Lonely School Days (fast version), Merrily We Rock and Roll, My Mustang Ford, My Mustang Ford (instrumental), My Mustang Ford (stereo remix), One for My Baby (And One More for the Road), Ramona Say Yes, Ramona Say Yes (alternate mix), Right Off Rampart Street, Run Joe, Sad Day, Long Night (instrumental), Vaya Con Dios, Viva Viva Rock ’n’ Roll, Wee Hours Blues, Welcome Back Pretty Baby |
| Matt Murphy (US blues guitarist) |
guitar |
Bye Bye Johnny, Bye Bye Johnny (stereo remix), Confessin’ the Blues, Don’t You Lie to Me, Down the Road Apiece, Down the Road Apiece (stereo remix), Drifting Blues, I Got to Find My Baby, I Got to Find My Baby (stereo remix), I Still Got the Blues, I’m Just a Lucky So and So, Jaguar and Thunderbird, Our Little Rendezvous, Run Around, Run Around (stereo remix), Stop and Listen, Sweet Sixteen, Thirteen Question Method, Worried Life Blues |
| Fred Below |
drums |
Almost Grown, Back in the USA, Blue Feeling, Deep Feeling, How High the Moon, How You’ve Changed, Let It Rock, Little Queenie, Low Feeling, Memphis, Tennessee, Oh Baby Doll, Rock & Roll Music, Rock and Roll Music, Rock and Roll Music (demo), School Days, Sweet Little Rock and Roller, Thirteen Question Method (alternate), [untitled] |
| Reggie Boyd |
electric bass guitar |
Adulteen, All Aboard, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Come On, Come On (alternate - stereo), Go Go Go, Go Go Go (alternate take), I’m Talking About You, Rip It Up, Route 66 (alternate take 11), Route 66 (take 10), The Man and the Donkey, Trick or Treat |
| Lafayette Leake |
performer, piano |
Big Ben Blues, Bo’s Beat (instrumental), Brenda Lee, Chuck's Beat (instrumental), Go Bobby Soxer, How High the Moon, How You’ve Changed, Little Marie, Oh Baby Doll, Promised Land, Rock and Roll Music, Thirteen Question Method (alternate) |
| Phil Thomas (drummer) |
drums |
Adulteen, All Aboard, Brown Eyed Handsome Man, Brown Eyed Handsome Man (instrumental), Brown Eyed Handsome Man (stereo remix), Come On, Come On (alternate - stereo), Go Go Go, Go Go Go (alternate take), The Man and the Donkey, Trick or Treat |
| Forrest Frierson |
bass guitar |
Back in the U.S.A., Carol, Club Nitty Gritty, Johnny B. Goode, Maybelline, Memphis, Rock and Roll Music, Roll Over Beethoven, School Days, Sweet Little Sixteen, Thirty Days |
| Berry Gordy All Stars |
performer |
Almost Grown (live), Guitar Boogie (live), Introduction / Instrumental (live), Johnny B. Goode (live), Let It Rock (live), Maybellene (live), Medley: Goodnight Sweetheart Goodnight / Johnny B. Goode / Let It Rock / School Day (live), Sweet Little Sixteen (live), Wee Wee Hours (live) |
| Paul Gayten |
piano |
21, 21 (take 14), 21 Blues, Beautiful Delilah, Carol, House of Blue Lights, Oh Yeah, Time Was, Vacation Time |
| Louis Cennamo |
bass guitar |
After It's Over, I Got a Booking, Jamaica Farewell, My Little Love-Light, She Once Was Mine, St. Louis Blues, Why Should We End This Way, You Came a Long Way From St. Louis |
| Brian David "Chick" Kattenhorn |
drums, piano |
After It's Over, I Got a Booking, Jamaica Farewell, My Little Love-Light, She Once Was Mine, St. Louis Blues, Why Should We End This Way, You Came a Long Way From St. Louis |
| Bob Scrivens |
piano |
After It's Over, I Got a Booking, Jamaica Farewell, My Little Love-Light, She Once Was Mine, St. Louis Blues, Why Should We End This Way, You Came a Long Way From St. Louis |
| Quincy Macon |
guitar |
Johnny B. Goode, Maybelline, Memphis, Rock and Roll Music, Roll Over Beethoven, School Days, Sweet Little Sixteen, Thirty Days |
| Jeff Krivet |
guitar |
After It's Over, I Got a Booking, Jamaica Farewell, My Little Love-Light, She Once Was Mine, St. Louis Blues, Why Should We End This Way, You Came a Long Way From St. Louis |
| Howard Jones (US session drummer) |
drums |
Butterscotch (instrumental), Dear Dad, His Daughter Caroline, Lonely School Days, Song of My Love, Spending Christmas, Want to Be Your Driver |
| Bill Bixler |
bass guitar |
Butterscotch (instrumental), Dear Dad, His Daughter Caroline, Lonely School Days, Song of My Love, Spending Christmas, Want to Be Your Driver |
| Martha Berry |
vocal |
Adulteen, Come On, Come On (alternate - stereo), Go Go Go, Go Go Go (alternate take), The Man and the Donkey, Trick or Treat |
| Bob Bushnell |
bass guitar, electric bass guitar |
Around and Around, Around and Around (overdub take 2), Around and Around (overdub take 3), Blues for Hawaiians, Ingo (instrumental), Ingo (overdub take 3) (instrumental), It Don’t Take but a Few Minutes |
