| Dannie Richmond |
drums, drumset |
"Old" Blues for Walt's Torin, A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Adagio ma non troppo, Alice's Wonderland, All the Things You Could Be by Now If Sigmund Freud’s Wife Was Your Mother, Back Home Blues, Bemoanable Lady, Better Git Hit in Your Soul, Better Git It in Your Soul, Big Alice, Bird Calls, Black Bats and Poles, Blue Bird, Blue Cee, Boogie Stop Shuffle, Bugs (take 3), Canon, Celia, Conversation, Cryin' Blues, Cumbia & Jazz Fusion, Devil Blues, Devil Woman, Diane, Dizzy Moods, Dizzy Moods (composite partial alternate take), Do Nothin' Till You Hear From Me, Don't Be Afraid, the Clown's Afraid Too, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), East Coasting, East Coasting (alternate take 3), Eat That Chicken, Eat That Chicken (theme) / [Symphony Sid announcement], Ecclusiastics, Eclipse, Fables of Faubus, Far Wells, Mill Valley, Fifty-First Street Blues (take 4), Flamingo, Flamingo (alternate take), Flowers for a Lady, Folk Forms, No. 1, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., GG Train, Girl of My Dreams, Goodbye Pork Pie Hat, Goodbye, Pork Pie Hat, Gunslinging Bird, Haitian Fight Song, Half-Mast Inhibition, Hamp's New Blues, Hobo Ho, Hog Callin' Blues, I Can't Get Started, I Left My Heart in San Francisco, I X Love, Invisible Lady, Jelly Roll, Laura, Lock ’em Up, Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), MDM, Melody From the Drums, Memories of You, Memories of You (alternate take 3), Mingus Fingus No. 2, Moanin’, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Moves, Music for "Todo Modo", My Jelly Roll Soul, My Jelly Roll Soul (alternate take), New Now Know How, Newcomer, No Private Income Blues, Nobody Knows, Noddin' Ya Head Blues, Nostalgia in Times Square, Oh Lord Don't Let Them Drop That Atomic Bomb on Me, Open Letter to Duke, Opus 3, Opus 4, Orange Was the Color of Her Dress, Then Silk Blue, Original Faubus Fables, Passions of a Man, Passions of a Woman Loved, Pedal Point Blues, Peggy's Blue Skylight, Prayer for Passive Resistance, Pussy Cat Dues, Put Me in That Dungeon, Reincarnation of a Lovebird, Reincarnation of a Lovebird No. 2, Remember Rockefeller At Attica, Remember Rockefeller at Attica, Self‐Portrait in Three Colors, Slop, Song With Orange, Stormy Weather, Strollin', Sue's Changes, Summertime, Take The "A" Train / [Symphony Sid announcement], Take the "A" Train, Tensions, Tensions (alternate take), The Call, The Chill of Death, The Clown, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers, Things Ain’t What They Used to Be, Three or Four Shades of Blues, Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Tonight at Noon, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries, Vassarlean, Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take), Wee, Weird Nightmare, West Coast Ghost, Wham Bam Thank You Ma'am, What Love?, Yesterdays, Ysabel's Table Dance (composite partial alternate take), [Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces Oh Lord] / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, [Mingus announces next piece "has no title, but it's on BMI"] / Hog Callin' Blues (incomplete, fade-out), [Mingus announces title as Blue Cee] / [unknown title], [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Jimmy Knepper |
bass trombone, trombone |
"Old" Blues for Walt's Torin, A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Adagio ma non troppo, Bemoanable Lady, Better Git It in Your Soul, Blue Cee, Body and Soul, Body and Soul (alternate take), Celia, Conversation, Cryin' Blues, Cumbia & Jazz Fusion, Devil Woman, Diane, Dizzy Moods, Dizzy Moods (composite partial alternate take), Do Nothin' Till You Hear From Me, Don't Be Afraid, the Clown's Afraid Too, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), East Coasting, East Coasting (alternate take 3), Eat That Chicken, Ecclusiastics, Eclipse, Fables of Faubus, Far Wells, Mill Valley, Fifty-First Street Blues (take 4), Flamingo, Flamingo (alternate take), Gunslinging Bird, Haitian Fight Song, Half-Mast Inhibition, Hobo Ho, Hog Callin' Blues, Inspiration, Invisible Lady, Jelly Roll, Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), MDM, Memories of You, Memories of You (alternate take 3), Mingus Fingus No. 2, Moanin’, Mood Indigo, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), New Now Know How, Oh Lord Don't Let Them Drop That Atomic Bomb on Me, Passions of a Man, Passions of a Woman Loved, Pedal Point Blues, Peggy's Blue Skylight, Prayer for Passive Resistance, Pussy Cat Dues, Put Me in That Dungeon, R & R, Reincarnation of a Lovebird, Slop, Song With Orange, Strollin', Take the "A" Train, Tensions, Tensions (alternate take), The Chill of Death, The Clown, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Story of Love, Things Ain’t What They Used to Be, Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Tonight at Noon, Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take), Weird Nightmare, West Coast Ghost, Wham Bam Thank You Ma'am, Ysabel's Table Dance (composite partial alternate take), [Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces next piece "has no title, but it's on BMI"] / Hog Callin' Blues (incomplete, fade-out), [Mingus announces title as Blue Cee] / [unknown title] |
