Nat Adderley |
cornet, trumpet |
18th Century Ballroom, A Foggy Day, A Little Taste, A Little Taste (take 1), Angel Eyes, Autumn Leaves, Blues on Down, Bohemia After Dark, Brother John, Caribbean Cutie, Carribean Cutie (take 1), Chasm, Chavalah, Cobbweb, Come Sunday, Crazy Baby, Cyclops, Dat Dere, Dat Dere (take 5), Del Sasser, Dizzy's Business, Dizzy’s Business, Do You Love Me?, Domination, Easy to Love, Experience in E, Fiddler on the Roof, Friday Nite, Gemini, Gon Gong, Hoppin’ John, I Can’t Get Started, I Should Care, I Worship You, Interlude, Introduction to a Samba, I’ll Remember April, Jeannine, Jessica’s Birthday, Jive Samba, Late Entry, Little Boy With the Sad Eyes, Lover Man, Matchmaker, Matchmaker, Music in the Air, Mystified (Angel Face), Never Say Yes, New Arrival, New Delhi, Nippon Soul, Now I Have Everything, One Man’s Dream, Out of the Past, P Bouk, Peebook, Peter and the Goats, Porky, Pretty Strange, Primitivo, Sabbath Prayer, Sewing Machine, Shake a Lady, Social Call, Soon, Spontaneous Combustion, Still Talkin’ to Ya, Straight, No Chaser, Sweet Georgia Bright, Teaneck, Tengo Tango, That Funky Train, The Shouter, The Song My Lady Sings, The Way You Look Tonight, The Weaver, Them Dirty Blues, Theme, This Here, To Life, Tribute to Brownie, Two Brothers, Unit 7, What's New, With Apologies to Oscar, Work Song, Work Song (take 4), Work Song (take 5) |
Sam Jones (jazz bassist) |
bass, double bass |
18th Century Ballroom, A Foggy Day, Angel Eyes, Autumn Leaves, Blues on Down, Bohemia After Dark, Brother John, Chavalah, Cobbweb, Come Sunday, Dancing in the Dark, Dat Dere, Dat Dere (take 5), Del Sasser, Dizzy's Business, Dizzy’s Business, Do You Love Me?, Easy to Love, Fiddler on the Roof, Gemini, Hoppin’ John, I Can’t Get Started, Interlude, Introduction to a Samba, I’ll Remember April, Jeannine, Jessica’s Birthday, Jive Samba, Little Boy With the Sad Eyes, Love for Sale, Lover Man, Matchmaker, Matchmaker, Mystified (Angel Face), Never Say Yes, New Delhi, Nippon Soul, Now I Have Everything, One Man’s Dream, One for Daddy‐O, P Bouk, Peebook, Peter and the Goats, Porky, Primitivo, Sabbath Prayer, Sewing Machine, Shake a Lady, Somethin’ Else, Soon, Spontaneous Combustion, Straight, No Chaser, Sweet Georgia Bright, Teaneck, Tengo Tango, That Funky Train, The Song My Lady Sings, The Way You Look Tonight, The Weaver, Them Dirty Blues, Theme, This Here, To Life, Tribute to Brownie, Unit 7, What's New, Work Song, Work Song (take 4), Work Song (take 5) |
Louis Hayes |
drums |
Angel Eyes, Autumn Leaves, Blues on Down, Bohemia After Dark, Brother John, Chavalah, Come Sunday, Dat Dere, Dat Dere (take 5), Del Sasser, Dizzy's Business, Dizzy’s Business, Do You Love Me?, Easy to Love, Fiddler on the Roof, Gemini, I Can’t Get Started, Interlude, Introduction to a Samba, Jeannine, Jessica’s Birthday, Jive Samba, Little Boy With the Sad Eyes, Matchmaker, Matchmaker, Mystified (Angel Face), Never Say Yes, New Delhi, Nippon Soul, Now I Have Everything, One Man’s Dream, P Bouk, Peebook, Peter and the Goats, Primitivo, Sabbath Prayer, Sewing Machine, Shake a Lady, Soon, Spontaneous Combustion, Straight, No Chaser, Sweet Georgia Bright, Teaneck, Tengo Tango, The Song My Lady Sings, The Weaver, Them Dirty Blues, Theme, This Here, To Life, Unit 7, Work Song, Work Song (take 4), Work Song (take 5) |
Joe Zawinul |
electric piano, piano |
