Bud Graham

engineer, recording, balance, mix, editor

Top collaborators

Artist name Roles Recordings
Fabián Martin (bassist)
Albert Wolff
Grace Cosceri
Branford Marsalis
E. Power Biggs

Work on other artists' recordings

Artist name Roles Recordings
Fabián Martin balance Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Thema: Allegretto, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 1, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 10, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 11, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 12, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 2, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 3, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 4, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 5, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 6, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 7, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 8, Variations on a Russian dance from Wranitzky's ballet "Das Waldmädchen" in A major, WoO 71: Variation 9, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Thema: Allegro risoluto, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 1, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 2, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 3, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 4, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 5, Variations on an original theme (Turkish march), reused in Beethoven's Singspiel "Die Ruinen von Athen" in D major, op. 76: Variation 6: Presto - Tempo I, Variations on an original theme in C minor, WoO 80: Thema: Allegretto, Variations on an original theme in C minor, WoO 80: Variation 12, Variations on an original theme in C minor, WoO 80: Variation 28, Variations on an original theme in C minor, WoO 80: Variation 6, Variations on an original theme in C minor, WoO 80: Variations 1, 2 & 3, Variations on an original theme in C minor, WoO 80: Variations 13 & 14, Variations on an original theme in C minor, WoO 80: Variations 15, 16, 17 & 18, Variations on an original theme in C minor, WoO 80: Variations 19, 20, 21 & 22, Variations on an original theme in C minor, WoO 80: Variations 23, 24 & 25, Variations on an original theme in C minor, WoO 80: Variations 26 & 27, Variations on an original theme in C minor, WoO 80: Variations 29 & 30, Variations on an original theme in C minor, WoO 80: Variations 31 & 32, Variations on an original theme in C minor, WoO 80: Variations 4 & 5, Variations on an original theme in C minor, WoO 80: Variations 7 & 8, Variations on an original theme in C minor, WoO 80: Variations 9, 10 & 11
Albert Wolff engineer 4 Orchestral Pieces, op.12 (Sz. 51): I. Preludio, 4 Orchestral Pieces, op.12 (Sz. 51): II. Scherzo, 4 Orchestral Pieces, op.12 (Sz. 51): III. Intermezzo, 4 Orchestral Pieces, op.12 (Sz. 51): IV. Marcia funebre, Concerto for Orchestra: I. Introduzione, Concerto for Orchestra: II. Giuoco delle coppie, Concerto for Orchestra: III. Elegia, Concerto for Orchestra: IV. Intermezzo interrotto, Concerto for Orchestra: V. Finale, The Miraculous Mandarin: First Seduction Game, The Miraculous Mandarin: General Consternation, The Miraculous Mandarin: Prelude, The Miraculous Mandarin: Second Seduction Game, The Miraculous Mandarin: Suddenly the Mandarin's Head Appears, The Miraculous Mandarin: The Curtain Rises, The Miraculous Mandarin: The Girl Is Undecided, The Miraculous Mandarin: The Girl Sinks Down to Embrace Him, The Miraculous Mandarin: The Lamp Falls to the Floor - Goes Out, The Miraculous Mandarin: The Terrified Tramps Discuss, The Miraculous Mandarin: The Tramps Leap Out, Seize the Mandarin
Grace Cosceri engineer Jeux d'enfants, op. 22: I. Marche (Trompette et tambour), Jeux d'enfants, op. 22: II. Bercuese (La poupée), Jeux d'enfants, op. 22: III. Impromptu (La toupie), Jeux d'enfants, op. 22: IV. Duo (Petit mari, petite femme), Jeux d'enfants, op. 22: V. Galop (Le bal, galop), L'Arlésienne Suite no. 2: I. Pastorale, L'Arlésienne Suite no. 2: II. Intermezzo, L'Arlésienne Suite no. 2: III. Menuetto, L'Arlésienne Suite no. 2: IV. Farandole, La Boutique fantasque: I. Overture, La Boutique fantasque: II. Tarantelle, La Boutique fantasque: III. Mazurka, La Boutique fantasque: IV. Danse Cosaque, La Boutique fantasque: V. Cancan, La Boutique fantasque: VI. Valse lente, La Boutique fantasque: VII. Nocturne, La Boutique fantasque: VIII. Galop