| Booker Ervin |
tenor saxophone |
"Old" Blues for Walt's Torin, Better Get Hit in Yo' Soul, Better Git It in Your Soul, Bird Calls, Boogie Stop Shuffle, Bugs (take 3), Cryin' Blues, Devil Woman, Diane, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Eat That Chicken, Eat That Chicken (theme) / [Symphony Sid announcement], Ecclusiastics, Fables of Faubus, Far Wells, Mill Valley, GG Train, Girl of My Dreams, Goodbye Pork Pie Hat, Gunslinging Bird, Hog Callin' Blues, Hora Decubitus, I Can't Get Started, II B.S., II B.S. (a.k.a. Haitian Fight Song), Invisible Lady, Jelly Roll, Lock ’em Up, MDM, Moanin’, Mood Indigo, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), New Now Know How, No Private Income Blues, Nostalgia in Times Square, Oh Lord Don't Let Them Drop That Atomic Bomb on Me, Open Letter to Duke, Passions of a Man, Pedal Point Blues, Peggy's Blue Skylight, Pussy Cat Dues, Put Me in That Dungeon, Reincarnation of a Lovebird No. 2, Self‐Portrait in Three Colors, Slop, Song With Orange, Strollin', Take The "A" Train / [Symphony Sid announcement], Tensions, Tensions (alternate take), Theme For Lester Young, Theme for Lester Young, Things Ain’t What They Used to Be, Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take), Wham Bam Thank You Ma'am, [Mingus announces Oh Lord] / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Curtis Porter |
alto saxophone, saxophone, tenor saxophone |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Better Git It in Your Soul, Bird Calls, Blue Cee, Boogie Stop Shuffle, Celia, Conversation, Dizzy Moods, Dizzy Moods (composite partial alternate take), East Coasting, East Coasting (alternate take 3), Fables of Faubus, Fifty-First Street Blues (take 4), Flamingo, Flamingo (alternate take), Girl of My Dreams, Goodbye Pork Pie Hat, Haitian Fight Song, Jelly Roll, Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Memories of You, Memories of You (alternate take 3), Open Letter to Duke, Passions of a Woman Loved, Pedal Point Blues, Pussy Cat Dues, Reincarnation of a Lovebird, Self‐Portrait in Three Colors, The Clown, Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Tonight at Noon, West Coast Ghost, Ysabel's Table Dance (composite partial alternate take) |
| Teo Macero |
conductor, producer, alto saxophone, saxophone, tenor saxophone |
Adagio ma non troppo, Better Git It in Your Soul, Bird Calls, Boogie Stop Shuffle, Diane, Don't Be Afraid, the Clown's Afraid Too, Fables of Faubus, Far Wells, Mill Valley, GG Train, Girl of My Dreams, Goodbye Pork Pie Hat, Gregarian Chant, Gunslinging Bird, Hobo Ho, Jelly Roll, Level Seven, Mood Indigo, New Now Know How, Open Letter to Duke, Pedal Point Blues, Purple Heart, Pussy Cat Dues, Put Me in That Dungeon, Rose Geranium, Self‐Portrait in Three Colors, Slop, Smog L.A., Song With Orange, Strollin', Tea for Two, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers, Things Ain’t What They Used to Be, Transesonal |
| John Handy (US jazz alto saxophonist) |
alto saxophone, clarinet, reeds, tenor saxophone |
Alice's Wonderland, Better Git It in Your Soul, Bird Calls, Boogie Stop Shuffle, Cryin' Blues, Diane, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Fables of Faubus, Far Wells, Mill Valley, GG Train, Girl of My Dreams, Goodbye Pork Pie Hat, Gunslinging Bird, I Can't Get Started, Jelly Roll, Moanin’, Mood Indigo, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), New Now Know How, No Private Income Blues, Nostalgia in Times Square, Open Letter to Duke, Pedal Point Blues, Pussy Cat Dues, Put Me in That Dungeon, Slop, Song With Orange, Strollin', Tensions, Tensions (alternate take), Things Ain’t What They Used to Be, Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Eric Dolphy |
alto saxophone, bass clarinet, clarinet, flute |
All the Things You Could Be by Now If Sigmund Freud’s Wife Was Your Mother, Bemoanable Lady, Better Get Hit in Yo' Soul, Body and Soul, Body and Soul (alternate take), Do Nothin' Till You Hear From Me, Eclipse, Folk Forms No. 1, Folk Forms, No. 1, Half-Mast Inhibition, Hora Decubitus, II B.S., II B.S. (a.k.a. Haitian Fight Song), Inspiration, Lock ’em Up, MDM, Mingus Fingus No. 2, Mood Indigo, Original Faubus Fables, Prayer for Passive Resistance, R & R, Reincarnation of a Lovebird (1st version, take 4), Reincarnation of a Lovebird No. 2, Stormy Weather, Take the "A" Train, The Story of Love, Theme For Lester Young, Theme for Lester Young, Vassarlean, Weird Nightmare, What Love, What Love? |