Angel Eyes, Autumn Leaves, Bohemia After Dark, Brother John, Chavalah, Come Sunday, Cyclops, Dizzy's Business, Dizzy’s Business, Do You Love Me?, Domination, Easy to Love, Experience in E, Fiddler on the Roof, Gemini, Gon Gong, I Can’t Get Started, I Worship You, Interlude, Introduction to a Samba, Jessica’s Birthday, Jive Samba, Little Boy With the Sad Eyes, Matchmaker, Matchmaker, Mystified (Angel Face), Never Say Yes, New Delhi, Nippon Soul, Now I Have Everything, One Man’s Dream, P Bouk, Peebook, Peter and the Goats, Primitivo, Sabbath Prayer, Sewing Machine, Shake a Lady, Sweet Georgia Bright, Teaneck, Tengo Tango, The Song My Lady Sings, The Weaver, Theme, This Here, To Life, Unit 7, Work Song |
Miles Davis (jazz trumpeter, bandleader, songwriter) |
performer, trumpet |
Autumn Leaves, Love for Sale, One for Daddy‐O, Somethin’ Else |
Paul Chambers (US jazz bassist) |
bass, double bass |
A Little Taste, A Little Taste (take 1), Barefoot Sunday Blues, Barefoot Sunday Blues (alternate take), Bohemia After Dark, Caribbean Cutie, Carribean Cutie (take 1), Chasm, Crazy Baby, Flamingo, Friday Nite, I Guess I’ll Hang My Tears Out to Dry, I Should Care, If This Isn’t Love, I’ve Told Ev’ry Little Star, Late Entry, New Arrival, Serenata, Spontaneous Combustion, Still Talkin’ to Ya, Two Brothers, With Apologies to Oscar |
Jimmy Cobb |
drums |
18th Century Ballroom, A Foggy Day, Barefoot Sunday Blues, Barefoot Sunday Blues (alternate take), Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, Cobbweb, Hoppin’ John, I Got It Bad (and That Ain’t Good), I Guess I’ll Hang My Tears Out to Dry, If Life Were All Peaches and Cream, If This Isn’t Love, I’ll Remember April, I’ve Told Ev’ry Little Star, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Lover Man, Nothin’, Porky, Serenata, That Funky Train, The Tune of the Hickory Stick, The Way You Look Tonight, Tribute to Brownie, Two Left Feet, What's New |
Yusef Lateef |
flute, oboe, tenor saxophone |
Angel Eyes, Autumn Leaves, Bohemia After Dark, Brother John, Come Sunday, Dizzy's Business, Dizzy’s Business, Easy to Love, Gemini, Jessica’s Birthday, Jive Samba, Never Say Yes, New Delhi, Nippon Soul, P Bouk, Peebook, Peter and the Goats, Primitivo, Tengo Tango, The Weaver, This Here, Work Song |
Barry Galbraith |
guitar |
Alabama Concerto I, Job's Red Wagon (return), Alabama Concerto I, The Henry John Story, Alabama Concerto I, The Henry John Story (return), Alabama Concerto II, The Loop (return), Alabama Concerto II, Trampin', the Loop, Trampin' (return)., Alabama Concerto III, Little John Shoes, Alabama Concerto III, Milord's Callin', Little John Shoes, Alabama Concerto IV, Blues for Christmas, Rufus Playboy, Alabama Concerto IV, Grandma's Coffin (return), Rufus Playboy, Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
Milt Hinton |
bass |
Alabama Concerto I, Job's Red Wagon (return), Alabama Concerto I, The Henry John Story, Alabama Concerto I, The Henry John Story (return), Alabama Concerto II, The Loop (return), Alabama Concerto II, Trampin', the Loop, Trampin' (return)., Alabama Concerto III, Little John Shoes, Alabama Concerto III, Milord's Callin', Little John Shoes, Alabama Concerto IV, Blues for Christmas, Rufus Playboy, Alabama Concerto IV, Grandma's Coffin (return), Rufus Playboy, Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
Bill Evans (pianist) |
piano |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, Goodbye, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Know What I Mean? (take 12), Nancy (with the Laughing Face), Nothin’, The Tune of the Hickory Stick, Toy (take 10), Toy (take 8), Two Left Feet, Venice, Who Cares? (take 4), Who Cares? (take 5) |
Rudy van Gelder |
engineer |
