Bergen filharmoniske orkester

performing orchestra, performer

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Artist name Roles Recordings
Violetshaped
Flophouse Phonics
Rakaill
Edvard Grieg
The Great Society ('60's Ohio garage rock band)

Work on other artists' recordings

Artist name Roles Recordings
Violetshaped performing orchestra Bergensiana, Bojarernes Indtogsmarsch, Brudefølget drager forbi, Cantus in Memory of Benjamin Britten, Dance Scene from "Queen Tamara", Fest-Polonaise, op. 12, Fossegrimen, op. 21: Danse visionaire. Andante, Fossegrimen, op. 21: II. Huldremoyarnes dans. Allegretto grazioso, Fossegrimen, op. 21: IV. Melodrama og auds sang. Allegro, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: I. Dawn, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: II. Sunday morning, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: III. Moonlight, Four Sea-Interludes from the opera "Peter Grimes", op. 33a: IV. Storm, I Fjol gjætt’e Gjeitinn, Karneval i Paris, op. 9, La Mélancolie, Norsk festouverture, op. 16, Norsk kunstnerkarneval, op. 14, Norske eventyrbilleder, op. 37: I. Peik, Prinsessen og Stortroldet, Norske eventyrbilleder, op. 37: II. Prinsessen kommer ridende på Bjørnen, Norske eventyrbilleder, op. 37: III. Troldenes Indtog i Berget det blå, Norske eventyrbilleder, op. 37: IV. Dans av Småtrold, Norske eventyrbilleder, op. 37: Troldmøernes Dans, Norwegian Rhapsody no. 1, op. 17, Norwegian Rhapsody no. 2, op. 19, Norwegian Rhapsody no. 3, op. 21, Norwegian Rhapsody no. 4, op. 22, Rabnabryllaup uti Kraakjalund, Rhapsodie norvégienne no. 1, Rhapsodie norvégienne no. 2, Romeo und Julia, op. 18, Sorte svaner, Suite ancienne, op. 31a: I. Intrata, Suite ancienne, op. 31a: II. Air con variazioni, Suite ancienne, op. 31a: III. Gigue, Suite ancienne, op. 31a: IV. Sarabande, Suite ancienne, op. 31a: V. Bourrée, Suite from "Mascarade": I. Holberg-Ouverture, Suite from "Mascarade": II. Cotillon, Suite from "Mascarade": III. Menuetto, Suite from "Mascarade": IV. Hanedansen, Suite from "Mascarade": V. Gavotte - Musette, Suite from "Mascarade": VI. Molinasque, Suite from "Mascarade": VII. Kehraus, Suite from "Mascarade": VIIIa. Arietta, Suite from "Mascarade": VIIIb. Passepied, Swan Lake, op. 20: Act I: 1. Scene: Allegro giusto, Swan Lake, op. 20: Act I: 2. Valse: Intrada. Tempo di valse - Valse, Swan Lake, op. 20: Act I: 3. Scene: Allegro moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: I. Intrada. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: II. Andante sostenuto, Swan Lake, op. 20: Act I: 4. Pas de Trois: III. Allegro simplice - Presto, Swan Lake, op. 20: Act I: 4. Pas de Trois: IV. Moderato, Swan Lake, op. 20: Act I: 4. Pas de Trois: V. Allegro, Swan Lake, op. 20: Act I: 4. Pas de Trois: VI. Coda. Allegro vivace, Swan Lake, op. 20: Act I: 5. Pas de Deux: I. Tempo di valse ma mon troppo vivo, quasi moderato, Swan Lake, op. 20: Act I: 5. Pas de Deux: II. Andante - Allegro - Molto più mosso, Swan Lake, op. 20: Act I: 5. Pas de Deux: III. Tempo di valse -, Swan Lake, op. 20: Act I: 5. Pas de Deux: IV. Coda. Allegro molto vivace, Swan Lake, op. 20: Act I: 6. Pas d'Action: Andantino quasi moderato - Allegro, Swan Lake, op. 20: Act I: 7. Sujet (Scene): [Moderato] -, Swan Lake, op. 20: Act I: 8. Danse des Coupes: Tempo di polacca, Swan Lake, op. 20: Act I: 9. Finale: I. Andante, Swan Lake, op. 20: Act II: 10. Scene: Moderato - Più mosso, Swan Lake, op. 20: Act II: 11. Scene. Allegro moderato - Moderato - Più mosso -, Swan Lake, op. 20: Act II: 12. Scene. Allegro - Moderato assai quasi andante, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: I. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: II. (Solo d'Odette.) Moderato più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: III. Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: IV. [Pas de Quatre.] Allegro moderato, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: V. Pas d'Action (Odette et le Prince): Andante - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VI. (Tour le Monde Danse): Tempo di valse, Swan Lake, op. 20: Act II: 13. Danses des Cygnes: VII. Coda: Allegro vivo, Swan Lake, op. 20: Act II: 14. Scene (Finale II): Moderato - Più mosso, Swan Lake, op. 20: Act III: 15. Allegro giusto, Swan Lake, op. 20: Act III: 16. Danses du Corps de Ballet et des Nains: Moderato assai - (Ballabile.) Allegro vivo - Trio, Swan Lake, op. 20: Act III: 17. Scene. La Sortie des Invités et la Valse: Allegro - Tempo di valse - Allegro - Tempo di valse - Allegro - Tempo di valse, Swan Lake, op. 20: Act III: 18. Scene: Allegro - [Allegro] - Allegro giusto, Swan Lake, op. 20: Act III: 19. Pas de Six: Intrada: Moderato assai, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation I: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [III]: Moderato, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [IV]: Allegro, Swan Lake, op. 20: Act III: 19. Pas de Six: Variation [V]: Moderato - Allegro simplice - Più mosso, Swan Lake, op. 20: Act III: 19. Pas de Six: [Variation II.]: Andante con moto, Swan