| Richard Williams (jazz trumpeter) |
trumpet |
Bemoanable Lady, Better Get Hit in Yo' Soul, Celia, Diane, Eat That Chicken, Eat That Chicken (theme) / [Symphony Sid announcement], Far Wells, Mill Valley, Gunslinging Bird, Half-Mast Inhibition, Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mingus Fingus No. 2, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Song With Orange, Take The "A" Train / [Symphony Sid announcement], Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries, [Mingus announces Oh Lord] / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Bob Simpson (US jazz engineer/producer) |
engineer, recording |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Better Get Hit in Yo' Soul, Celia, Dizzy Moods, Dizzy Moods (composite partial alternate take), Flamingo, Flamingo (alternate take), Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Memories of You, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Theme For Lester Young, Theme for Lester Young, Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries, Ysabel's Table Dance (composite partial alternate take) |
| Charles McPherson |
alto saxophone, reeds |
Adagio ma non troppo, Blue Bird, Bugs (take 3), Don't Be Afraid, the Clown's Afraid Too, Eat That Chicken, Eat That Chicken (theme) / [Symphony Sid announcement], Hobo Ho, I Left My Heart in San Francisco, Lock ’em Up, MDM, Reincarnation of a Lovebird, Reincarnation of a Lovebird (1st version, take 4), Reincarnation of a Lovebird No. 2, Take The "A" Train / [Symphony Sid announcement], The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers, Vassarlean, [Mingus announces Oh Lord] / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Horace Parlan |
piano |
Better Git It in Your Soul, Bird Calls, Boogie Stop Shuffle, Cryin' Blues, Fables of Faubus, GG Train, Girl of My Dreams, Goodbye Pork Pie Hat, Jelly Roll, Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Open Letter to Duke, Pedal Point Blues, Pussy Cat Dues, Self‐Portrait in Three Colors, Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Ted Curson |
trumpet |
All the Things You Could Be by Now If Sigmund Freud’s Wife Was Your Mother, Bemoanable Lady, Do Nothin' Till You Hear From Me, Eclipse, Folk Forms No. 1, Folk Forms, No. 1, Half-Mast Inhibition, Lock ’em Up, MDM, Mingus Fingus No. 2, Original Faubus Fables, Prayer for Passive Resistance, Reincarnation of a Lovebird (1st version, take 4), Reincarnation of a Lovebird No. 2, Stormy Weather, Take the "A" Train, Vassarlean, Weird Nightmare, What Love, What Love? |
| George Adams |
vocal, alto flute, tenor saxophone, woodwind |
Big Alice, Black Bats and Poles, Canon, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, Flowers for a Lady, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Moves, Music for "Todo Modo", Newcomer, Opus 3, Opus 4, Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Remember Rockefeller at Attica, Sue's Changes, The Call, Wee |
| Clarence Shaw |
trumpet |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Celia, Conversation, Dizzy Moods, Dizzy Moods (composite partial alternate take), East Coasting, East Coasting (alternate take 3), Fifty-First Street Blues (take 4), Flamingo, Flamingo (alternate take), Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Memories of You, Memories of You (alternate take 3), Tijuana Gift Shop, Tijuana Gift Shop (alternate take), West Coast Ghost, Ysabel's Table Dance (composite partial alternate take) |
| Jerome Richardson |
baritone saxophone, flute, soprano saxophone |
Better Get Hit in Yo' Soul, Celia, Diane, Far Wells, Mill Valley, Gunslinging Bird, Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Song With Orange, Strollin', Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Nesuhi Ertegun |
producer |
Black Bats and Poles, Cryin' Blues, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Sue's Changes, Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Don Butterfield |
tuba |
Bemoanable Lady, Better Get Hit in Yo' Soul, Celia, Half-Mast Inhibition, Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mingus Fingus No. 2, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| “Sir” Roland Hanna (jazz pianist) |
piano |
Bemoanable Lady, Diane, Do Nothin' Till You Hear From Me, Eclipse, Far Wells, Mill Valley, Gunslinging Bird, Half-Mast Inhibition, Mingus Fingus No. 2, Mood Indigo, Prayer for Passive Resistance, Put Me in That Dungeon, Slop, Song With Orange, Take the "A" Train, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers, Things Ain’t What They Used to Be, Weird Nightmare |