A Little Taste, A Little Taste (take 1), Autumn Leaves, Bohemia After Dark, Caribbean Cutie, Carribean Cutie (take 1), Chasm, Dancing in the Dark, Flamingo, Late Entry, Love for Sale, One for Daddy‐O, Somethin’ Else, Spontaneous Combustion, Still Talkin’ to Ya, With Apologies to Oscar |
Charles Lloyd (US jazz saxophonist) |
flute, tenor saxophone |
Chavalah, Do You Love Me?, Fiddler on the Roof, Little Boy With the Sad Eyes, Matchmaker, Matchmaker, Now I Have Everything, Sabbath Prayer, Sewing Machine, Sweet Georgia Bright, The Song My Lady Sings, Theme, To Life, Work Song |
Hank Jones |
piano |
A Little Taste, A Little Taste (take 1), Autumn Leaves, Caribbean Cutie, Carribean Cutie (take 1), Dancing in the Dark, Flamingo, Love for Sale, One for Daddy‐O, Somethin’ Else, Spontaneous Combustion, Still Talkin’ to Ya |
Ozzie Cadena |
producer |
A Little Taste, A Little Taste (take 1), Bohemia After Dark, Caribbean Cutie, Carribean Cutie (take 1), Chasm, Flamingo, Late Entry, Spontaneous Combustion, Still Talkin’ to Ya, With Apologies to Oscar |
Percy Heath |
bass, double bass |
Goodbye, I Remember You, I Remember You (alternate take), Know What I Mean? (take 12), Nancy (with the Laughing Face), Poor Butterfly, Toy (take 10), Toy (take 8), Venice, Who Cares? (take 4), Who Cares? (take 5) |
Kenny Clarke |
drums |
A Little Taste, A Little Taste (take 1), Bohemia After Dark, Caribbean Cutie, Carribean Cutie (take 1), Chasm, Flamingo, Late Entry, Spontaneous Combustion, Still Talkin’ to Ya, With Apologies to Oscar |
Junior Mance |
piano |
18th Century Ballroom, A Foggy Day, Cobbweb, Hoppin’ John, I’ll Remember April, Lover Man, Porky, That Funky Train, The Way You Look Tonight, Tribute to Brownie, What's New |
George Ricci |
cello |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
Leo Kruczek |
violin |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
David Schwartz (violist) |
viola |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
David Axelrod |
producer |
Cyclops, Domination, Experience in E, Gon Gong, I Worship You, Interlude, Introduction, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Gene Orloff |
violin |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
William Russo |
arranger |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
Emmett Berry |
trumpet |
Bli-Blip, Brown-Skin Gal (In the Calico Gown), Chocolate Shake, I Got It Bad (and That Ain’t Good), If Life Were All Peaches and Cream, Jump for Joy, Just Squeeze Me (But Don’t Tease Me), Nothin’, The Tune of the Hickory Stick, Two Left Feet |
Wynton Kelly |
piano |
Barefoot Sunday Blues, Barefoot Sunday Blues (alternate take), I Guess I’ll Hang My Tears Out to Dry, I Remember You, I Remember You (alternate take), If This Isn’t Love, I’ve Told Ev’ry Little Star, Poor Butterfly, Serenata |
Horace Silver |
piano |
Bohemia After Dark, Chasm, Crazy Baby, Friday Nite, I Should Care, Late Entry, New Arrival, Two Brothers, With Apologies to Oscar |
Bobby Timmons |
piano |
Dat Dere, Dat Dere (take 5), Del Sasser, Soon, Spontaneous Combustion, Straight, No Chaser, This Here, Work Song (take 4), Work Song (take 5) |
Bob Arnold (engineer) |
recording |
Cyclops, Domination, Experience in E, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
John Benson Brooks |
arranger, piano |
Alabama Concerto I, Job's Red Wagon (return), Alabama Concerto I, The Henry John Story, Alabama Concerto I, The Henry John Story (return), Alabama Concerto II, The Loop (return), Alabama Concerto II, Trampin', the Loop, Trampin' (return)., Alabama Concerto III, Little John Shoes, Alabama Concerto III, Milord's Callin', Little John Shoes, Alabama Concerto IV, Blues for Christmas, Rufus Playboy, Alabama Concerto IV, Grandma's Coffin (return), Rufus Playboy |