Lake, op. 20: Act III: 19a. Pas de Deux: Moderato - Andante, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Coda.]: Allegro molto vivace, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation I.]: Allegro moderato, Swan Lake, op. 20: Act III: 19a. Pas de Deux: [Variation II.]: Allegro, Swan Lake, op. 20: Act III: 20. Danse Hongroise (Czardas): Moderato assai - Allegro moderato - Vivace, Swan Lake, op. 20: Act III: 20a. Danse Russe (pour Mlle Pelagia Karpakova): Moderato - Cadenza - Andante simplice - Allegro vivo - Presto, Swan Lake, op. 20: Act III: 21. Danse Espagnole: Allegro non troppo - Tempo di bolero - L'istesso tempo - Più mosso, Swan Lake, op. 20: Act III: 22. Danse Napolitaine: Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto, Swan Lake, op. 20: Act III: 23. Mazurka: Tempo di mazurka - Più mosso, Swan Lake, op. 20: Act III: 24. Scene (Finale III): Allegro - Valse - Allegro vivo - L'istesso tempo, Swan Lake, op. 20: Act III: Coda: Allegro molto, Swan Lake, op. 20: Act IV: 25. Entr'acte: Moderato -, Swan Lake, op. 20: Act IV: 26. Scene: Allegro non troppo -, Swan Lake, op. 20: Act IV: 27. Danses des Petits Cygnes: Moderato, Swan Lake, op. 20: Act IV: 28. Scene: Allegro agitato - Molto meno mosso - Allegro vivace -, Swan Lake, op. 20: Act IV: 29. Scene Finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Meno mosso - Moderato, Swan Lake, op. 20: Introduction: Moderato assai - Allegro ma non troppo - Tempo I, Symphonic Intermezzo from "The King", Symphony no. 1 in C minor: I. Allegro non troppo, Symphony no. 1 in C minor: II. Andante, Symphony no. 1 in C minor: III. Scherzo, Symphony no. 1 in C minor: IV. Finale, Symphony no. 1 in D major, op. 4: I. Molto allegro, Symphony no. 1 in D major, op. 4: II. Andante, Symphony no. 1 in D major, op. 4: III. Allegretto scherzando, Symphony no. 1 in D major, op. 4: IV. Finale. Maestoso – Allegro assai con fuoco, Symphony no. 2 in B-flat major, op. 15: I. Allegro, Symphony no. 2 in B-flat major, op. 15: II. Andante sostenuto, Symphony no. 2 in B-flat major, op. 15: III. Intermezzo. Allegro giusto, Symphony no. 2 in B-flat major, op. 15: IV. Finale. Andante – Allegro con fuoco – Stretto, Symphony no. 2 in D minor "Fatum": I. Allegro moderato, Symphony no. 2 in D minor "Fatum": II. Romance, Symphony no. 2 in D minor "Fatum": III. Intermezzo, Symphony no. 2 in D minor "Fatum": IV. Finale, Symphony no. 3 in C major: I. Poco andante, Symphony no. 3 in C major: II. Andante, Symphony no. 3 in C major: III. Finale. Allegro impetuoso, Symphony no. 4 "Sinfonia lirica": I. Molto moderato, Symphony no. 4 "Sinfonia lirica": II. Allegro con anima, Symphony no. 4 "Sinfonia lirica": III. Andante un poco maestoso, Symphony no. 4 "Sinfonia lirica": IV. Allegro, Sæterjentens Søndag, The Young Person's Guide to the Orchestra, op. 34, To islandske melodier: I. Maestoso, To islandske melodier: II. Moderato, Träume, Zorahayda, op. 11
Flophouse Phonics performing orchestra The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno -, The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva, The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro -, The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto -, The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo, The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai -, The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille, The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante, The Nutcracker, op. 71: Act II. No. 10. Scène. Andante -, The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso, The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato, The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo, The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai, The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più, The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse, The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai, The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo, The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella, The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto -, The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose, The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno, The Nutcracker, op. 71: Ouverture. Allegro giusto, The Sleeping Beauty, op. 66: Act I. 5. Scène. Allegro vivo - Moderato - Allegro vivo (come il tempo precedente) - Moderato - Allegro vivo - Moderato con moto, The Sleeping Beauty, op. 66: Act I. 6. Valse. Allegro (Tempo di Valse), The Sleeping Beauty, op. 66: Act I. 7. Scène. Andante espressivo e cantabile - Un poco stringendo - Poco più animato - Allegro giusto - L’istesso tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. 