| Jaki Byard |
piano |
Better Get Hit in Yo' Soul, Blue Bird, Celia, Hora Decubitus, I Left My Heart in San Francisco, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Reincarnation of a Lovebird, Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Jack Walrath |
percussion, trumpet |
Better Git Hit in Your Soul, Black Bats and Poles, Cumbia & Jazz Fusion, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Goodbye, Pork Pie Hat, Music for "Todo Modo", Nobody Knows, Noddin' Ya Head Blues, Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Remember Rockefeller at Attica, Sue's Changes, Three or Four Shades of Blues |
| Mal Waldron |
piano |
A Foggy Day, All the Things You C#, All the Things You C# (alternate take), E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Gregarian Chant, Jump Monk, Jump Monk (alternate take), Love Chant, Pithecanthropus Erectus, Profile of Jackie, Purple Heart, Septemberly, Serenade in Blue, Tea for Two, Work Song |
| Britt Woodman |
trombone |
Bedspread, Better Get Hit in Yo' Soul, Honey, Take a Chance With Me, Hora Decubitus, II B.S., II B.S. (a.k.a. Haitian Fight Song), Inspiration, MDM, Make Believe, Mood Indigo, Pipe Dream, The Story of Love, Theme For Lester Young, Theme for Lester Young, This Subdues My Passion |
| Bob Thiele |
producer |
Better Get Hit in Yo' Soul, Celia, Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Memories of You, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Jackie McLean |
alto saxophone |
A Foggy Day, Cryin' Blues, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Love Chant, Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Pithecanthropus Erectus, Profile of Jackie, Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Dick Hafer |
baritone saxophone, clarinet, flute, oboe, tenor saxophone |
Better Get Hit in Yo' Soul, Celia, Hora Decubitus, I X Love, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Theme For Lester Young, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Willie Dennis |
trombone |
Boogie Stop Shuffle, Cryin' Blues, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Girl of My Dreams, Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Open Letter to Duke, Self‐Portrait in Three Colors, Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Rahsaan Roland Kirk |
alto saxophone, soprano saxophone, tenor saxophone, woodwind |
"Old" Blues for Walt's Torin, Devil Woman, Eat That Chicken, Ecclusiastics, Hog Callin' Blues, Invisible Lady, Oh Lord Don't Let Them Drop That Atomic Bomb on Me, Passions of a Man, Peggy's Blue Skylight, Wham Bam Thank You Ma'am, [Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces next piece "has no title, but it's on BMI"] / Hog Callin' Blues (incomplete, fade-out), [Mingus announces title as Blue Cee] / [unknown title] |
| Doug Watkins |
bass, double bass |
"Old" Blues for Walt's Torin, Devil Woman, Eat That Chicken, Ecclusiastics, Hog Callin' Blues, Invisible Lady, Oh Lord Don't Let Them Drop That Atomic Bomb on Me, Passions of a Man, Peggy's Blue Skylight, Wham Bam Thank You Ma'am, [Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces next piece "has no title, but it's on BMI"] / Hog Callin' Blues (incomplete, fade-out), [Mingus announces title as Blue Cee] / [unknown title] |
| J. R. Monterose |
tenor saxophone |
A Foggy Day, Love Chant, Pithecanthropus Erectus |
| Jay Berliner |
guitar |
Better Get Hit in Yo' Soul, Celia, Hora Decubitus, I X Love, II B.S. (a.k.a. Haitian Fight Song), Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Mood Indigo, Theme for Lester Young, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Lonnie Hillyer (trumpet) |
trumpet |
Adagio ma non troppo, Bugs (take 3), Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, Lock ’em Up, MDM, Reincarnation of a Lovebird (1st version, take 4), Reincarnation of a Lovebird No. 2, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, Vassarlean |
| Eddie Preston |
trumpet |
Better Get Hit in Yo' Soul, Blue Bird, Hora Decubitus, I Left My Heart in San Francisco, II B.S., II B.S. (a.k.a. Haitian Fight Song), Inspiration, Mood Indigo, Reincarnation of a Lovebird, The Story of Love, Theme For Lester Young, Theme for Lester Young |
| Bill Triglia |
piano |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Dizzy Moods, Dizzy Moods (composite partial alternate take), Flamingo, Flamingo (alternate take), Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Ysabel's Table Dance (composite partial alternate take) |
| Eddie Bert |
trombone |
All the Things You C#, All the Things You C# (alternate take), Bemoanable Lady, Half-Mast Inhibition, Jump Monk, Jump Monk (alternate take), Mingus Fingus No. 2, Septemberly, Serenade in Blue, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers, Work Song |