Branford Marsalis engineer Arabesque No. 1 (Debussy), Bachianas Brasilerias No.5 (Villa-Lobos), Gymnopedie No. 3 (Satie), L'isle Joyeuse (Debussy), Pastorale (Stravinsky), Pavane (Fauré), Piece en Forme de Habanera (Ravel), Prelude (Ravel), Serenata (Stravinsky), Sicilienne (Fauré), The Old Castle (Mussorgsky), Vocalise (Rachmaninoff)
E. Power Biggs engineer Prelude & Fugue in C minor "The Great", BWV 546: Fugue, Prelude & Fugue in C minor "The Great", BWV 546: Prelude, Prelude & Fugue in D minor "Fiddle", BWV 539: Fugue, Prelude & Fugue in D minor "Fiddle", BWV 539: Prelude, Prelude & Fugue in E minor "Cathedral", BWV 533: Fugue, Prelude & Fugue in E minor "Cathedral", BWV 533: Prelude, Prelude (Fantasia) & Fugue in G minor, BWV 542 "Great": 1. Prelude (Fantasia), Prelude (Fantasia) & Fugue in G minor, BWV 542 "Great": 2. Fugue, Prelude and Fugue in B minor, BWV 544: 1. Prelude, Prelude and Fugue in B minor, BWV 544: 2. Fugue, Prelude and Fugue in C major, BWV 545: 1. Prelude, Prelude and Fugue in C major, BWV 545: 2. Fugue
Wolfgang Schmieder recording Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo, Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto, Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso, Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso, The Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse
David Lindsay-Abaire balance Keyboard Sonata no. 33 in C minor, Hob. XVI:20: I. Moderato, Keyboard Sonata no. 33 in C minor, Hob. XVI:20: II. Antante con moto, Keyboard Sonata no. 33 in C minor, Hob. XVI:20: III. Finale. Allegro, Keyboard Sonata no. 38 in F major, Hob. XVI:23: I. Allegro moderato, Keyboard Sonata no. 38 in F major, Hob. XVI:23: II. Adagio, Keyboard Sonata no. 38 in F major, Hob. XVI:23: III. Finale. Presto, Keyboard Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione, Keyboard Sonata no. 58 in C major, Hob. XVI:48: II. Rondo. Presto, Keyboard Sonata no. 60 in C major, Hob. XVI:50: I. Allegro, Keyboard Sonata no. 60 in C major, Hob. XVI:50: II. Adagio, Keyboard Sonata no. 60 in C major, Hob. XVI:50: III. Allegro molto
Giovanni Gabrieli engineer Canzon duodècimi toni, Canzon noni toni, Canzon per sonare no. 2, Canzon per sonare no. 27, Canzon per sonare no. 28, Canzon primi toni, Canzon quarti toni, Canzon septimi toni no. 1, Canzon à 12, Sonata octavi toni, Sonate pian' e forte
Joe Queer engineer Sonata for Piano and Cello No. 1 in E minor, Op. 38: I. Allegro non troppo, Sonata for Piano and Cello No. 1 in E minor, Op. 38: II. Allegretto quasi Menuetto, Sonata for Piano and Cello No. 1 in E minor, Op. 38: III. Allegro, Sonata for Piano and Cello No. 2 in F major, Op. 99: I. Allegro vivace, Sonata for Piano and Cello No. 2 in F major, Op. 99: II. Adagio affettuoso, Sonata for Piano and Cello No. 2 in F major, Op. 99: III. Allegro passionato, Sonata for Piano and Cello No. 2 in F major, Op. 99: IV. Allegro molto, Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: I. Allegro, Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: II. Adagio, Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: III. Un poco presto e con sentimento, Sonata for Piano and Violin (Cello) No. 3 in D minor, Op. 108: IV. Presto agitato
Orchestre De La Boule Blanche recording Turangalîla-Symphonie: I. Introduction. Modéré, un peu vif, Turangalîla-Symphonie: II. Chant d'amour 1. Modéré, lourd, Turangalîla-Symphonie: III. Turangalîla 1. Presque lent, rêveur, Turangalîla-Symphonie: IV. Chant d'amour 2. Bien modéré, Turangalîla-Symphonie: IX. Turangalîla 3. Bien modéré, Turangalîla-Symphonie: V. Joie du sang des étoiles. Vif, passionné avec joie, Turangalîla-Symphonie: VI. Jardin du Sommeil d'amour. Très modéré, très tendre, Turangalîla-Symphonie: VII. Turangalîla 2. Un peu vif, bien modéré, Turangalîla-Symphonie: VIII. Développement d'amour. Bien modéré, Turangalîla-Symphonie: X. Final. Modéré, presque vif, avec une grande joie