9. Finale. Allegro giusto - Allegro vivo - Presto - Andante con moto - Grave - Allegro vivo - Poco più vivace - Andantino (come sopra in Andantino I) - Andante sostenuto, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. a) Adagio. Andante - Adagio maestoso - Più mosso - Tempo I - Molto sostenuto, quasi più andante - Tempo, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. b) Danse des demoiselles d’honneur et des pages. Allegro moderato - (Pages.) Più mosso, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. c) Variation d’Aurore. Allegro moderato - Meno mosso quasi andantino - Tempo I - Allegro vivace, The Sleeping Beauty, op. 66: Act I. 8. Pas d’Action. d) Coda. Allegro giusto - Poco più mosso - Tempo I - L’istesso tempo, The Sleeping Beauty, op. 66: Act II. 10. Entr’acte et Scène. Allegro con spirito - Un poco più tranquillo, The Sleeping Beauty, op. 66: Act II. 11. Colin-maillard. Allegro vivo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. a) Scène. Moderato, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. b) Danse des duchesses. Moderato con moto (Tempo di Minuetto), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. c) Danse des baronnes. Allegro moderato (Tempo di Gavotte), The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. d) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 12. Scène et Danses. e) Danse des comtesses. Allegro non troppo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). a) Scène. Poco più vivo, The Sleeping Beauty, op. 66: Act II. 13. Farandole (Scène et Danse). b) Danse. Allegro non troppo (Tempo di Mazurka) - Presto, The Sleeping Beauty, op. 66: Act II. 14. Scène. Allegro con spirito - Andantino - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 15. a) Pas d’Action (Scène d’Aurore et de Désiré). Andante cantabile - Pochissimo più animato - Tempo I - Più mosso - Allegro, The Sleeping Beauty, op. 66: Act II. 15. b) Variation d’Aurore. Allegro con moto, The Sleeping Beauty, op. 66: Act II. 15. c) Coda. Presto, The Sleeping Beauty, op. 66: Act II. 16. Scène. Allegro agitato, The Sleeping Beauty, op. 66: Act II. 17. Panorama. Andantino, The Sleeping Beauty, op. 66: Act II. 18. Entr’acte. Andante sostenuto, The Sleeping Beauty, op. 66: Act II. 19. Entr’acte symphonique (le Sommeil) et Scène. Andante misterioso - Allegro vivace, The Sleeping Beauty, op. 66: Act II. 20. Finale. Allegro agitato - Un pochettino più tranquillo - Tempo, The Sleeping Beauty, op. 66: Act III. 21. Marche. Allegro non troppo, The Sleeping Beauty, op. 66: Act III. 22. Polacca (Cortège des Contes de Fées). Allegro moderato e brillante, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre (La Fée-Or, la Fée-Argent, la Fée-Saphir et la Fée-Diamant). Allegro non tanto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Coda. L’istesso tempo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation I. La Fée-Or. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation II. La Fée-Argent. Allegro giusto, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation III. La Fée-Saphir. Vivacissimo, The Sleeping Beauty, op. 66: Act III. 23. Pas de Quatre. Variation IV. La Fée-Diamant. Vivace, The Sleeping Beauty, op. 66: Act III. 24. Pas de Caractère (Le Chat botté et la Chatte blanche). Allegro moderato -, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre (Cendrillon, Prince Fortuné, L’Oiseau Bleu, La Princesse Florine). Adagio, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Coda. Presto, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation I. Cendrillon et Prince Fortuné. Allegro (Tempo di Valse, The Sleeping Beauty, op. 66: Act III. 25. Pas de Quatre. Variation II. L’Oiseau Bleu et la Princesse Florine. Andantin, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. a) Chaperon Rouge et le Loup. Allegro moderato - Più mosso, The Sleeping Beauty, op. 66: Act III. 26. Pas de Caractère. b) Cendrillon et Le Prince Fortuné. Allegro agitato - Tempo di Valse (Moderato) - Vivace assai - Presto, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon (Le Petit Poucet, ses frères et l’Ogre). Allegro, The Sleeping Beauty, op. 66: Act III. 27. Pas Berrichon,. Coda. [], The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux (Aurore et Désiré). Allegretto, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Coda. Allegro vivace, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation I. Désiré. Vivace – Prestissimo, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. Variation II. Aurore. Andantino, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. a) Entrée. Allegro moderato, The Sleeping Beauty, op. 66: Act III. 28. Pas de Deux. b) Adagio. Andante non troppo - Poco più mosso - Tempo I, The Sleeping Beauty, op. 66: Act III. 29. Sarabande. Andante, The Sleeping Beauty, op. 66: Act III. 30. Finale. Allegro brillante (Tempo di Mazurka) – Presto, The Sleeping Beauty, op. 66: Act III. 30. Finale. Apothéose. Andante molto maestoso, The Sleeping Beauty, op. 66: Introduction. Allegro vivo - Andantino - Moderato (Tempo di Marcia), The Sleeping Beauty, op. 66: Prologue. 1. Marche. Moderato, The Sleeping Beauty, op. 66: Prologue. 2. Scène dansante. Moderato con moto - Un poco più animato - Allegro moderato - Tempo di Valse - Grazioso, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Coda. Allegro giusto – Poco più animato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation I. Candide. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation II. Coulante. Fleur de Farine. Allegro, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation III. Fée aux Miettes. Allegro moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation IV. Canari qui chante. Moderato, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation V. Violente. Allegro molto vivace, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. Variation VI. La Fée des Lilas. Tempo di Valse, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. a) Intrada. Adagio, The Sleeping Beauty, op. 66: Prologue. 3. Pas de Six. b) Adagio. Andante - Allegro vivo, The Sleeping Beauty, op. 66: Prologue. 4. Finale. Andantino - Allegro vivo - L’istesso tempo - Moderato assai - Andantino - Allegro vivo - Allegro risoluto - Allegro vivo - Andante
Rakaill performing orchestra "Ruy Blas" Overture, op. 95, Adagio for Strings, op. 11, Canzonetta, op. 62a (arr. Igor Stravinsky), Grande Valse Brillante, op. 18 (orch. Igor Stravinsky), Greeting Prelude, L’Oiseau de feu: I. Tableau: Apparition de l’oiseau de feu, L’Oiseau de feu: I. Tableau: Apparition de l’oiseau de feu, poursuivi par Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Apparition des treize princesses enchantées, L’Oiseau de feu: I. Tableau: Arrivée de Kastchei l’immortel, L’Oiseau de feu: I. Tableau: Berceuse (L’oiseau de feu), L’Oiseau de feu: I. Tableau: Brusque apparition d’Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Capture de l’oiseau de feu par Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Carillon féerique, apparition des monstres-gardiens de Kastchei et capture d’Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Danse de la suite de Kastchei, enchantée par l’oiseau de feu, L’Oiseau de feu: I. Tableau: Danse de l’oiseau de feu, L’Oiseau de feu: I. Tableau: Danse infernale de tous les sujets de Kastchei, L’Oiseau de feu: I. Tableau: Dialogue de Kastchei avec Ivan Tsarévitch, L’Oiseau de feu: I. Tableau: Intercession des princesses, L’Oiseau de feu: I. Tableau: Jeu des princesses avec les pommes d’or, L’Oiseau de feu: I. Tableau: Khorovode (Ronde) des princesses, L’Oiseau de feu: I. Tableau: Le Jardin enchanté de Kastchei, L’Oiseau de feu: I. Tableau: Lever du jour – Ivan Tsarévitch pénètre dans le palais de Kastchei, L’Oiseau de feu: I. Tableau: Mort de Kastchei – Profondes ténèbres, L’Oiseau de feu: I. Tableau: Réveil de Kastchei, L’Oiseau de feu: I. Tableau: Supplications de l’oiseau de feu, L’Oiseau de feu: II. Tableau: Disparition du palais et des sortilèges de Kastchei, animation des chevaliers petrifies. Allégresse générale, L’Oiseau de feu: Introduction, Nocturne in A flat major, op. 32 no. 1 (orch. Igor Stravinsky), Romeo and Juliet Suite no. 1, op. 64bis: I. Folk Dance, Romeo and Juliet Suite no. 1, op. 64bis: II. The Street Awakens, Romeo and Juliet Suite no. 1, op. 64bis: III. Madrigal, Romeo and Juliet Suite no. 1, op. 64bis: IV. Minuet (The Arrival of the Guests), Romeo and Juliet Suite no. 1, op. 64bis: V. Masks, Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet (Balcony Scene), Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt, Romeo and Juliet Suite no. 2, op. 64ter: I. Montagues and Capulets, Romeo and Juliet Suite no. 2, op. 64ter: II. Juliet as a Young Girl, Romeo and Juliet Suite no. 2, op. 64ter: III. Friar Laurence, Romeo and Juliet Suite no. 2, op. 64ter: IV. Dance, Romeo and Juliet Suite no. 2, op. 64ter: V. Dawn: Romeo and Juliet Part, Romeo and Juliet Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies, Romeo and Juliet Suite no. 2, op. 64ter: VII. Romeo at Juliet's Tomb, Romeo and Juliet Suite no. 3, op. 101: I. Romeo at the Fountain, Romeo and Juliet Suite no. 3, op. 101: II. Morning Dance, Romeo and Juliet Suite no. 3, op. 101: III. Juliet, Romeo and Juliet Suite no. 3, op. 101: IV. The Nurse, Romeo and Juliet Suite no. 3, op. 101: V. Aubade (Morning Serenade), Romeo and Juliet Suite no. 3, op. 101: VI. The Death of Juliet, Scythian Suite, op. 20: I. The Adoration of Veles and Ala, Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness, Scythian Suite, op. 20: III. Night, Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and the Sun’s Procession, Symphonic Dances, op. 45: I. Non allegro – Lento – Tempo I, Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse), Symphonic Dances, op. 45: III. Lento assai – Allegro vivace, Symphony no. 1 in C minor, op. 11: I. Allegro di molto, Symphony no. 1 in C minor, op. 11: II. Andante, Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto, Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Adagio religioso, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Allegretto un poco agitato –, Symphony no. 2 in B-flat major, op. 52 "Lobgesang": I. Sinfonia: Maestoso con moto – Allegro –, Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato, Symphony no. 2 in E minor, op. 27: II. Allegro molto, Symphony no. 2 in E minor, op. 27: III. Adagio, Symphony no. 2 in E minor, op. 27: IV. Allegro vivace, Symphony no. 3 in A minor "Scottish", op. 56: I. Andante con moto – Allegro un poco agitato – Assai animato –, Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo –, Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio –, Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai, Symphony no. 4 in A major "Italian", op. 90: I. Allegro vivace, Symphony no. 4 in A major "Italian", op. 90: II. Andante con moto, Symphony no. 4 in A major "Italian", op. 90: III. Con moto moderato, Symphony no. 4 in A major "Italian", op. 90: IV. Saltarello. Presto, Symphony no. 5 in B-flat major, op. 100: I. Andante, Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato, Symphony no. 5 in B-flat major, op. 100: III. Adagio, Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso, Symphony no. 5 in D minor "Reformation", op. 107: I. Andante – Allegro con fuoco, Symphony no. 5 in D minor "Reformation", op. 107: II. Allegro vivace, Symphony no. 5 in D minor "Reformation", op. 107: III. Andante, Symphony no. 5 in D minor "Reformation", op. 107: IV. Choral "Ein’ feste Burg ist unser Gott!", The Enchanted Lake, op. 62, The Isle of the Dead, op. 29, The Rock, op. 7, The Sleeping Beauty: Pas-De-Deux: I. Adagio (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: II. Variation I. Tempo di Valse (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: III. Variation II. Andantino (arr. Igor Stravinsky), The Sleeping Beauty: Pas-De-Deux: IV. Coda. Con moto (arr. Igor Stravinsky)
Edvard Grieg performing orchestra 12 Songs, Op. 33: No. 9. Ved Rondane (At Rondane), 6 Orchestral Songs, EG 177: No. 1. Peer Gynt, Op. 23, Act IV: Solveigs sang (Solveig's Song), 6 Orchestral Songs, EG 177: No. 2. Peer Gynt, Op. 23, Act V: Solveigs vuggevise (Solveig's Cradle Song), 6 Orchestral Songs, EG 177: No. 3. Romances, Op. 39: No. 1. Fra Monte Pincio (From Monte Pincio), 6 Orchestral Songs, EG 177: No. 4. 6 Dirges, Op. 25: No. 2. En svane (A Swan), 6 Orchestral Songs, EG 177: No. 5. 12 Melodies, Op. 33: No. 2. Varen (Last Spring), 6 Orchestral Songs, EG 177: No. 6. Norge, Op. 58: No. 3. Henrik Wergeland, Foran sydens kloster (At the Cloister Gate), Op. 20, Gammelnorsk romanse med variasjoner, op. 51, In Autumn, Concert Overture for Orchestra, op. 11, Klokkeklang, op. 54 no. 6, Norwegian Dances, Op. 35: I. Allegro marcato, Norwegian Dances, Op. 35: II. Allegretto tranquillo e grazioso, Norwegian Dances, Op. 35: III. Allegro moderato alla marcia, Norwegian Dances, Op. 35: IV. Allegro molto, Olav Trygvason (fragment), Op. 50: Scene 1: Skjult i de mange manende navne (Though to Whom Fancy Lends Many Titles), Olav Trygvason (fragment), Op. 50: Scene 2: Ej er det nok naevne ved Navn (Tis not Enough that ye Invoke), Olav Trygvason (fragment), Op. 50: Scene 3: Giv alle Guder gammens og gledesskal (Give to all Gods a Grace Cup of Gratitude), Peer Gynt Suite no. 1, op. 46: II. Åses død, Peer Gynt Suite no. 1, op. 46: III. Anitras dans, Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall, Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage, Peer Gynt Suite no. 2, op. 55: II. Arabisk dans, Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart, Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang, Peer Gynt, Op. 23: Solveigs Vuggesang (Solveig's Cradle Song), Peer Gynt, op. 23: Act I, Scene 2. "Bryllupsmarsj (Brudefølget drar forbi)", Peer Gynt, op. 23: Act I. Prelude "I Bryllupsgården", Peer Gynt, op. 23: Act II, Scene 3. "Peer Gynt og Sæterjentene", Peer Gynt, op. 23: Act II, Scene 4. "Åses død", Peer Gynt, op. 23: Act II, Scene 5. "Peer Gynt og Den Grønnkledde", Peer Gynt, op. 23: Act II, Scene 5. "På ridestellet skal storfolk kjennes", Peer Gynt, op. 23: Act II, Scene 6. "Dans av Dovregubbens datter", Peer Gynt, op. 23: Act II, Scene 6. "I Dovregubbens hall", Peer Gynt, op. 23: Act II, Scene 6. "Peer Gynt jages av troll", Peer Gynt, op. 23: Act II, Scene 7. "Peer Gynt of Bøygen", Peer Gynt, op. 23: Act II. Prelude "Bruderovet. Ingrids klage", Peer Gynt, op. 23: Act III. Prelude "Forspill til Åses død", Peer Gynt, op. 23: Act IV, Scene 11. "Peer Gynt i Egypt", Peer Gynt, op. 23: Act IV, Scene 11. "Peer Gynt ved Memnostøtten", Peer Gynt, op. 23: Act IV, Scene 12. "Peer Gynt og Begriffenfeldt", Peer Gynt, op. 23: Act IV, Scene 5. "Tyven og heleren", Peer Gynt, op. 23: Act IV, Scene 6. "Anitras dans", Peer Gynt, op. 23: Act IV, Scene 6. "Arabisk dans", Peer Gynt, op. 23: Act IV, Scene 7. "Peer Gynts Serenade", Peer Gynt, op. 23: Act IV, Scene 9. "Peer Gynt og Anitra", Peer Gynt, op. 23: Act IV, Scene 9. "Peer Gynt og Anitra, forts.", Peer Gynt, op. 23: Act IV. Prelude "Morgenstemmning", Peer Gynt, op. 23: Act V, Scene 10. "Deilige sol og deilige jord", Peer Gynt, op. 23: Act V, Scene 10. "Peer Gynt og Solveig", Peer Gynt, op. 23: Act V, Scene 10. "Pinsesalme: Velsignede morgen", Peer Gynt, op. 23: Act V, Scene 10. "Solveigs vuggevise", Peer Gynt, op. 23: Act V, Scene 10. "Utenfor hytten", Peer Gynt, op. 23: Act V, Scene 2. "På båthvelvet", Peer Gynt, op. 23: Act V, Scene 2. "Skipsforliset", Peer Gynt, op. 23: Act V, Scene 5. "Peer Gynt ved hytten", Peer Gynt, op. 23: Act V, Scene 5. "Solveig synger