| Ysabel Morel |
castanets |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Dizzy Moods, Dizzy Moods (composite partial alternate take), Flamingo, Flamingo (alternate take), Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Ysabel's Table Dance (composite partial alternate take) |
| Yusef Lateef |
flute, tenor saxophone |
Bemoanable Lady, Do Nothin' Till You Hear From Me, Eclipse, Half-Mast Inhibition, Mingus Fingus No. 2, Prayer for Passive Resistance, Take the "A" Train, Weird Nightmare, [Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces next piece "has no title, but it's on BMI"] / Hog Callin' Blues (incomplete, fade-out), [Mingus announces title as Blue Cee] / [unknown title] |
| Frankie Dunlop |
percussion |
A Colloquial Dream (Scenes in the City), A Colloquial Dream (alternate take), Dizzy Moods, Dizzy Moods (composite partial alternate take), Flamingo, Flamingo (alternate take), Los Mariachis (The Street Musicians), Los Mariachis (composite partial alternate take), Tijuana Gift Shop, Tijuana Gift Shop (alternate take), Ysabel's Table Dance (composite partial alternate take) |
| Teddy Charles |
vibraphone |
Diane, Far Wells, Mill Valley, Gunslinging Bird, Song With Orange, Strollin' |
| Tom Dowd |
recording |
Cryin' Blues, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| Don Pullen |
piano |
Black Bats and Poles, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Remember Rockefeller at Attica, Sue's Changes |
| Pepper Adams (baritone saxophonist) |
baritone saxophone |
Cryin' Blues, E's Flat Ah's Flat Too, E's Flat Ah's Flat Too (alternate take), Moanin’, My Jelly Roll Soul, My Jelly Roll Soul (alternate take), Tensions, Tensions (alternate take), Wednesday Night Prayer Meeting, Wednesday Night Prayer Meeting (alternate take) |
| George Barrow |
saxophone, tenor saxophone |
All the Things You C#, All the Things You C# (alternate take), Gregarian Chant, Jump Monk, Jump Monk (alternate take), Purple Heart, Septemberly, Serenade in Blue, Tea for Two, Work Song |
| Bobby Jones (US saxophonist/clarinetist) |
reeds, tenor saxophone |
Adagio ma non troppo, Blue Bird, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, I Left My Heart in San Francisco, Reincarnation of a Lovebird, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Charles McCracken |
cello |
Adagio ma non troppo, Bemoanable Lady, Don't Be Afraid, the Clown's Afraid Too, Half-Mast Inhibition, Hobo Ho, Mingus Fingus No. 2, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers |
| William "Brother" Woodman (40s jazz trumpeter and saxophonist) |
baritone saxophone, tenor saxophone |
Baby, Take a Chance With Me, Bedspread, Honey, Take a Chance With Me, Lonesome Woman Blues, Make Believe, Pipe Dream, Swingin' an Echo, The Texas Hop, This Subdues My Passion |
| Bobby Warner |
remixer |
Black Bats and Poles, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Sue's Changes |
| İlhan Mimaroğlu |
producer, remixer |
Black Bats and Poles, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Sue's Changes |
| Sy Johnson |
arranger |
Big Alice, Canon, Flowers for a Lady, Moves, Newcomer, Opus 3, Opus 4, The Call, Wee |
| Lee Young (40s-60s US jazz drummer) |
drums |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Bedspread, Honey, Take a Chance With Me, Make Believe, Pipe Dream, Shuffle Bass Boogie, This Subdues My Passion, Weird Nightmare |
| Gene Paul |
recording |
Black Bats and Poles, Devil Blues, Duke Ellington's Sound Of Love, Duke Ellington's Sound of Love, For Harry Carney, Free Cell Block F, 'Tis Nazi U.S.A., Orange Was the Color of Her Dress, Then Silk Blue, Remember Rockefeller At Attica, Sue's Changes |
| Ronald Hampton |
trumpet |
Big Alice, Canon, Flowers for a Lady, Moves, Newcomer, Opus 3, Opus 4, The Call, Wee |
| Karl George (US jazz trumpeter) |
trumpet |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Bedspread, Honey, Take a Chance With Me, Make Believe, Pipe Dream, Shuffle Bass Boogie, This Subdues My Passion, Weird Nightmare |
| Joe Farrell |
tenor saxophone |
Bemoanable Lady, Do Nothin' Till You Hear From Me, Eclipse, Half-Mast Inhibition, Mingus Fingus No. 2, Prayer for Passive Resistance, Take the "A" Train, Weird Nightmare |
| Bill Evans (pianist) |
piano |
Celia, Conversation, East Coasting, East Coasting (alternate take 3), Fifty-First Street Blues (take 4), Memories of You, Memories of You (alternate take 3), West Coast Ghost |
| Paul Bley |
piano |
Bugs (take 3), Do Nothin' Till You Hear From Me, Eclipse, Lock ’em Up, Prayer for Passive Resistance, Reincarnation of a Lovebird No. 2, Take the "A" Train, Weird Nightmare |