Art Farmer |
trumpet |
Alabama Concerto I, Job's Red Wagon (return), Alabama Concerto I, The Henry John Story, Alabama Concerto I, The Henry John Story (return), Alabama Concerto II, The Loop (return), Alabama Concerto II, Trampin', the Loop, Trampin' (return)., Alabama Concerto III, Little John Shoes, Alabama Concerto III, Milord's Callin', Little John Shoes, Alabama Concerto IV, Blues for Christmas, Rufus Playboy, Alabama Concerto IV, Grandma's Coffin (return), Rufus Playboy |
Connie Kay |
drums |
Goodbye, Know What I Mean? (take 12), Nancy (with the Laughing Face), Toy (take 10), Toy (take 8), Venice, Who Cares? (take 4), Who Cares? (take 5) |
Don Butterfield |
tuba |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Jimmy Cleveland |
trombone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
J.J. Johnson (Jazz/bop trombonist/session leader) |
trombone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Bob Ashton |
bass clarinet, flute, tenor saxophone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Phil Woods |
alto saxophone, clarinet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Jimmy Maxwell (Trumpet) |
trumpet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Budd Johnson |
clarinet, flute, tenor saxophone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Tony Studd |
bass trombone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Clark Terry |
trumpet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Bill Stoddard |
recording |
Goodbye, Know What I Mean? (take 12), Nancy (with the Laughing Face), Toy (take 10), Toy (take 8), Venice, Who Cares? (take 4), Who Cares? (take 5) |
Danny Bank |
baritone saxophone, bass clarinet, flute |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Orrin Keepnews |
producer |
Goodbye, Know What I Mean? (take 12), Nancy (with the Laughing Face), Toy (take 10), Toy (take 8), Venice, Who Cares? (take 4), Who Cares? (take 5) |
Jimmy Nottingham |
trumpet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Oliver Nelson's Orchestra |
performing orchestra |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Snooky Young |
trumpet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Oliver Nelson |
arranger, conductor |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Marshall Royal |
alto saxophone, clarinet |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Willie Dennis |
trombone |
Cyclops, Domination, Gon Gong, I Worship You, Interlude, Introduction to a Samba, Mystified (Angel Face), Shake a Lady |
Wes Montgomery |
guitar |
Music in the Air, Out of the Past, Pretty Strange, Social Call, The Shouter |
Roy Haynes |
drums |
Crazy Baby, Friday Nite, I Should Care, New Arrival, Two Brothers |
Walter Bolden |
drums |
Music in the Air, Out of the Past, Pretty Strange, Social Call, The Shouter |
Tom Morgan (producer) |
producer |
I Can’t Get Started, Never Say Yes, One Man’s Dream, Teaneck, Unit 7 |
Art Blakey |
drums |
Autumn Leaves, Dancing in the Dark, Love for Sale, One for Daddy‐O, Somethin’ Else |
Alfred Lion |
producer |
Autumn Leaves, Dancing in the Dark, Love for Sale, One for Daddy‐O, Somethin’ Else |
Gildo Mahones |
piano |
Music in the Air, Out of the Past, Pretty Strange, Social Call, The Shouter |
Jon Hendricks |
vocal |
Music in the Air, Out of the Past, Pretty Strange, Social Call, The Shouter |
Andy Wiswell |
producer |