i hytten", Peer Gynt, op. 23: Act V, Scene 6. "Nattscene", Peer Gynt, op. 23: Act V, Scene 7,9. "Peer Gynt og Knappestøperen", Peer Gynt, op. 23: Act V. Prelude "Peer Gynts hjemfart. Stormfull aften på havet", Piano Concerto in A minor, op. 16: I. Allegro molto moderato, Piano Concerto in A minor, op. 16: II. Adagio, Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato, Sigurd Jorsalfar, Op. 22: I. Introduction to Act I, Sigurd Jorsalfar, Op. 22: II. Borghilds Drøm (Borghild's Dream), Sigurd Jorsalfar, Op. 22: III. Ved Mandjevningen (At the Matching Game), Sigurd Jorsalfar, Op. 22: IV. Norrønafolket (The Northland Folk), Sigurd Jorsalfar, Op. 22: V. Hyldningsmarsch (Hommage March), Sigurd Jorsalfar, Op. 22: VI. Interlude No. 1, Sigurd Jorsalfar, Op. 22: VII. Interlude No. 2, Sigurd Jorsalfar, Op. 22: VIII. Kongekvadet (The King's Song), Six Poems by Henrik Ibsen, Op. 25: En Svane (A Swan), Symphony in C minor: I. Allegro molto, Symphony in C minor: II. Adagio espressivo, Symphony in C minor: III. Intermezzo. Allegro energico, Symphony in C minor: IV. Finale. Allegro molto vivace, Sørgemarsj over Rikard Nordraak, Twelve Songs, Op. 33: Våren (Last Spring), Two Nordic Melodies, Op. 63: I. I folketonestil (Popular Song), Two Nordic Melodies, Op. 63: II. Kulokk og Stabbelåten (Cow Keeper's Tune and Country Dance)
The Great Society performing orchestra Andante festivo, JS 34b, Finlandia, op. 26, Job: Scene I: Introduction. Largo sostenuto - Allegro piacevole -L'istesso tempo - Doppio più lento - Andante con moto, Job: Scene I: Saraband of the Sons of God. [ ] - Largo sostenuto - Andante con moto - Largamente, Job: Scene II: Satan's Dance of Triumph. Presto - Con fuoco - Moderato alla marcia - Presto, Job: Scene III: Minuet of the Sons of Job and Their Wives. Andante con moto, Job: Scene IV: Job's Dream. Lento moderato - Allegro, Job: Scene IX: Epilogue. Largo sostenuto, Job: Scene V: Dance of the Three Messengers. Lento - Andante con moto - Lento, Job: Scene VI: Dance of Job's Comforters. Andante doloroso - Poco più mosso - Ancora più mosso - Tempo I - Andante maestoso, Job: Scene VII: Elihu's Dance of Youth and Beauty. Andante tranquillo (Tempo rubato) - Allegretto, Job: Scene VII: Pavane of the Sons of the Morning. Andante con moto, Job: Scene VIII: Altar Dance. Allegretto tranquillo - Lento, Job: Scene VIII: Galliard of the Sons of the Morning. Andante con moto - Largamente - Allegro pesante - Animato, Karelia Suite, op. 11: I. Intermezzo. Moderato - Meno - Più moderato, Karelia Suite, op. 11: II. Ballade. Tempo di menuetto - Un poco più lento, Karelia Suite, op. 11: III. Alla marcia. Moderato - Poco largamente, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus. Recitative. Bass: "In the convent of Drontheim". Allegro -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “It is accepted”. Andante - [ ] -, Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “Stronger than steel”. Più mosso - Animato - Andante (Tempo I), Scenes From the Saga of King Olaf: Gudrun. Recitative. Bass: "How the Wraith of Odin old". Allegro -, Scenes From the Saga of King Olaf: Gudrun. Scene. Soprano: "On King Olaf’s bridal night". Adagio - Più mosso - Tempo I - Poco più mosso - [Tempo I] - Allegro - Allegro molto - [Tempo I], Scenes From the Saga of King Olaf: Introduction. Recitative. Bass: "Summon now the God of Thunder". Allegro con fuoco - Poco meno mosso -, Scenes From the Saga of King Olaf: Introduction. Soli and Chorus: ‘There is [...] a wondrous book’. Andante -, Scenes From the Saga of King Olaf: King Olaf's Return. Recitative. Bass: "Tell how Olaf bore the Cross". Allegro moderato - Meno mosso - Più lento -, Scenes From the Saga of King Olaf: King Olaf's Return. Solo. Tenor: "And King Olaf heard the cry". Allegro - [ ] - Allegro - Allegro molto - Tranquillo - Più mosso - Moderato - Allegro - Poco più mosso - Tempo I, Scenes From the Saga of King Olaf: Sigrid. Olaf (Tenor): "Sigrid, hail! with royal hand". Meno mosso - Più animato - Più animato - Allegro con fuoco - [ ] - Meno mosso - [Allegro con fuoco], Scenes From the Saga of King Olaf: Sigrid. Recitative. Bass: "Hark! she flies from Wendland forth". Allegretto -, Scenes From the Saga of King Olaf: Sigrid.Scene. Chorus: "Sigrid sits in her high abode". Allegro -, Scenes From the Saga of King Olaf: The Challenge of Thor. Chorus: "I am the God Thor". Moderato - Molto maestoso -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "As leap the lights of winter". Allegro con fuoco - Moderato - Lento - [ ] - Animato -, Scenes From the Saga of King Olaf: The Conversion. Chorus: "Then o’er the blood-stained Horg-stone". L’istesso tempo - Lento - Allegretto - [ ] - Allargando al fine, Scenes From the Saga of King Olaf: The Conversion. Olaf (Tenor): "Behold me, my people, and answer and say". [ ] - Allegro - Più mosso - L’istesso tempo - Più mosso - [ ] -, Scenes From the Saga of King Olaf: The Conversion. Recitative. Bass: "Now the child of Ironbeard dead". Andantino -, Scenes From the Saga of King Olaf: The Conversion. Scene. Chorus: "King Olaf’s