Chizu

trombone

Top collaborators

Artist name Roles Recordings
Tracy Silverman editor, mix Air on a Six-String (after Bach's Suite No. 3 for Strings), Betrayal (after Bach's Prelude No. 2 in C minor from the Well Tempered Clavier 1), Candlelight (after Bach's Prelude No. 8 in E flat minor from the Well Tempered Clavier 1), Honesty (after Bach's 2nd Movement from the Double Concerto), Improvisation on Bach's Arioso, from Cantata No. 156, Oath (after Bach's Prelude No. 3 in C sharp major from the Well Tempered Clavier 2), Secret (after Bach's Wachet auf, ruft uns die Stimme from Cantata No. 140), Seduction (after Bach's Three-part Invention No. 15), The New Orleans Concerto (after Bach's 1st Movement of the Italian Concerto), The Soul in Stained Glass (after Bach's Largo from Sonata No. 3 for Violin), Wheelworks (after Bach's Prelude No. 5 in D major from the Well Tempered Clavier 1)
Hristina Takovska

Collaborators on this artist's recordings

Artist name Roles Recordings
Tracy Silverman editor, mix Air on a Six-String (after Bach's Suite No. 3 for Strings), Betrayal (after Bach's Prelude No. 2 in C minor from the Well Tempered Clavier 1), Candlelight (after Bach's Prelude No. 8 in E flat minor from the Well Tempered Clavier 1), Honesty (after Bach's 2nd Movement from the Double Concerto), Improvisation on Bach's Arioso, from Cantata No. 156, Oath (after Bach's Prelude No. 3 in C sharp major from the Well Tempered Clavier 2), Secret (after Bach's Wachet auf, ruft uns die Stimme from Cantata No. 140), Seduction (after Bach's Three-part Invention No. 15), The New Orleans Concerto (after Bach's 1st Movement of the Italian Concerto), The Soul in Stained Glass (after Bach's Largo from Sonata No. 3 for Violin), Wheelworks (after Bach's Prelude No. 5 in D major from the Well Tempered Clavier 1)

Work on other artists' recordings

Artist name Roles Recordings
Hristina Takovska trombone ドライフラワー, 一輪の薔薇, 人魚, 牡丹の雫, 蓮華, 蜜色の檻, 透明に輝く