| Herb Caro (40s west coast talented jazz cat who died at 22) |
baritone saxophone, clarinet, tenor saxophone |
Boppin’ in Boston, He’s Gone, Inspiration, Lyon’s Roar, Pennies From Heaven, Say It Isn’t So, Story of Love, The Story of Love |
| John Anderson (US jazz trumpeter) |
trumpet |
Bedspread, Honey, Take a Chance With Me, Inspiration, Make Believe, Pipe Dream, The Story of Love, This Subdues My Passion |
| Buddy Collette |
alto saxophone, clarinet |
Bedspread, Honey, Take a Chance With Me, Make Believe, Mingus Fingers, Pipe Dream, These Foolish Things, This Subdues My Passion |
| Walter Perkins (Chicago jazz drummer) |
drums |
Better Get Hit in Yo' Soul, Hora Decubitus, II B.S., II B.S. (a.k.a. Haitian Fight Song), Mood Indigo, Theme For Lester Young, Theme for Lester Young |
| Hampton Hawes |
piano |
Back Home Blues, Dizzy Moods, Hamp's New Blues, I Can't Get Started, Laura, Summertime, Yesterdays |
| Jimmy Nottingham |
trumpet |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Quentin Jackson |
trombone |
Celia, I X Love, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Jerry Dodgion |
reeds |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| 穐吉敏子 (Toshiko Akiyoshi) |
piano |
Eat That Chicken, Eat That Chicken (theme) / [Symphony Sid announcement], Take The "A" Train / [Symphony Sid announcement], [Mingus announces Oh Lord] / Oh Lord, Don't Let Them Drop That Atomic Bomb On Me, [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Charlie Mariano |
alto saxophone |
Celia, I X Love, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Rolf Ericson |
trumpet |
Celia, I X Love, Mode D—Trio and Group Dancers: Stop! Look! And Sing Songs of Revolutions! / Mode E—Single Solos and Group Dance: Saint and Sinner Join in Merriment on Battle Front / Mode F—Group and Solo Dance: Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, ’til It’s Freedom Day, Track A - Solo Dancer, Track A—Solo Dancer: Stop! Look! And Listen, Sinner Jim Whitney!, Track B—Duet Solo Dancers: Hearts’ Beat and Shades in Physical Embraces, Track C—Group Dancers: (Soul Fusion) Freewoman and Oh, This Freedom’s Slave Cries |
| Julius Watkins |
French horn |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Willie Jones (jazz drummer, not Willie Jones III) |
drums |
All the Things You C#, All the Things You C# (alternate take), Jump Monk, Jump Monk (alternate take), Septemberly, Serenade in Blue, Work Song |
| John LaPorta |
reeds, saxophone |
Bemoanable Lady, Gregarian Chant, Half-Mast Inhibition, Mingus Fingus No. 2, Purple Heart, Tea for Two |
| Johnny Berger |
drums, percussion |
Boppin’ in Boston, He’s Gone, Inspiration, Say It Isn’t So, Story of Love, The Story of Love |
| Joe Wilder |
trumpet |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers |
| James Moody (jazz saxophonist) |
reeds |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers |
| Wade Legge |
piano |
Blue Cee, Haitian Fight Song, Passions of a Woman Loved, Reincarnation of a Lovebird, The Clown, Tonight at Noon |
| Bob Neloms |
piano |
Better Git Hit in Your Soul, Cumbia & Jazz Fusion, Goodbye, Pork Pie Hat, Nobody Knows, Noddin' Ya Head Blues, Three or Four Shades of Blues |
| Richard Wyands |
piano |
Alice's Wonderland, He’s Gone, I Can't Get Started, No Private Income Blues, Nostalgia in Times Square, Story of Love |
| Snooky Young |
trumpet |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers |
| Hal McKusick |
reeds |
Adagio ma non troppo, Don't Be Afraid, the Clown's Afraid Too, Hobo Ho, The Chill of Death, The I of Hurricane Sue, The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers |
| Bud Powell |
piano |
Bass-ically Speaking, Bass-ically Speaking (take 1), Bass-ically Speaking (take 2), Bass-ically Speaking (take 3), Hallelujah (a.k.a. Jubilee), [untitled blues] |
| Gene Porter (40s west coast jazz cat) |
baritone saxophone, clarinet |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Inspiration, Shuffle Bass Boogie, The Story of Love, Weird Nightmare |
| Roy Porter |
drums |
Baby, Take a Chance With Me, Inspiration, Lonesome Woman Blues, Swingin' an Echo, The Story of Love, The Texas Hop |
| Ricky Ford |
percussion, tenor saxophone |
Better Git Hit in Your Soul, Cumbia & Jazz Fusion, Goodbye, Pork Pie Hat, Nobody Knows, Noddin' Ya Head Blues, Three or Four Shades of Blues |
| Roy Eldridge |
trumpet |
Body and Soul, Body and Soul (alternate take), R & R, Wrap Your Troubles in Dreams, Wrap Your Troubles in Dreams (alternate take) |
| George Coleman (US jazz saxophonist) |
saxophone |
Better Git Hit in Your Soul, Goodbye, Pork Pie Hat, Nobody Knows, Noddin' Ya Head Blues, Three or Four Shades of Blues |
| Symphony Sid Torin |
vocal |