prows at Nidaros". Allegro moderato - Poco più mosso - L’istesso tempo - [ ] -, Scenes From the Saga of King Olaf: The Death of Olaf. Chorus: "King Olaf’s dragons take the sea". Allegro - Vivace – Più mosso - Poco a poco meno mosso -, Scenes From the Saga of King Olaf: The Wraith of Odin. Chorus (Ballad): "The guests were loud, the ale was strong". Allegro - L’istesso tempo - Molto sostenuto - [Tempo I], Scenes From the Saga of King Olaf: The Wraith of Odin. Recitative. Bass: "Sisters, sing ye now the song". Allegro -, Scenes From the Saga of King Olaf: Thyri. Choral Recitative: "After Queen Gunhild’s death". Allegro moderato -, Scenes From the Saga of King Olaf: Thyri. Chorus (Ballad): "A little bird in the air". Allegro -, Scenes From the Saga of King Olaf: Thyri. Duet. Thyri (Soprano): "The gray land breaks to lively green". Allegro - Tranquillo -, Scenes From the Saga of King Olaf: Thyri. Olaf (Tenor): "Thyri, my beloved". Moderato - [ ] - Più tranquillo - Più mosso - Lento - [ ], Symphony no. 9 in E minor: I. Moderato maestoso - Tranquillo, Symphony no. 9 in E minor: II. Andante sostenuto - Poco animando - Tempo I - Moderato tranquillo - Tempo I - Poco animato ma pesante - Moderato sostenuto - Tempo I, Symphony no. 9 in E minor: III. Scherzo. Allegro pesante - [ ] - Tempo del principio, Symphony no. 9 in E minor: IV. Andante tranquillo - Poco animato - Tempo I - Andante sostenuto - Tempo I - Poco animato - Poco animato - Andante sostenuto - Poco meno mosso - Poco animando - Ancora poco animando - Poco animato ma pesante - Largamente, The Banner of Saint George: Epilogue (March). "It comes from the misty ages". Maestoso, alla Marcia - Largamente e grandioso, The Banner of Saint George: Scene 1. "Forth from the palace, beautiful as day". Allegretto - Più mosso - Animato - [ ] - A tempo [Più mosso] - Poco lento -, The Banner of Saint George: Scene 1. "The women of Sylenë rend their hair". Allegretto - Andantino -, The Banner of Saint George: Scene 1. "Within Sylenë’s walls no sound is heard". Andantino - Animato - Tempo I -, The Banner of Saint George: Scene 1. “O calm your hearts [she cries] O still your fears”. Allegro -, The Banner of Saint George: Scene 2. "Hark! ’tis the ringing hoof of steed". Allegro - [ ] -, The Banner of Saint George: Scene 2. "Loud cry the people, Haste! the dragon comes!”. [ ] - Tempo I - L’istesso tempo - Andantino - Animato - Più lento, The Banner of Saint George: Scene 2. "Without a fear beside the dragon’s tarn". Andante - Tranquillo - L’istesso tempo -, The Swan of Tuonela, op. 22 no. 2, Valse lyrique, op. 96a, Valse triste, op. 44 no. 1
Hi!BearNation performing orchestra Fra Holbergs tid, op. 40: I. Prelude, Fra Holbergs tid, op. 40: II. Sarabande, Fra Holbergs tid, op. 40: III. Gavotte, Fra Holbergs tid, op. 40: IV. Air, Fra Holbergs tid, op. 40: V. Rigaudon, Funeral March in Memory of Rikard Nordraak, EG 107 (arr. J. Halvorsen), Peer Gynt Suite no. 1, op. 46: I. Morgenstemning, Sigurd Jorsalfar, op. 22: I. Introduction to Act I, Sigurd Jorsalfar, op. 22: II. Borghild's Dream, Sigurd Jorsalfar, op. 22: III. At the Matching Game, Sigurd Jorsalfar, op. 22: V. Homage March, Sigurd Jorsalfar, op. 22: VI. Interlude I, Sigurd Jorsalfar, op. 22: VII. Interlude II, Two Elegiac Melodies, op. 34: I. Hjertesår, Two Elegiac Melodies, op. 34: II. Våren, Two Lyric Pieces, op. 68: I. Aften på Høyfjellet, Two Lyric Pieces, op. 68: II. Bådnlåt, Two Melodies, op. 53: I. Norsk, Two Melodies, op. 53: II. Det første møte, Two Nordic Melodies, op. 63: I. folketonestil, Two Nordic Melodies, op. 63: II. Kulokk & Stabbelåten
Leonard Silver performing orchestra Symfoni no. 2, op. 40: I. Allegro con brio, Symfoni no. 2, op. 40: II. Adagio, Symfoni no. 2, op. 40: III. Allegretto, Symfoni no. 2, op. 40: IV. Allegro molto, Symfoni no. 3, op. 41: I. Allegro moderato, Symfoni no. 3, op. 41: II. Larghetto, Symfoni no. 3, op. 41: III. Intermezzo, Symfoni no. 3, op. 41: IV. Finale. Allegro, Symfoni no. 4, op. 43: I. Allegro, Symfoni no. 4, op. 43: II. Larghetto, Symfoni no. 4, op. 43: III. Chaconne. Moderato, Symphony no. 1, op. 30: I, Symphony no. 1, op. 30: II, Symphony no. 1, op. 30: III, Symphony no. 1, op. 30: IV
Ruggero Pasquarelli performing orchestra Concerto for Cello and Orchestra in D major, op. 7: Allegro –, Concerto for Cello and Orchestra in D major, op. 7: Andante –, Concerto for Cello and Orchestra in D major, op. 7: Tempo I, Concerto for Cello no 1 in A minor, op. 33: Allegretto con moto, Concerto for Cello no 1 in A minor, op. 33: Allegro non troppo, Concerto for Cello no 1 in A minor, op. 33: Tempo I, Concerto for Cello no 2 in D minor, op. 119: I. Allegro moderato e maestoso, Concerto for Cello no 2 in D minor, op. 119: II. Allegro non troppo, Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso, Symphony for Cello and Orchestra, op. 68: II. Presto inquieto, Symphony for Cello and Orchestra, op. 68: III. Adagio - (attacca), Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Dany Legendre performing orchestra Adagio, JW VI/5, Glagolitic Mass, JW III/9: I. Úvod, Glagolitic Mass, JW III/9: VIII. Intrada. Moderato, Horns in Landscapes: From the Mountain Pastures, Horns in Landscapes: In the Deep Calm of the Forest, Horns in Landscapes: The Wild Hunt, Jealousy, JW VI/10, Taras Bulba, JW VI/15: I. The Death of Andriy, Taras Bulba, JW VI/15: II. The Death of Ostap, Taras Bulba, JW VI/15: III. The Prophesy and the Death of Taras Bulba, The Ballad of Blaník, JW VI/16