I Can’t Get Started, Never Say Yes, One Man’s Dream, Teaneck, Unit 7 |
Larry Walsh |
remixer |
I Can’t Get Started, Never Say Yes, One Man’s Dream, Teaneck, Unit 7 |
Monk Montgomery |
bass |
Music in the Air, Out of the Past, Pretty Strange, Social Call, The Shouter |
Barry Harris (Jazz pianist) |
piano |
Jeannine, Them Dirty Blues, Work Song, Work Song (take 4), Work Song (take 5) |
Grady Tate |
drums |
Cyclops, Domination, Gon Gong, I Worship You |
Jerome Richardson |
flute, tenor saxophone |
Bohemia After Dark, Chasm, Late Entry, With Apologies to Oscar |
Richard Davis (American jazz bassist) |
double bass |
Cyclops, Domination, Gon Gong, I Worship You |
George Duke |
keyboard, synthesizer |
Country Preacher, Domination, Stars Fell On Alabama |
Donald Byrd (American jazz trumpeter) |
trumpet |
Bohemia After Dark, Chasm, With Apologies to Oscar |
Albert “Tootie” Heath |
drums |
I Remember You, I Remember You (alternate take), Poor Butterfly |
Ray Brown (jazz bassist) |
acoustic bass guitar |
Experience in E |
Paul Shure |
violin |
Experience in E |
Jimmy Heath |
tenor saxophone |
Blues on Down |
Jeffrey Solow |
cello |
Experience in E |
James Getzoff |
violin |
Experience in E |
Jackie Kelso |
saxophone |
Experience in E |
Jack Arnold (vibraphone) |
percussion |
Experience in E |
Joseph Reilich |
viola |
Experience in E |
Israel Baker |
violin |
Experience in E |
Henry Roth |
violin |
Experience in E |
H.B. Barnum's Orchestra |
performing orchestra |
Ndo Lima |
H.B. Barnum |
arranger, conductor |
Ndo Lima |
Les Spann |
guitar |
Blues on Down |
Lou Raderman |
violin |
Experience in E |
Gerald Vinci |
violin |
Experience in E |
Gene Cipriano |
saxophone |
Experience in E |
Marvin Limonick |
violin |
Experience in E |
Max Bennett |
acoustic bass guitar |
Experience in E |
Melba Liston |
trombone |
Blues on Down |
Gareth Nuttycombe (violinist) |
viola |
Experience in E |
Milton Thomas (violist) |
viola |
Experience in E |
Freddie Hill (trumpet) |
trumpet |
Experience in E |
Morty Corb |
acoustic bass guitar |
Experience in E |
Myron Sandler |
viola |
Experience in E |
Ernie Watts |
oboe |
Experience in E |
Edgar Lustgarten |
cello |
Experience in E |
Don Chrislieb |
bassoon |
Experience in E |
Dick Hyde |
trombone |
Experience in E |
Paul Hubinon |
trumpet |
Experience in E |
Jerome Kasper |
oboe |
Experience in E |
David Allen Duke (US french horn player) |
French horn |
Experience in E |
Bob West (US session bassist, producer & songwriter) |
acoustic bass guitar |
Experience in E |
Ralph Schaeffer |
violin |
Experience in E |
Ray Kramer |
cello |
Experience in E |
Blue Mitchell |
trumpet |
Blues on Down |
Richard Leith |
trombone |
Experience in E |
Rick Holmes |
vocal |
Introduction |
Assa Drori |
violin |
Experience in E |
Roy McCurdy |
drums |
Experience in E |
Arthur Maebe |
French horn |
Experience in E |
Samuel Boghossian |
viola |
Experience in E |
Armand Kaproff |
cello |
Experience in E |
Stanley Plummer |
violin |
Experience in E |
Tate Houston |
baritone saxophone |
Blues on Down |
Allan Harshman |
viola |
Experience in E |
Al McKibbon |
acoustic bass guitar |
Experience in E |
Victor Feldman (jazz musician) |
piano |
Blues on Down |
Walter Booker |
double bass |
Experience in E |
William Green |
clarinet, flute, piccolo |
Experience in E |
William Henderson (violinist, concertmaster and strings) |
violin |
Experience in E |
William Hymanson |
violin |
Experience in E |
William S. Fischer |
arranger, conductor |
Experience in E |
Gary Coleman (US percussionist) |
percussion |
Experience in E |