Eat That Chicken (theme) / [Symphony Sid announcement], Take The "A" Train / [Symphony Sid announcement], [Symphony Sid announcement] / Fables of Faubus, [Symphony Sid announcement] / Monk, Funk or Vice Versa / [Symphony Sid announcement], [dead air with Symphony Sid] |
| Lucky Thompson |
tenor saxophone |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| Hobart Dotson |
trumpet |
Bemoanable Lady, Half-Mast Inhibition, Inspiration, Mingus Fingus No. 2, The Story of Love |
| Paul Jeffrey |
arranger, oboe, tenor saxophone |
Better Git Hit in Your Soul, Cumbia & Jazz Fusion, Goodbye, Pork Pie Hat, Nobody Knows, Noddin' Ya Head Blues |
| Tommy Flanagan |
piano |
Body and Soul, Body and Soul (alternate take), R & R, Wrap Your Troubles in Dreams, Wrap Your Troubles in Dreams (alternate take) |
| Bob Rolontz |
producer |
A Colloquial Dream (Scenes in the City), Dizzy Moods, Flamingo, Los Mariachis (The Street Musicians), Tijuana Gift Shop |
| Benny Golson |
tenor saxophone |
Diane, Far Wells, Mill Valley, Gunslinging Bird, Song With Orange, Strollin' |
| Marcus Belgrave |
trumpet |
Bemoanable Lady, Duke Ellington's Sound of Love, Half-Mast Inhibition, Mingus Fingus No. 2, Sue's Changes |
| Louis Speigner (40s jazz guitarist) |
guitar |
Bedspread, Honey, Take a Chance With Me, Make Believe, Pipe Dream, This Subdues My Passion |
| Jo Jones |
drumset |
Body and Soul, Body and Soul (alternate take), R & R, Wrap Your Troubles in Dreams, Wrap Your Troubles in Dreams (alternate take) |
| Claude Trenier |
vocal |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Honey, Take a Chance With Me, Make Believe, Weird Nightmare |
| Lady Will Carr |
piano |
Bedspread, Honey, Take a Chance With Me, Make Believe, Pipe Dream, This Subdues My Passion |
| Bob Mosley (40s jazz trumpeter who died during the 50s) |
piano |
Baby, Take a Chance With Me, Lonesome Woman Blues, Swingin' an Echo, The Texas Hop |
| Bob Lowry |
trombone |
Boppin’ in Boston, He’s Gone, Say It Isn’t So, Story of Love |
| Buddy Harper (40s jazz guitarist) |
guitar |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| Nathanial Robert "Nat" Bates (40s jazz trumpeter) |
trumpet |
Baby, Take a Chance With Me, Lonesome Woman Blues, Swingin' an Echo, The Texas Hop |
| Maxwell Davis (40s tenor sax and arranger "The Father of West Coast R&B") |
tenor saxophone |
Baby, Take a Chance With Me, Lonesome Woman Blues, Swingin' an Echo, The Texas Hop |
| Maurice Brown (jazz cellist) |
cello |
Mood Indigo, Put Me in That Dungeon, Slop, Things Ain’t What They Used to Be |
| Seymour Barab |
cello |
Mood Indigo, Put Me in That Dungeon, Slop, Things Ain’t What They Used to Be |
| Philip Catherine (Belgian jazz guitarist) |
guitar |
Better Git Hit in Your Soul, Goodbye, Pork Pie Hat, Nobody Knows, Noddin' Ya Head Blues |
| Wilbert Baranco (40s west coast jazz bandleader and producer) |
piano |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| Larry Coryell |
guitar |
Better Git Hit in Your Soul, Goodbye, Pork Pie Hat, Noddin' Ya Head Blues, Three or Four Shades of Blues |
| Don Ellis |
trumpet |
Mood Indigo, Put Me in That Dungeon, Slop, Things Ain’t What They Used to Be |
| Henry Coker |
trombone |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| Kenny Clarke |
drums |
Level Seven, Rose Geranium, Smog L.A., Transesonal |
| Willie Smith (US jazz alto saxophonist) |
alto saxophone |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| John Plonsky (40s west coast jazz trumpetist) |
trumpet |
Ain’t Jivin’ Blues, Baby, Take a Chance With Me, Shuffle Bass Boogie, Weird Nightmare |
| Wally Cirillo (jazz pianist) |
piano |
Level Seven, Rose Geranium, Smog L.A., Transesonal |
| Charles Greenlee |
trombone |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Danny Bank |
saxophone |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Sticks Evans |
percussion |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| George Mraz |
bass |
Better Git Hit in Your Soul, Goodbye, Pork Pie Hat, Noddin' Ya Head Blues |
| George Scott |
percussion |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Robert DiDomenica |
flute |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Clark Terry |
trumpet |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Slide Hampton |
trombone |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Harry Schulman |
oboe |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Bill Barron |
saxophone |
Bemoanable Lady, Half-Mast Inhibition, Mingus Fingus No. 2 |
| Rudy Nichols |
drums |
Gregarian Chant, Purple Heart, Tea for Two |
| Red Callender |
double bass |
Inspiration, The Story of Love |
| [unknown] (Special Purpose Artist - Do not add releases here, if possible.) |
guitar, trumpet |
Inspiration, The Story of Love |
| Alex Megyesy |
tenor saxophone |
He’s Gone, Story of Love |