菊花賞 performing orchestra A Night on the Bare Mountain, Boléro, Mother Goose - The Fairy Garden, Prélude à l'après-midi d'un faune, Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86, Suite "Mother Goose": Conversation between Beauty and the Beast, Suite "Mother Goose": Hop o' my Thumb, Suite "Mother Goose": Laideronette, Empress of the Pagodas, Suite "Mother Goose": Pavane of the Sleeping Beauty, Suite "Mother Goose": The Fairy Garden, The Sorcerer's Apprentice
Bella Blasko performing orchestra 3 Norwegian Dances: No. 1. Allegro con brio, 3 Norwegian Dances: No. 2. Allegretto, 3 Norwegian Dances: No. 3. Allegro non troppo, Air norvégien, op. 7, Andante religioso, Bryllupsmarsch, op. 32 no. 1, Chant de la Veslemöy, Concerto for Violin and Orchestra in A major, op. 6: I. Allegro moderato ben risoluto, Concerto for Violin and Orchestra in A major, op. 6: II. Andante, Concerto for Violin and Orchestra in A major, op. 6: III. Finale. Allegro giusto, Romanze, op. 26
Ancient curse performing orchestra Turangalîla-Symphonie: I. Introduction, Turangalîla-Symphonie: II. Chant d’amour, Turangalîla-Symphonie: III. Turangalîla 1, Turangalîla-Symphonie: IV. Chant d’amour 2, Turangalîla-Symphonie: IX. Turangalîla 3, Turangalîla-Symphonie: V. Joie du sang des étoiles, Turangalîla-Symphonie: VI. Jardin du sommeil d’amour, Turangalîla-Symphonie: VII. Turangalîla 2, Turangalîla-Symphonie: VIII. Développement d’amour, Turangalîla-Symphonie: X. Final
Malcom X performing orchestra Rhapsody for viola and orchestra, Viola Concerto, Sz120: I. Moderato, Viola Concerto, Sz120: II. Adagio religioso, Viola Concerto, Sz120: III. Allegro vivace, Viola Concerto, op. 37: I. Moderato assai, Viola Concerto, op. 37: II. Allegro giocoso, Viola Concerto, op. 37: III. Adagio, Viola Concerto, op. 37: IV. Allegro con spirito
齋藤剛志 performing orchestra Souvenir d’un lieu cher, op. 42: I. Méditation. Andante molto cantabile, Souvenir d’un lieu cher, op. 42: II. Scherzo. Presto giocoso, Souvenir d’un lieu cher, op. 42: III. Mélodie. Moderato con moto, Violin Concerto in A minor, op. 82, Violin Concerto in D major, op. 35: I. Allegro moderato – Moderato assai, Violin Concerto in D major, op. 35: II. Canzonetta. Andante, Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo
Uwe Schrodi performing orchestra Piano Concerto in D major, op. 27: I. Allegro moderato, Piano Concerto in D major, op. 27: II. Lento, Piano Concerto in D major, op. 27: III. Allegro assai (Tempo di valse), Piano Concerto in D-flat major, op. 6: I. Allegro non troppo, Piano Concerto in D-flat major, op. 6: II. Andante, Piano Concerto in D-flat major, op. 6: III. Allegro non assai
Dave Porter performing orchestra The Danube, JW IX/7: 1. Andante - Un poco più mosso - Con moto, The Danube, JW IX/7: 2. [ ] - Un poco più mosso - Meno mosso - Presto - [ ] - Adagio -, The Danube, JW IX/7: 3. Allegro - Meno - Più mosso - Più mosso - Meno mosso - Tempo I, The Danube, JW IX/7: 4. [Allegretto] - [Waltz] - Più mosso - [Poco tranquillo] - Presto
WMLV performing orchestra Den Bergtekne, op. 32, Landkjenning, op. 31, Sigurd Jorsalfar, op. 22: IV. The Northland Folk, Sigurd Jorsalfar, op. 22: VIII. The King's Song
水あさと performing orchestra Contrabassoon Concerto: I. Mesto, Contrabassoon Concerto: II. Presto, Contrabassoon Concerto: III. Misterioso
Stefan Adel performing orchestra Concerto for Cello and Orchestra, op. 22: I. Allegro moderato, Concerto for Cello and Orchestra, op. 22: II. Andante sostenuto, Concerto for Cello and Orchestra, op. 22: III. Molto allegro e appassionato
Murder One Gangster performing orchestra The Fiddler’s Child, JW VI/14: Allegro - Maestoso, The Fiddler’s Child, JW VI/14: Con moto - Vivo - Adagio - Allegro - Tempo Vivo - Tempo I - Meno mosso - Allegro -, The Fiddler’s Child, JW VI/14: Larghetto - Poco mosso - Tempo I - Con moto -
Claus Jacobi performing orchestra Fossegrimen, op. 21: I. Fossegrimen. Allegro moderato, Fossegrimen, op. 21: III. Bruremarsch. Allegretto marciale, Fossegrimen, op. 21: V. Fanitullen. Allegro con fuoco
Cool Heat performing orchestra Concerto for Violin and Orchestra, op. 47: I. Allegro moderato - [Cadenza] - Tempo I - Molto moderato e tranquillo - Largamente - Allegro molto - Moderato assai - [Cadenza] - Allegro moderato - Allegro molto vivace, Concerto for Violin and Orchestra, op. 47: II. Adagio di molto, Concerto for Violin and Orchestra, op. 47: III. Allegro, ma non tanto
Nasty Bulletz performing orchestra Passacaglia, op. 20 no. 2
Julia Brennan performing orchestra Violin Concerto "The Wandering of a Little Soul", JW IX/10
Luglio performing orchestra Bergliot, op. 42
Maurice Ravel performing orchestra The Fairy Garden