| Otis Spann |
piano |
Berry Pickin’, Blue on Blue (alternate a/k/a Upchuck) (alternate take), Changed, I’ve Changed, No Money Down, Roly Poly, You Can’t Catch Me |
| Jules Blattner |
guitar |
Butterscotch (instrumental), Dear Dad, His Daughter Caroline, Lonely School Days, Song of My Love, Spending Christmas, Want to Be Your Driver |
| James Robinson (jazz guitarist) |
saxophone, tenor saxophone |
Fraulein, I’m in the Danger Zone, Lonely All the Time (Crazy Arms), Nadine (Is It You), O Rangutang (unfaded instrumental), You Never Can Tell |
| Jerome Green |
maracas |
30 Days, Bo’s Beat (instrumental), Chuck's Beat (instrumental), Maybellene, Maybelline, Thirty Days |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
bongos, maracas, percussion |
Berry Pickin’, Carol, Hey Pedro, La Juanda, La Juanda (Española) |
| Leonard Chess |
vocal, maracas |
Maybellene, Maybelline, Thirty Days, Vacation Time |
| Melvin Billups |
drums |
Brown Eyed Handsome Man, Drifting Heart, Roll Over Beethoven, Too Much Monkey Business |
| Peter John Hogman |
harmonica |
After It's Over, I Got a Booking, Why Should We End This Way, You Came a Long Way From St. Louis |
| Brian Hamilton |
tenor saxophone |
Butterscotch (instrumental), Lonely School Days, Song of My Love, Spending Christmas |
| Eugene Washington |
drums |
Back in the U.S.A., Carol, Club Nitty Gritty |
| Bo Diddley |
guitar |
Almost Grown, Bo’s Beat (instrumental), Chuck's Beat (instrumental) |
| Vincent Pitts |
trumpet |
Drifting Heart, Roll Over Beethoven, Too Much Monkey Business |
| Panama Francis |
drums |
Maybeline, Roll Over Beethoven |
| Esmond Edwards |
producer |
My Ding-A-Ling (live) (single edit), My Ding-A-Ling (single edit live) |
| Jesse James Johnson |
bass guitar |
Bo’s Beat (instrumental), Chuck's Beat (instrumental) |
| Ernest Hayes (American pianist, organist and arranger) |
piano |
Maybeline, Roll Over Beethoven |
| Edell "Red" Robertson |
drums |
Bo’s Beat (instrumental), Chuck's Beat (instrumental) |
| Al Sears |
tenor saxophone |
Maybeline, Roll Over Beethoven |
| Paul Butterfield |
harmonica |
It Wasn’t Me, Sad Day, Long Night (instrumental) |
| Chester Lindsey |
bass guitar |
Bo’s Beat (instrumental), Chuck's Beat (instrumental) |
| Paul Williams (US blues/jazz saxophonist) |
piano |
Go Bobby Soxer, Little Marie |
| Haywood Henry |
baritone saxophone |
Maybeline, Roll Over Beethoven |
| Lloyd Trotman |
bass, double bass |
Maybeline, Roll Over Beethoven |
| Hubert Sumlin |
guitar |
Deep Feeling, School Days |
| Billy "Dino" Downing |
drums |
Bo’s Beat (instrumental), Chuck's Beat (instrumental) |
| Sam “The Man” Taylor (US tenor saxophonist) |
tenor saxophone |
Maybeline, Roll Over Beethoven |
| The Marquees |
vocal |
Almost Grown, Back in the USA |
| Etta James |
vocal |
Almost Grown, Back in the USA |
| Alan Freed |
vocal |
Maybeline, Roll Over Beethoven |
| Zi-Zone |
remixer |
Johnny B. Goode, Surfin’ U.S.A. |
| Mike Boocock |
vocal |
You Came a Long Way From St. Louis |
| Neil Carter |
vocal |
You Came a Long Way From St. Louis |
| Nic Potter |
electric bass guitar |
My Ding-A-Ling (live) (single edit) |
| Jimmy Rogers (blues artist) |
guitar |
Havana Moon |
| Owen McIntyre |
guitar |
My Ding-A-Ling (live) (single edit) |
| Georgie Auld |
alto saxophone |
Sweet Little Sixteen |
| Buddy Tate |
tenor saxophone |
Sweet Little Sixteen |
| Kenny Burrell |
guitar |
Sweet Little Sixteen |
| Bill Armstrong |
vocal |
You Came a Long Way From St. Louis |
| Jack Teagarden |
trombone |
Sweet Little Sixteen |
| Dave Kafinetti |
piano |
My Ding-A-Ling (live) (single edit) |
| Ray Bryant |
piano |
Sweet Little Sixteen |
| Doug Schwartz |
engineer |
[untitled] |
| Rick Green |
vocal |
You Came a Long Way From St. Louis |
| Robbie McIntosh (Scottish drummer for Average White Band) |
drums |
My Ding-A-Ling (live) (single edit) |
| Roger Eagle |
vocal |
You Came a Long Way From St. Louis |
| Roger Fairhurst |
vocal |
You Came a Long Way From St. Louis |
| Ron Malo |
engineer |
Liverpool Drive |
| Rudy Rutherford |
clarinet |
Sweet Little Sixteen |
| Brian Smith (UK session vocalist) |
vocal |
You Came a Long Way From St. Louis |
| Buck Clayton |
trumpet |
Sweet Little Sixteen |
| Tommy Bryant |
double bass |
Sweet Little Sixteen |
| Gene Barge |
saxophone |
Nadine (Is It You) |
| George “Jumpin’” Oxford |
vocal |
Maybelline |
| Willis Conover |
vocal |
Introduction |
| Mike Bloomfield |
guitar |
It Wasn’t Me |
| Jo Jones |
drums |
Sweet Little Sixteen |