| John Coppola (West coast jazz cat who emerged during the 40s) |
trumpet |
He’s Gone, Story of Love |
| Allen Smith |
trumpet |
He’s Gone, Story of Love |
| Andy Peele (40s jazz trumpeter) |
trumpet |
He’s Gone, Story of Love |
| Art Pepper |
alto saxophone, clarinet |
Inspiration, The Story of Love |
| Lorraine Cusson |
vocal |
Eclipse, Weird Nightmare |
| Jimmy Bunn (40s jazz pianist) |
piano |
Mingus Fingers, These Foolish Things |
| Jewell Grant |
alto saxophone, clarinet |
Inspiration, The Story of Love |
| Marty Smith |
trombone |
Inspiration, The Story of Love |
| Morrie Stewart |
tenor saxophone |
He’s Gone, Story of Love |
| Jean McGuire |
cello |
He’s Gone, Story of Love |
| Nico Bunick |
piano |
MDM, Vassarlean |
| Oradell Mitchell (40s jazz singer) |
vocal |
Lonesome Woman Blues, The Texas Hop |
| Bob Olney (40s west coast jazz reedman, bandleader and school director) |
alto saxophone, clarinet, flute |
He’s Gone, Story of Love |
| Pee Wee Marquette |
vocal |
[Mingus announces Ecclusiastics] / Ecclusiastics / [Pee Wee Marquette announcement], [Mingus announces title as Blue Cee] / [unknown title] |
| Honey Gordon |
vocal |
Moves, Strollin' |
| Herb Gayle |
vocal |
He’s Gone, Pennies From Heaven |
| Johnny Haig (Jazz band leader who emerged during the 40s) |
trombone |
He’s Gone, Story of Love |
| Hawes Coleman |
trombone |
He’s Gone, Story of Love |
| John Scofield |
guitar |
Nobody Knows, Three or Four Shades of Blues |
| Ron Carter (US jazz double-bassist) |
bass, double bass |
Nobody Knows, The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Bud Hooven (40s jazz cat) |
alto saxophone |
He’s Gone, Story of Love |
| Russ Freeman (pianist) |
piano |
Inspiration, The Story of Love |
| Buddy Childers |
trumpet |
Inspiration, The Story of Love |
| Floris Nico Bunink |
piano |
New Now Know How, Strollin' |
| Elmer "Buzz" Wheeler (40s west coast jazz pianist) |
piano |
Lyon’s Roar, Pennies From Heaven |
| Cal Tjader |
drums |
He’s Gone, Story of Love |
| Tommy Alexander (singer-songwriter) |
trumpet |
Boppin’ in Boston, Say It Isn’t So |
| Vernon Carlson (40s trumpeter and later saxophonist) |
trumpet |
He’s Gone, Story of Love |
| Donn Trenner (jazz cat who emerged during the 40s, also musical director) |
piano |
Boppin’ in Boston, Say It Isn’t So |
| Warren Thompson (40s jazz drummer) |
drums |
Lyon’s Roar, Pennies From Heaven |
| Don Smith (tenor) |
tenor saxophone |
He’s Gone, Story of Love |
| William Green |
clarinet, flute, tenor saxophone |
Inspiration, The Story of Love |
| Chuck Thompson (40s jazz drummer) |
drums |
Mingus Fingers, These Foolish Things |
| Dante Perfumo |
flute |
He’s Gone, Story of Love |
| Gunther Schuller |
conductor |
Half-Mast Inhibition |
| Roberto Laneri |
bass clarinet |
Music for "Todo Modo" |
| Anastasio Del Bono |
English horn, oboe |
Music for "Todo Modo" |
| Bart&Baker |
mix-DJ |
Boogie Stop Shuffle |
| Bradley Cunningham |
percussion |
Cumbia & Jazz Fusion |
| Pasquale Sabatelli |
bassoon |
Music for "Todo Modo" |
| Gene Scholtes |
bassoon |
Cumbia & Jazz Fusion |
| Jackie Paris |
vocal |
Duke Ellington's Sound of Love |
| Gary Anderson (jazz multi-instrumentist) |
bass clarinet, double bass |
Cumbia & Jazz Fusion |
| Mauricio Smith |
alto saxophone, flute, piccolo, soprano saxophone |
Cumbia & Jazz Fusion |
| Snookie Young |
trumpet |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Max Roach |
drums |
Percussion Discussion |
| Sonny Fortune |
alto saxophone |
Nobody Knows |
| Everett Pettis (40s jazz singer) |
vocal |
Baby, Take a Chance With Me |
| Jean Shepherd (American storyteller, radio and TV personality, writer and actor) |
vocal |
The Clown |
| Homer Dench |
double bass |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Quarto Maltoni |
alto saxophone |
Music for "Todo Modo" |
| Milt Hinton |
double bass |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Helen Carr (40s jazz singer) |
vocal |
Say It Isn’t So |
| Candido |
congas |
Cumbia & Jazz Fusion |
| Urbie Green |
trombone |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Ralph Manza |
performer |
[rehearsal fragment for "He's Gone"] |
| Doug Hammond |
vocal |
Moves |
| Ray Mantilla |
congas |
Cumbia & Jazz Fusion |
| John Foster (jazz pianist) |
piano |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Richard Davis (American jazz bassist) |
double bass |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Dino Piana |
valve trombone |
Music for "Todo Modo" |
| Alfredo "Corral" Ramirez |
congas |
Cumbia & Jazz Fusion |
| Giancarlo Maurino |
alto saxophone |
Music for "Todo Modo" |
| Danny Mixon |
organ, piano |
Music for "Todo Modo" |
| Danny Banks |
reeds |
The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers |
| Daniel Gonzales |
congas |
Cumbia & Jazz Fusion |