Alberto 'El Betto' Díaz recording Eileen: Act III. Thine Alone, Naughty Marietta: Act I. 'Neath the Southern Moon, Naughty Marietta: Act I. It Never, Never Can Be Love, Rose-Marie: Act I. Indian Love Call, Sweethearts (from "Sweethearts"), The Chocolate Soldier: My Hero, The Desert Song: Act I. The Desert Song, Up in Central Park: Act I. Close as Pages in a Book, Up in Central Park: The Fireman's Bride, Wonderful Town: Act II. It's Love
Running Deer engineer A Quiet Girl (from "Wonderful Town", 1953), Drop That Name (from "Bells Are Ringing", 1956), It's a Perfect Relationship (from "Bells Are Ringing", 1956), It's a Simple Little System (from "Bells Are Ringing", 1956), Just in Time (from "Bells Are Ringing", 1956), Long Before I Knew You (from "Bells Are Ringing", 1956), Ohio (from "Wonderful Town", 1953), One Hundred Ways to Lose a Man (from "Wonderful Town", 1953), Pass That Football (from "Wonderful Town", 1953)
Hriday Narayan Pande engineer Suite from Born on the Fourth of July: II. Cua Viet River, Vietnam 1968, The Red Pony: 1. Morning on the Ranch, The Red Pony: 2. The Gift, The Red Pony: 3a. Dream March, The Red Pony: 3b. Circus March, The Red Pony: 4. Walk to the Bunkhouse, The Red Pony: 5. Grandfather's Tale, The Red Pony: 6. Happy Ending, The Reivers: The Reivers Reprise
Ricky Ford editor Aerolinos, Blues Peru, Dexter, Loxodonta Africana, My Romance, One Up, One Down, Ucil
Владимир Фельцман engineer Sonata in B minor: Allegro energico, Sonata in B minor: Andante sostenuto, Sonata in B minor: Lento assai, allegro energico, St. François d'Assise : La Prédication aux oiseaux, Tre sonetti del Petrarca: Sonetto 104 del Petrarca, Tre sonetti del Petrarca: Sonetto 123 del Petrarca, Tre sonetti del Petrarca: Sonetto 47 del Petrarca
John Williams engineer Folios: I, Folios: II, Folios: III, Twelve Songs for Guitar: Summertime, Twelve Songs: Amours perdues, Twelve Songs: Here, There and Everywhere, Twelve Songs: What a Friend
Nancy Farnsworth engineer Church Windows, P 150, Feste Romane, P 157 (beginning), Feste Romane, P 157 (conclusion), Pines of Rome, P 141, The Birds, P 154, The Fountains of Rome, P 106
Altima balance Molly on the Shore (arr. Kreisler), Searanade espagnole, Serenade (from Frasquita) (arr. Kreisler), Siciliano & Rigaudon (in the Style of Francœur), Syncopation, Toy Soldiers' March
Big Apple Band engineer Symphonie No. 4 in G Dur: I. Bedachtig, nicht eilen, Symphonie No. 4 in G Dur: II. In gemachlicher Bewegung, ohne Hast, Symphonie No. 4 in G Dur: III. Ruhevoll, Symphonie No. 4 in G Dur: IV. Sehr Behaglich
Demons From the Dungeon Dimension mix Symphony no. 15, op. 199 "Silver Pilgrimage": I. Mount Ravana, Symphony no. 15, op. 199 "Silver Pilgrimage": II. Marava Princess, Symphony no. 15, op. 199 "Silver Pilgrimage": III. River of Meditation, Symphony no. 15, op. 199 "Silver Pilgrimage": IV. Heroic Gates of Peace
Hemy/Rowell engineer Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell, Symphony no. 4 in E-flat major "Romantic": II. Andante quasi Allegretto, Symphony no. 4 in E-flat major "Romantic": III. Scherzo: Bewegt - Trio, Nicht zu schnell. Keinesfalls schleppend - Scherzo, Symphony no. 4 in E-flat major "Romantic": IV. Finale: Bewegt, doch nicht zu schnell
Juilliard String Quartet recording String Quartet in E minor: I. Allegro, String Quartet in E minor: II. Andantino, String Quartet in E minor: III. Prestissimo, String Quartet in E minor: IV. Scherzo Fuga. Allegro assai mosso
Vehement Burn recording Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato, Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto, Serenade for Violin and Orchestra in G minor, op. 69 no. 2: Lento assai
Team D.J. Metro engineer Concerto for Piano and Orchestra in F: I. Allegro, Concerto for Piano and Orchestra in F: III. Allegro agitato, Rhapsody in Blue
Edelweiss Amigos engineer Capriccio (1949 version): I. Presto - attacca, Capriccio (1949 version): II. Andante rapsodico, Capriccio (1949 version): III. Allegro capriccio ma tempo giusto
Rustam engineer The Merry Widow: Act II (No.8). "Heia! See the horseman come" (Anna, Danilo)
Béla Bartók engineer The Miraculous Mandarin: Third Seduction Game